YouTube has a stigma about only kids watching it. That's true. It is mostly kids and teenagers who watch it. But I've never made videos for teenagers. They should not be watching my videos.

I'd always loved watching YouTube videos, and that's what inspired me to make them myself. Initially I was drawn to makeup tutorials - I learned everything I know about makeup from YouTube.

By delivering a wide array of programming to YouTube, the NBA will be able to connect with its existing worldwide fan base and reach a vast new audience that is passionate about basketball.

One challenge, if you do a website, a Youtube channel, Twitter, Facebook, Myspace, Ping, other things like that, is you don't have time to be an artist. As a performer, you need to practice.

YouTube is the vlogs and my life, then Instagram is comedy skits and pictures that I take. Twitter's text, and Instagram Stories is even more behind-the-scenes vlog stuff. I'm always posting.

Your YouTube channel is your show. I think it's a wonderful platform for anyone who wants to have stronger creative control over their content, their message, their vision and their branding.

China may censor YouTube. China may censor Twitter. They won't be able to censor Bitcoin. There's no central authority. There's no one you can go to and say, 'We're going to turn Bitcoin off.'

The general reactions were that the video was either not going to load, or be painfully slow to load, or would require a plug-in users didn't have. YouTube changed that, because it just works.

A sign now of success with a certain audience when you do a short comedy piece, anywhere, is that it gets on YouTube and gets around. It's always something you're thinking about unconsciously.

There's only one medium left and that is YouTube. We can give lessons but people need to be willing to learn. I have a channel of my own. I teach music. If you have what it takes, come find me.

I have a science YouTube channel where I will sometimes use my engineering skills to build things such as the world's largest Super Soaker or the Guinness World Record world's largest Nerf gun.

We started recording videos around our house, like, doing dumb stuff. Going four-wheeling or whatever. Then we found out about YouTube and fell in love with it and started uploading our videos.

We were very fortunate to be in YouTube in the very beginning. There wasn't a lot of content on there, so we were pretty easy to find on YouTube. That was really helpful in growing our channel.

The strange thing was, when I was starting on YouTube, even the paradigm of YouTube and Internet sensation - or whatever - that didn't really exist. So I didn't even know that that was a thing.

I think with the 'Fred' videos online, I prefer doing it by myself. I mean it's YouTube. You want to have all the creative control because that's the only place in the world where you get that.

If you're 15 and you tell someone a secret, they can put it up on Facebook. If you make a mistake, someone films it on their mobile and puts it up on YouTube. When you're 15, you deserve privacy.

I'm a strange person - I don't really get rewards out of how many hits I have on YouTube. I love it, and I'm grateful, and it's important to me. But does it equal peace within me? No, it doesn't.

I decided to start my channel because my followers on Instagram told me that they wanted to learn how I did the looks I was wearing! So I started YouTube for my Mannyacs, and the rest is history!

You know how it is in L.A. At times, it's a dog-eat-dog world. There's a lot of sharks. I think with YouTube, we're anti that. We're anti-competitive. We're all about collaborating and supporting.

Fueled by Ramen was maybe the first company to see YouTube as a place where music videos would go. The music video, which could never quite find a place on TV, has found its final form on YouTube.

I would go on the iTunes chart and see the hottest songs, then I'd cover them. People would go on YouTube and search for those songs. That's how I got my views. I'd post two or three songs a week.

I wasn't really into school that much. I was in this building having to cram knowledge I didn't really care for. But on YouTube, I was able to create what I wanted and post it for people to watch.

If you really want to be an actress, go to school. I think it's great what people are doing on YouTube, but don't forget to go to class. Have a vision for yourself, but don't forget to do the work.

YouTube's growth exploded in 2006. Ian and Anthony of Smosh, who began uploading in late 2005, were among the platform's top native stars and they defined a lot of what it meant to be a 'YouTuber.'

I don't get involved in recruitment like people think I do. There's a myth that I look at YouTube and choose players. I don't. Having an eye for players is an art. I have no interest in doing that.

It's pretty cool I'm known for FIFA. If you think of KSI, people instantly think, 'Ah, that FIFA YouTuber.' I didn't think I would be up there as the ambassador of FIFA on YouTube, but I'll take it.

YouTube Live @ E3 is going to be different than the kind of show I would make for TV. In fact, one of the main draws is the opportunity to work side by side with many of the top creators on YouTube.

In 2007, when I first moved to Los Angeles, I got a call from Prince, and he had been watching my YouTube videos. It was crazy, because I thought it was my friend calling and pretending to be Prince.

I had to work a lot. I was doing YouTube videos, but I wasn't getting a lot of love. How do I make a living off rapping when no one knows me? I got kind of discouraged. But hard work shuts people up.

I take the time to understand my generation and what they want. Whether it's on Tumblr, Pinterest, or Twitter, I see what they are re-Vining or re-blogging and incorporate it into my YouTube channel.

The complexity and nuance of YouTube's culture, creators, drama, genres, styles, and memes is what makes it wonderful for people on the inside, but it is also a wall that keeps people on the outside.

The problem with YouTube is if I want to watch something serious, I can click on it, but in two seconds, I'm also going to be greeted with some video about some guy surprising his kid with a baby cat.

I love doing YouTube. That's where my heart is, and so it makes me sad when I can't put a good, fun, energetic video out, because that's what I love to do - and that's my passion. And that's who I am.

With everything that I've done with YouTube and podcasts for so many years, it's been: you can record it, edit, and then upload that day. With the book and documentary, it's been such a longer process.

I'll never forget my mom coming into the room middle of the night with YouTube videos of hypnotizing people saying, 'You're happy, you're going to be okay,' and she just played it in my ear as I slept.

I think Twitter is best when it sparks conversations elsewhere. To use YouTube and Facebook and all the tools we have available to us today to respond and also promote and answer and engage is awesome.

First of all, Marty Foster is a really good fellow. No. 2, Google or YouTube the time he called Ben Zobrist out on a strike three against Joe Nathan couple years ago that gave Joe Nathan his 300th save.

It's still possible to make movies. Not so much on YouTube. On YouTube, you wind up with an advertising career. What movie became infamous and a hit because of YouTube? Maybe there is one. I don't know.

When it gets to that time to tell your mum that you're not going to university, which has been her grand plan for you for the last 18 years, all of a sudden 700,000 YouTube views mean absolutely nothing.

I'm not a politician, I'm not in Congress. You know what I mean? I'm just a black girl that makes YouTube videos and tries to teach dialogue in campuses so they think before stepping into a voting booth.

I've just written this six-part sketch comedy series, which I've never done before. And I don't know how to pitch it. Am I supposed to just pick up a camera and put stuff on YouTube? Is that how it works?

I was introduced to fighting by my brother - he's a tattooer, a tough guy - and I completely fell in love with it. I was watching fights on YouTube all the time. I would go to parties to watch UFC fights.

If YouTube had existed in 1999, I wouldn't have had a show. And if YouTube had existed in 1999, I wouldn't have wanted to do the show, because I couldn't imagine clips from it following me a decade later.

For me, it's always fun to have people that do the same thing as you or and have the same work ethic as you. A lot of my friends have YouTube channels, and I use them in my videos, and I'm in their videos.

There I am, chain-smoking and watching YouTube videos in my bedroom at 6 A.M. when a spoken-word video comes on the screen. I knew I had to do it: that it was another part of me that needed to be explored.

When the first video was uploaded to YouTube, that's when we realized that people outside of Japan were interested. That's where we see Babymetal spreading, with people trying to mimic music or dance moves.

YouTube has changed my life in a huge way. I mean, I wouldn't be able to pursue music and do what I love each day if it wasn't for the YouTube platform and for the people who watch my videos and share them.

The entertainment world, television, movies, social media, YouTube stuff, we're so bombarded with so much imagery and such a great sense of inhumanity, and there is a coarseness, a coarsening of interaction.

I'd wanted to be a director since I was five and had been making videos since I was a kid. Then YouTube came around during high school. I was making videos, and it was just a place to put them, like storage.

YouTube is the new TV. I'm the voice of the young people. I feel like kids these days don't watch TV anymore... No, I will never leave YouTube. Never ever ever... If I do, you can do whatever you want to me.

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