Quotes of All Topics . Occasions . Authors
I'm not Zappa, you know. I'm just Terry.
Frank Zappa... was Beethoven for insane rock guys.
People like Frank Zappa were amazing for us Brits.
The mother of invention in music is necessity, not Frank Zappa!
But I mean, again, Zappa's far more musical than the Bonzos ever were.
My obligation is to release the music the way Frank [Zappa] released it.
The hardest and worst interview that I have ever done was with Frank Zappa.
I think that Zappa intentionally made his music weird, but did it with intelligence.
My first big gig was an opening show for Frank Zappa, and I think that was difficult.
In my opinion, Lenny Bruce was more of an influence on Zappa's satirical lyric's than anyone that I know of.
My dad was a big Frank Zappa fan, so I remember listening to a lot of Frank Zappa. Girls do not like Frank Zappa.
Frank [Zappa] was not a big fan of having lyrics, but sometimes he had things to say that lent themselves to lyrics.
We are not a Zappa cover band. We only play Frank's songs that were recorded by the Mothers of Invention and I think a lot of those songs were complex.
I remember playing Billy Cobham's 'Total Eclipse' for Snoop Dogg. I also played him Frank Zappa, 'Apostrophe.' And I played him 'Saint Alfonzo's Pancake Breakfast.'
When I was growing up, I was always looking for the most willfully uncommercial music: Whether it was Captain Beefheart or Frank Zappa or King Crimson, that's what attracted me.
I got married about three years ago again to a wonderful German woman. Her name is Monika and she is beautiful. She is one of the biggest women Zappa fans I have ever met in my life.
We just thought of 'Boosh' as an extension of our childhoods in a way, the stuff we had grown up on and loved: 'Monty Python,' The Goodies, Frank Zappa. It spoke to a certain type of person, and we just carried on doing it.
There's a long tradition - certainly with country, but in all kinds of genres of music - to have humorous lyrics. Certainly with Frank Zappa and the Mothers of Invention and, if you look at country, Roger Miller and Jim Stafford.
One of my pet peeves is that sometimes the talents of my band get overlooked because, and it was the same problem that Frank Zappa had, with a lot of groups that use humor, people don't realize there's a lot of craft behind the comedy.
I'm jamming 'Black Sabbath Vol. 4' all the time. Zappa's 'Cruising With Ruben & The Jets.' A lot of Gong lately. Some Hawkwind. The Residents' 'Duck Stab' is amazing. Some Fugs. Lots of stuff, man. I'm pretty schizophrenic with records.
'Pastoralia' by George Saunders. Possibly my favorite book. It's one of the weirdest books I've ever read. If Monty Python and Thomas Pynchon had a love child, and it was raised by Frank Zappa on a weird commune, that would be this book.
My father was a studio musician, played for a lot of people like Frank Zappa and a lot of R&B bands, and was always gone doing that. Then when he was home, he was practicing. And so I always saw it, and I always wanted to do what he did.
People like Frank Zappa and Bryan Ferry knew we could pick and choose from the history of music, stick things together looking for friction and energy. They were more like playwrights; they invented characters and wrote a life around them.
My parents were big music fans, and my dad plays music, so I grew up with Madonna, Frank Zappa, the Beatles, Alice In Chains... it was all over the place. I had a Third Eye Blind record, but I also had Korn, Courtney Love, and Shania Twain.
I think a solo moves forward the way a song does, because it's reflective of the chords that I'm considering as I'm soloing, and at the same time I'm going as much out on a limb as Frank Zappa used to, in terms of just going crazy on the instrument.
Zappa was very technical and impressed by things that were musically challenging - weird time signatures, strange keys, awkward chord sequences. Zappa was important to me as an example of everything I didn't want to do. I'm very grateful to him, actually.
I was in school with Dweezil Zappa, Frank Zappa's son, and we had a band. Only in L.A. could stuff like that happen. We would hang out in Frank Zappa's studio, and we released a single in 1982 on his label. I was 12, and that was the first recording experience I had. To top it off, Eddie Van Halen produced it.
It's something I've recognized in the careers of those people who have been inspiring to me over the years - Neil Young, Kate Bush, David Bowie, Frank Zappa, and Prince. These are all people who constantly redefined themselves, and had to deal with the difficulty of trying to take their audience with them when they did that.
Driving around with my dad, growing up, he would play everything: Philip Bailey, Manhattan Transfer, Frank Zappa, Cream. I'd be like, 'Dad, cut this stuff off!' And he'd say, 'No, you're gonna listen to it.' I didn't understand why he liked it so much. In my mind, I would be thinking about the theme song to 'Sonic the Hedgehog.'
