Quotes of All Topics . Occasions . Authors
Zombie books were going to be my passion projects, but certainly not pay the bills. I thought I was going to have to get a real job on a sitcom or something, and have my zombie books to remind myself I was still a writer at heart. I never thought I could actually pay my bills and write what I wanted.
I did 'Slither,' so I've done seven hours in the makeup chair. So two hours for zombie makeup is like nothing. That's a walk in the park for me. When you do seven-hour makeup and then eight hours of work, you're thinking, 'Oh God, what did this do to me?' You're under that rubber forever. It's crazy.
I've always been afraid of video games - not afraid that I wouldn't like them, but that I would like them too much, and that after mere seconds in front of any particularly bright and absorbing game, I would abandon all ambition, turn into a mouth-breathing zombie, and develop a wide, sofa-shaped rear end.
Shane padded back to the couch and flopped, sucking on his own can of soda. Eve shot him an exasperated look. “Yeah, man, thanks for bringing me one, too.” The raccoon eye make-up exaggerated her eye roll. “Dork.” “Didn’t know if you wanted zombie dirt sprinkled on it or anything. If you’re eating this week.
We've done a zombie episode - only one - and the way we look at it as is we understand that there probably aren't zombies out there for real, but there's a lot of interesting stuff we can test about them. We've tested how bodies of zombies pressing against a gate, would they push it through and things like that.
Rob Zombie is such a filmmaker. He's so completely different from anyone else that I've ever worked with. He's so confident and laid back and so trusting that you could just show up and do whatever you want to do. He's really good about pulling an amazing cast together that he doesn't have to tell them to do anything.
When 'The Walking Dead' has been its best, all that stuff is happening at once: the emotion, action, horror, scares. I'm very proud that I was able to write an episode where a little zombie girl could walk out of a barn after a horrific zombie execution and have people cry. That's one of the proudest things I've ever done.
We don’t need a cure,” the other zombie said. “That’s right,” Scapegrace nodded. “We’re happy the way we are.” “Happy with the power,” Scapegrace clarified. “Very happy, just the two of us, and there’s nothing wrong with us either. It’s very natural in fact. Nothing to be ashamed of—” “Thrasher,” said Scapegrace, “shut up.
My 'Rot & Ruin' series is a post-apocalyptic adventure for teens. My 'Joe Ledger' novels are science-based action thrillers for adults. My 'Dead of Night' stories are zombie tales for adults; my 'Pine Deep Trilogy' is classic horror for adults, and I've written nonfiction books on topics ranging from martial arts to folklore.
I have no problem with responsible gun owners who own weapons for self-protection, hunting, or just sport. The ones who believe they have a constitutional right to 100-round magazines to fight off I don't know what - a zombie apocalypse? - try to shut down dialogue with threats and other macho posing because of their flawed beliefs.
That's the thing about zombies. They don't adapt and they don't think. Literally, you could have a zombie on one side of a chain link fence and you could be on the other side and they could be trying to get to you and six feet down could be an open door and they will not go through that door in the fence. That's why they're so scary.
My favorite monster has always been the zombie. They are so much fun. They can be scary, pathetic, sad, funny, tragic, even heroic. They are the most elastic monster because, even with all of that, they don't interfere with telling stories about the humans. They serve as threats and metaphors, but they allow the story to be about people.
My medications make me easier to deal with. They don't interfere with my creativity or turn me into a zombie or dull my real personality. They help me connect with people, allow me to stay calm when situations seem overwhelming, and help keep my thoughts from racing out of control. They help me leave the house when I'm scared to. They help.
Where did you find that one?" "I have no idea. I'm a magnet for crazies, I guess." "They must be able to sense a kindred spirit." "Your one to talk. Don't you have more hordes of the undead to lead in a glorious revolution?" "Zombies not undead. There's a fine distinction. And no. Right now I'm scouting new talent. The glorious revolution comes tomorrow.
My first ones were The Young Rascals. I made out with Dino Danelli, the drummer, in the alley behind the City Auditorium. Then I met Crosby, Stills, Nash & Young. Mitch Ryder & The Detroit Wheels. This is all way, way back in the day. Later I got in the big leagues, like chasing around The Rolling Stones. And I hid in the bus for Paul Revere & The Raiders. And The Zombies.
You mean Teletubbies? (Berith) The fact that you know what they’re called, Berith, truly scares me. (Jericho) As a demon of torture, it behooves me to know all things that are deeply annoying. You’d be amazed how many people in the modern age no longer fear zombies as much as Teletubbies. (Berith) Not really. I’d rather battle a brain-eating zombie any day than hear them sing. (Jericho)
I prefer sidekick. I tried once for the title of Padawan, but Bubba wigged out saying that mentors are always killed off in books and movies and he’d be damned if he was going to die once he taught me everything I needed to know about killing zombies. (Mark) Then why let you be his sidekick? Isn’t that the same thing? (Nick) Uh, no. In the movies, the sidekicks are the ones who die. (Mark)
I was never really that aware of commercial things. The stuff that was really influential to me were bands like the Misfits or the Birthday Party, or things like that. If someone said, "Do you love Judas Priest?" - I never really even had a Judas Priest record. That's not what I grew up with. That wasn't really my scene, you know? That's why White Zombie never really fit. I still don't fit.
To me, the best zombie movies aren’t the splatter fests of gore and violence with goofy characters and tongue in cheek antics. Good zombie movies show us how messed up we are, they make us question our station in society… and our society’s station in the world. They show us gore and violence and all that cool stuff too… but there’s always an undercurrent of social commentary and thoughtfulness.
Some international relations scholars would posit that interest in zombies is an indirect attempt to get a cognitive grip on what U.S. Secretary of Defense Donald Rumsfeld famously referred to as the "unknown knowns" in international security. Perhaps, however, there also exists a genuine but publicly unacknowledged fear of the dead rising from the grave and feasting upon the entrails of the living.
Trump is the hyperventilating yellow canary in the coal mine reminding us all that social death is a looming threat. He is emblematic of a kind of hyper-masculinity that rules dead societies. He is the zombie with the blond wig holding a flamethrower behind his back. He is the perfect representation of the society of spectacle, with the perverse grin and the endless discourse of shock and humiliation.
When I was on the set, I was not talking on the phone or reading anything else. I was just reading things, listening to music and watching things that had to do with the state of the scene. So it would be a constant, maintaining for the whole day that state. If I had an hour off for lunch, I would put on a movie or something that would help me stay in that area. And at the end of the day, I was like a zombie.
My personal success would be that people understand what I was trying to do. It was the most palatable when I watchmen_7_mdid Dawn. With Watchmen, too, I feel the same way. The movie's ironic and satirical and it's funny and serious and that's kind of the same way I felt about Dawn. Like I really was making a movie that knows it's a zombie movie and enjoys that and wants the audience to say, yeah, that's okay.
There are a lot of war memorials around the UK. It's usually a part of the war memorials. I loved the way The Glorious Dead sounded. It's kind of a strange thing to say. There's nothing particularly glorious about being dead. It sounded like a strange, horror film. It just grew from there, really. It seemed quite apt for the record. We're kind of obsessed with zombie movies and horror films. It seemed like it just fit, at the time.
One could dismiss the zombie trend as merely feeding a mass public that craves the strange and bizarre. Such an explanation would be only skin-deep. Popular culture often provides a window into the subliminal or unstated fears of citizens, and zombies are no exception. Some cultural commentators argue that the September 11, 2001, terrorist attacks are a primary cause for renewed interest in the living dead, and the numbers appear to back up this assertion.
It's why I get miffed at all the dashing around in recent zombie films. It completely misses the point; transforms the threat to a straightforward physical danger from the zombies themselves, rather than our own inability to avoid them and these films are about us, not them. There's far more meat on the bones of the latter, far more juicy interpretation to get our teeth into. The first zombie is by comparison thin and one dimensional and ironically, it is down to all the exercise.
The zombie threat is made worse by the fact that their victims then turn into the creature that attacked them. This too is similar to other monsters (werewolves and vampires) and also similar to the sub-genre of infection/plague films. In the case of zombies, however, this may carry a greater sense of dread and revulsion: vampires and werewolves can be seen as desirable, potent, intelligent, virile creatures whom one might like -- in some way at least -- to become; a mindless ghoul condemned to wander aimlessly across an empty, ruined earth seems much less attractive.
