Quotes of All Topics . Occasions . Authors
I'm so fascinated by YouTube culture. I have no idea how it's working, but more and more people are becoming Internet famous, and it is because it allows you to have an atmosphere in which you feel comfortable to be yourself, which you might not get otherwise.
I was discovered out of nowhere. I didn't have family that was in the industry. I didn't know anyone in L.A.; I didn't have any reason to have been discovered. Nowadays, you have YouTube, and people are scouting more, but I really was plucked out of obscurity.
I work in a studio with lots of young people, most of whom are my former students. We delight in trading YouTube videos! We all stop working to watch them. I'm totally addicted to anything with kittens and puppies, but 'Very Scared Kid' is one of my favorites.
As soon as I starting making YouTube videos, I received so much positive feedback from the online community and a demand for more content. As time went on, my filming schedule became more consistent, and it made sense to hire some help and upgrade my equipment.
With YouTube streaming and Twitch and all that, you can just hop on on any given night and play videogames and have people come watch you. And even if you've only got 400 people watching your stream, that's more people than would see my comedy if I went to UCB.
If I go on summer vacation, I'd make a funny video about it for YouTube. For Instagram I'd show the gorgeous pictures. Snapchat is for the little side moments, like the hotel room, the food. Twitter is for whatever thoughts that come to mind about the vacation.
YouTube offers the best solution by running an ad before showing the video, but also offering a 'skip ad' button that you can click after five seconds to go directly to the video if you are not interested in the ad. Now, that's what I call consumer sovereignty!
My manager and fellow YouTuber, Mike Lamond, encouraged me to start a YouTube channel as a way to practice speaking, entertaining, and being more comfortable in front of a camera. In the beginning, I used an $80 dollar flip-camera and edited every episode myself.
Anytime someone basically commissions a piece, I write a song based on something personal to them. I go online and I do research on that person - Wikipedia, YouTube interviews, anywhere I can find a piece of information that kind of tugs at your heart a little bit.
Quite a lot has been written, including by me, about the effect of social media on politics, and in particular the way in which the algorithms built into Facebook and YouTube are more likely to spread angry, extremist and deliberately provocative political language.
One day, I can come up with 50 content ideas, and I'm like, 'Boom, I want to do this idea, this idea, this idea.' I have a YouTube notebook, and I write them all down. Then other days, I'm like, 'I have no clue what I want to do today.' I rarely have days like that.
As soon as I was getting YouTube comments and hit 100 subscribers, I was thinking 'maybe there's something to this. I could keep going. I don't know how far I can really push it just reviewing random indie bands on YouTube, but it seems to have more gas in the tank.'
YouTube clips get millions, billions of hits. Reality TV programs have their own channels. How can movies attempt to compete with these kinds of numbers? And do we even need to? Are we scaring ourselves by unnecessary comparisons, by not comparing apples with apples?
Before YouTube, I was playing in restaurants and doing open mics - every once in a while, I'd throw an original in there. And then YouTube kind of just opened doors for me, so once I felt like I had an audience to share music with, I began to share my original music.
I'm ashamed to say it, but I watch YouTube videos of our live shows, wondering if it actually sounded the way it sounded when I was playing it, and the consistent thing I see is that you can feel the anxiety and the tension and it's over-aggressive a lot of the time.
But don't get caught out there looking goofy. It's weird. When you do something that stinks, it's going to last forever on the Internet. There's always someone in the audience with a camera phone and if you're not 100%, you're going to be watching yourself on YouTube.
I watched pretty much every coming out video on YouTube that has ever been posted; I watched it in between 14 and a half and 15. Those coming out videos, and those people on YouTube, those brave, brave, brave people on YouTube, without them, I don't know where I'd be.
I tell students, 'If you are learning from YouTube I almost don't want to teach you because what you learn from YouTube it takes 10 times as long to unlearn.' They do an approximation of the centre of the note, an approximation of the interpretation, a cloned version.
Bieber is the first mega YouTube star, born inexplicably out of a novel and disruptive medium. It has, of course, always been so for pop culture: feverish bubbles, silly novelty acts and disconcerting new forces impose themselves on a reluctant and condescending media.
The videos I put on YouTube have expanded my audience beyond what I could have done at just a Hamburger Mary's. People saw the videos, started booking me, and literally 40-plus countries and thousands of gigs later I can basically say that YouTube has bought me a house.
It's traumatic to meditate on the availability of information through the Internet, or the way we perceive the world as a result. People don't experience things totally or viscerally anymore. It's all through representation, be it a record on YouTube or a post on a blog.
Every day, three times per second, we produce the equivalent of the amount of data that the Library of Congress has in its entire print collection, right? But most of it is like cat videos on YouTube or 13-year-olds exchanging text messages about the next Twilight movie.
There's no Hollywood tradition of maybe not telling people that you're gay to protect your future ambitions. The YouTube world is a little unprecedented. I think what people are seeing is that the more true to yourself you are, the more an audience will connect with you.
Fullscreen is doing some really interesting work. They are taking these YouTube stars and people who have made entire careers out of social media and bringing them into an even bigger limelight on a new entrepreneur platform - and that's fascinating! That's genius to me.
Making YouTube videos while I was in school, I was fortunate enough not to really have any negative repercussions from it. I had a lot of positive feedback from my friends, who thought they were great and thought they were funny and that what I was doing was really cool.
People go to YouTube to laugh, and as a YouTuber, your job is to figure out a niche and feed people what they want to see. Now that I know what kind of stuff people want to see, then I will keep going down that road and creating videos that are going to make people laugh.
To play Hillary Clinton? I'm kind of winging it. No, are you kidding me? I prepared obsessively. I mean, as much as I could in the time that I was given. Of course, with someone like Hillary Clinton, obviously, anything you want is on YouTube and at your fingertips there.
People think that you upload a video, and it goes viral, and then you're a YouTube star, and I'm like, 'Nah, no.' In total, with all of the channels I've done, I've uploaded anywhere from 400 to 1,000 videos to the Internet, and each one of those takes a whole day to make.
I started using Twitter a lot and realized I had a lot of fans. Then I saw that I can share my music on Twitter and share my YouTube videos on Twitter. That's how I knew social media was going to be a platform to show my music. That's how I started. I started with Twitter.
YouTube viewers essentially curate their own content, so you could form your playlist to watch 'H+' through the eyes of one character, in chronological order, in reverse-chronological order, by geographic location. Our hope is that audiences take 'H+' into their own hands.
There's something about YouTube, where you're not being anybody but yourself. You have the opportunity to start as yourself from the very beginning. From the very first video, you choose what you say, and you choose what's right and wrong for your presentation of yourself.
I searched YouTube for 'deaf music videos' and watched them with the sound muted. I noticed that though you could understand the words being signed, the sense of rhythm was lost. That's when I had the idea to create a video where you could see the sounds you couldn't hear.
Grime, in particular, is not really about pirate radio and local raves on top of pubs anymore. There are things I miss about those times but as an up-and-coming MC, back then, I would have loved to have had SoundCloud and YouTube and all these platforms to promote my music.
Whether you're a Twitter follower, a YouTube subscriber or a Facebook friend, natural social instinct is to collect people and to not kind of see them later. But unfortunately, with social media, you collect them and they're in your life, whether you really want them or not.
I think doing research is probably the most valuable thing you can do for any career you're interested in pursuing, and not just a career on YouTube or in media. Really take a look at people whose careers you admire and learning from their successes, but also their mistakes.
I was in love with HTML and certain that the whole world was about to learn it, ushering in a new era of DIY media, free expression, peace and democracy and human rights worldwide. That part didn't work out so well, although the kids prefer YouTube to TV, so that's something.
We're trying to evolve a lot away from YouTube because YouTube is awesome - they have a huge audience, and we started there - but then you're at the mercy of their algorithms a lot, too. They can change anything, and it's really up to them, and you can't say anything about it.
Kimbo Slice the man, you watch the YouTube videos of this guy in backyards, and they start fighting and you think this guy's a thug. You think he's a bad guy, you have this perception of him and then you meet him, it isn't true. It's the exact opposite. He's a really good guy.
Technically, web browsers can control what users see, and sites using Javascript can overwrite anything coming from the original authors. Browsers heavily utilize Javascript to create an interactive Internet; sites like YouTube, Facebook, and Gmail could be crippled without it.
I'm a perfectionist, so everything I put out needs to be, like, 100 percent. So when it comes to releasing things on my YouTube channel, I triple-quadruple check it before I post it because this has got to be ready for the amount of people who are going to be watching, for sure.
Google has placed its faith in data, while Apple worships the power of design. This dichotomy made the two companies complementary. Apple would ship the phones and computers, while Google would provide Maps, Search, YouTube, and other web tools that made the devices more useful.
YouTube's a funny place because so many creators fall into their aesthetics out of necessity and the visuals are driven out of an urge to create. You get a lot of interesting examples of interesting design choices that have roots in practicality as well as an artistic sentiment.
If you can't stop singing as you walk through the halls of your house, or you love performing in your local talent show, YouTube is such a good platform to share that side of you. It's a place for people who have passions, and the audience is people who appreciate those passions.
I've been looking at some video clips on YouTube of President Obama - then candidate Obama - going through Iowa making promises. The gap between his promises and his performance is the largest I've seen, well, since the Kardashian wedding and the promise of 'til death do we part.
With my own videos, I definitely have more control over what I want to put out there and what I want to say. With the TV show, I'm not the editor. There's always things that I wanted to put in there. My dad has the final say in everything on YouTube, but I can be more expressive.
'Savage' is a trait that might get you into business school or retweeted 10,000 times. It's what a kid might say after somebody does something awesome or gnarly or fierce: 'Oh, that's savage!' It's the skate park. It's the high-school cafeteria. It's the YouTube comments section.
Usually, YouTube channels are named after the person that you see on camera... or in the case of ours, it could have been the show, but we didn't even name the company 'Red vs. Blue.' We named it something else to give people the idea that we were going to be doing more than that.
I'm consistently recording and releasing stuff online or YouTube videos or whatever it is. I just don't know if it's going to be a full on, I'm the next Rihanna, or whatever. I'm not going for it to that level. But I love making music and I don't think I could stop if I wanted to.
I'm perfectly happy for my videos to be on YouTube, whether I'm getting paid for them or not. If they're on YouTube, people will see them. If for some reason my videos get taken down from YouTube, well, I apologize. If it was up to me they'd all be up there and they'd all be free.
Just being a girl coming from YouTube, I know what it's like to have a very humble, simple beginning. It would be kinda crazy for my fans if I made it huge in that way and became the next big thing. I wanna be able to do it for them and say, 'Look, this is what you've done for me.'