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Advertisers now have a highly targeted opportunity for aligning their brands alongside the entertainment experience people are enjoying on YouTube.
I've been doing my own makeup since I was 15. I would steal my mom's products, go online, watch YouTube videos of girls doing their makeup, and try.
We spent zero dollars on advertising. We just had a YouTube video and that was it. We did a quarter million dollars in revenue, just in three weeks.
We are all amateur attention economists, hoarding and bartering our moments - or watching them slip away down the cracks of a thousand YouTube clips.
Since developing my blog and YouTube channel in 2013, Little Lights of Mine, I've connected with some of the most passionate people around the world.
I think the advent of things like YouTube have made it possible for creators to tell stories cheaply and efficiently and to have a built-in audience.
I try to use my influence and empower my community to always question the status quo - whether it relates to broader policy issues or YouTube gossip.
For me, because I've been such a YouTube lover since day one, I want to continue doing YouTube but also branch out and do other things simultaneously.
When you look at things like Flickr and Youtube, they are specialised blogging systems, so why hasn't blogging encompassed that ease of functionality?
People started hitting me up on Twitter cuz I was getting millions of views on YouTube and WorldStarHipHop.com and they saw me on MTV with Soulja Boy.
I still go on YouTube and watch the old performances and the 'Soul Train' lines. I'm still amazed by how much soul and funk the music and dancers had.
I became obsessed with watching YouTube videos with kettlebells and chin-up bars, Pilates. Built it up to five days a week training, then pole-dancing.
I watched a bunch of clips - YouTube clips, because I couldn't bring myself to watch entire shows - of, you know, 'Kardashians' and that kind of thing.
In the beginning of my YouTube channel, I feel like I was doing what everyone else was doing, and I kind of felt very pressured to fit in with everyone.
When I started on YouTube, no one talked about getting famous on the Internet or getting discovered on YouTube. I didn't even know it was a possibility.
I'm just out of touch with new music in general, and I only know about it if I'm hanging out with someone that knows about it, or I catch it on YouTube.
The thing that has always struck me is that there has always been a bit of a hole at YouTube when it comes to authenticity, human emotion, fun and play.
We filed suit against YouTube before the Google purchase. At the time I went after YouTube, I thought it was a small company ripping off our copyrights.
I'm known as a person who, like, steps out of the comfort zone. Who kind of breaks the rules and crosses the line in the sense of making YouTube videos.
The idea that somebody would go to my YouTube channel and want to watch movies and then be subjected to some terrible car commercial - I don't like that.
I looked on YouTube for sleep deprivation and there were videos of people experimenting with staying awake for a while. You saw all the different stages.
Hulu understood how much content costs. By remaining defensive, YouTube is losing various aspects of video - long-form, for example - to other companies.
People told me I was nuts when I went to sign an act from YouTube - and now, that's one of the most conventional things you can do as an agent or manager.
I usually just watch YouTube videos or reruns on Netflix of older TV shows like 'Family Guy' and stuff. But I still really want to start watching more TV.
The Internet Treasure companies tend to go public rather than get acquired, although there are clear exceptions, like Instagram, YouTube, Skype and PayPal.
That's the beauty of YouTube. You can take whatever you want and create a video from your home and put it up, and you're just sharing it with your friends.
If you have a YouTube account, you essentially have your own channel, and anybody who subscribes, or any of your friends on YouTube, they're your audience.
I love YouTube. You can find me there watching cat videos. I even like to watch other people play video games. I know it's a bit creepy, but it's my thing.
Even in the days of early YouTube, we always focused on narratives, and we always focused on franchises. We didn't do a lot of vlogging and stuff like that.
Every day, something new gets thrown at me, and I'm like, 'How did this happen?' I've gone through some of the craziest life experiences because of YouTube.
The thing that has made YouTube so successful is that you can relate to the people you're watching to a much higher degree than to the people you see on TV.
I'm fascinated by politics. I love watching everyone from Neil deGrasse Tyson to Lawrence Krauss to people like Richard Dawkins and Noam Chomsky on YouTube.
My children do not know what it's like to flip around channels. They either go to Netflix, Apple TV, or they pull up YouTube, and they can watch their shows.
Growing up with videos and YouTube, being able to see content from the '90s - music and games - that really helped me stay connected with the time before me.
I'm pretty obsessed with Stevie Nicks from her style to her voice. I like watching her on YouTube and her old performances, the way she moves and everything.
I definitely have aspirations outside of YouTube, but I think there's a lot of people on YouTube who want to leave YouTube. I don't want to leave; I love it.
When I first started my channel, I was a freshman in college and worked at a pizzeria, but I still made YouTube a priority because I was passionate about it.
Due to internal problems, 'Bluff Master' had a very limited theatrical release. However, the film was a big hit on digital platforms like YouTube and Amazon.
I don't really use YouTube that much. I am a very Internet-oriented person, but I'm more of a Twitter freak - I'm always on Twitter. Or chatting with friends.
I was watching 'Deal or No Deal' on YouTube recently, and I bawled when the contestant won £250,000. I think I just like watching people achieve their dreams.
I'm really happy that YouTube is as complete and successful as it is, to the point where, when things do go wrong, they'll hear about it from every direction.
It's so crazy to see people singing along to songs that aren't even released yet. I'm like, 'How do you even know the lyrics? Have you been watching YouTube?'
YouTube was always a secret space for me. I'd randomly post videos of me singing with guitar, or sometimes I'd post some half-finished film projects I'd made.
Creating content on YouTube played a huge role in helping define myself, as making videos was and still is a creative outlet for me - a way to express myself.
I am trying to make sure that I don't spend on ridiculous things, so that after all this YouTube thing goes, I'm not left there, like, 'Uh oh, I have nothing.'
I love documenting. Having these videos forever is priceless to me, so I think I will be doing it forever, but who knows if YouTube is gonna be around forever.
From our experiences with the site in Japan, we've come to ask, 'What can we learn about syndicating content from mobile devices and getting it up on YouTube?'
My abilities on the computer are limited pretty much to iTunes and YouTube. I check my email as much as anybody, but I'm more old-fashioned in a certain sense.
You and I can go on YouTube and learn how to fix a tractor engine or learn Farsi. Groups are using those tools to recruit young people into a climate of hatred.
The thing about stand-up was, I was doing all this sketch and YouTube stuff where I was not being censored and I got to do my own thing, and it was really cool.