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When I was a kid, we weren't really supposed to listen to secular music. But one day, I found a 'Led Zeppelin IV' cassette tape in the garage, and it was just amazing-sounding music, not like anything I'd heard before. I remember thinking: 'Well, if God created music, why is his music in church not as good as this?'
There's such a currency to Led Zeppelin, or the members of Led Zeppelin. If I put it to you this way, on the run-up to the O2 concert, the only music that we played was music of Led Zeppelin - the past catalog stuff; that's what we played on the way towards shaping up the set list for that. But we played really, really well.
If I were to come to the plate what would I play? 'Start Me Up'... maybe... by the Stones. Definitely wouldn't mind that. Something by Springsteen. Just a bit or a piece of 'Kitty's Back in Town.' Or something from Led Zeppelin like 'Ramble On.' That's a tough question. For anybody who can nail it down to one song, God bless them.
I don't think I understood guitar rock as well as I probably should have. I don't think I understood bands like Led Zeppelin. In their era, everyone had such a regard for them because of them ushering in rock n' roll and this larger-than-life lifestyle. But then they had these songs that would just not stop. I didn't fully get it.
My father gave me one of those small, box-sized travel players when I was a kid and just a handful of records that he had. 'Zeppelin IV' was one. 'The Beatles at the Hollywood Bowl,' which is just about the worst record ever - you can't hear anything, just screaming in the background. I think there was maybe, like, an Animals record.
I loved the idea of recording. The idea of sound-on-sound-recording captured me as a young kid, and once I realized what it was I had an epiphany. Before I was even playing the guitar, I would create these lists of how I would record things and overdub them, like Led Zeppelin song, 'I could put this guitar on this track...' and so on.
You get a chance like that maybe once in your lifetime, and you are lucky to sustain it over that period of time. It doesn't mean to say that whatever I do in the future has no substance to it - I may present some new material I've got, and there are definitely new angles of doing it - but I'm not looking to recreate another Led Zeppelin.
If you were the first person ever to design an application for the iPhone and you patented it, you would be very, very better off than we are right now, you know? But you've got to be the first one to do it. So I figured that Led Zeppelin or the Stones were going to do it unless we just got on to it. So I got cracking with the guys from Apple.
I once took a ride to the beach in L.A., and all along the shore there were all these so-called jazz places. And I saw these college guys and session players playing this fusion Muzak stuff. It was just a lot of notes, and the more notes they played, the more it kept them from expressing anything. So I came back home and got out my Zeppelin albums.