Quotes of All Topics . Occasions . Authors
The readership for 'Sag Harbor' was different from people who'd read me before - it was linear and realistic, not as strange as 'The Intuitionist.' Did they carry over to 'Zone One,' a story about zombies in New York? Some, some not. I'm used to people not caring about my other books.
We are going to do 'Hot Tub' until we die. Every Monday. Then we'll come back and do it as zombies. 'Hot Tub' is very important. What we do is based on our live skills. It's stand-up and sketch and improv; everything we do in 'Hot Tub' is important to our jobs. And every Monday I'm excited to do it.
Because the idea of zombies seems to make sense, and seems to, in a certain sense, be possible, I think one can use that to argue against the thesis that everything is purely physical. Now many people, I think, agree that the idea of zombies are conceivable, including people who want to be physicalists.
To me, the zombies have always just been zombies. They've always been a cigar. When I first made 'Night of the Living Dead,' it got analyzed and overanalyzed way out of proportion. The zombies were written about as if they represented Nixon's Silent Majority or whatever. But I never thought about it that way.
I love horror. I love 'The Shining,' 'Friday the 13th,' 'Halloween,' all those kinds of things. I love zombies, especially '28 Days Later' and '28 Weeks Later,' where the zombies are going faster than the George Romero ones. I love being scared; there's something that's awesome about your heart rate going up like that.
With 'Dawn,' I wanted the slick look; I wanted to bring out the nature of the shopping center, the retail displays, the mannequins. There are times when maybe you reflect that the mannequins are more attractive but less real - less sympathetic, even - than the zombies. Put those kinds of images side by side, and you raise all sorts of questions.
