Quotes of All Topics . Occasions . Authors
People ask me, what was your rock bottom? I say, pick.
For me, stardom means when people know your name when you appear on screen.
For some reason for me, and a lot of people, it's so hard to accept help even when it's from your closest friends.
People still take it really personally. They come up to me at breakfast places like, 'When are you growing your hair back?'
People know what authentic communication feels like, so having someone else handle your social media/commenting doesn't feel honest to me.
I play basketball to win a championship. That championship is everything to me. And that's what gets people to buy in to your brand - being a winner.
People discover you at festivals. They come to see Coldplay or whoever, and then wander over and catch your act. Festivals make a lot of sense to me.
Well, if you don't want your relatives and friends to die, help me spread the news. Let people know about immortality device. That way, your loved ones won't die.
Someone enjoys your batting, and someone, your humour. Since I'm not batting any longer, I can at least say some words, so people enjoy and give me compliments, too.
There have been so many people who have said to me, 'You can't do that,' but I've had an innate belief that they were wrong. Be unwavering and relentless in your approach.
You're at a party or an event, and you're interacting with other people, but there's no shame in getting your camera out and getting your perfect angle. It's bizarre to me.
People bring it up to me: 'Well, you're only in your spot because you can talk well.' Okay, first off, you could be right. But second, what - am I supposed to apologize for this? No.
One thing I like about historical fiction is that I'm not constantly focusing on me, or people like me; you're obliged to concentrate on lives that are completely other than your own.
I'm trying to get a thicker skin. I like to be aware of people's perceptions of me, but when you put it as a priority, as a means to judging your worth, that's when it can be dangerous.
Being a grandparent doesn't interest me whatsoever. Babies are all right if they're your own, but I'm not interested in other people's. It's something you tolerate because they are yours.
It's very difficult to put it into words or really put your finger on exactly what it was that people found so attractive about Wham! But it was a lot to do with George and me and our friendship.
When I was growing up, my parents told me, 'Finish your dinner. People in China and India are starving.' I tell my daughters, 'Finish your homework. People in India and China are starving for your job.'
I can't stand having a messy purse, and it makes me anxious to watch other people dig through their messy purses (especially if it's an expensive designer bag! Don't treat your Chanel like a trash can).
I've often had people ask me, would you allow a homosexual to be your friend. Yes, I will. And the reason I will is because I know that that person has problems, and if I can minister to those problems, I will.
I'm totally fine with people criticizing me in shows... people like this show, or don't; you're entitled to your opinion. But when people are criticizing you as a person, I have to say it's a little bit different.
If people want to invade your privacy, they want to invade your privacy. I find it chilling, and I find it awful, and it makes me really nervous. It hasn't happened to me much, but when you have a taste of it, it's bitter.
I think acting is overrated. I'm not sure I enjoyed it. You never get to write your own roles. It's wonderful for some people, but I found it nerve-wracking. I was too busy worrying that no one would give me their words to speak.
It bothers me when people say 'shock comic' or 'gross-out' because that was only one type of comedy I did. There was prank comedy. Man-on-the-street-reaction comedy. Visually surreal comedy. But you do something shocking, and that becomes your label.
I think it's an interesting thing to me, because we have this desire for everything to be explained to us. But if you go through your daily actions, very little ends up having a written-down explanation for why things happen, or why people do specific things.
You can get on with your job. I'm going to get on with mine. And mine is to deliver for the people of Northern Ireland, that's what they expect from me and I'm not going to be deflected by interesting academic or media speculation or attempts to take the whole debate back.
What's frustrating to me is when, on a low-budget movie, people don't take chances. A big-budget movie, that script's your bible; nobody's going to risk going off the page. But when you're doing a very low-budget film, why not take some chances, intellectually, artistically?
You try to shut the criticism out, but it's pretty hard to do. You see people on the street, friends, people that you know are in your corner, and they come and tell you how bad they feel, and that's not the kind of conversation you want. I don't want anyone to feel bad for me.
Generally, I think what guys do is they get your number, because if I interview you on my show we can exchange information and I don't have a problem with that. But I think sometimes people are nervous to say things to me because they don't know if I'll blow them up on the air.
I'd like to make mistakes on my own dime and not have a herd of people tell me what I'm doing wrong. and I'm also still trying to find and develop my voice as a filmmaker, and I think that's easier to do on your own terms than trying to satisfy a bunch of people that are paying for the movie.
I don't have any friends and don't have any intention of making any. People will stab you in the back, mistreat you, talk about me behind your back, steal from you. And they're not really your friends. They're only there because you're a celebrity or because they want to get something from you.
When I saw Adele, I thought: 'I'll give it an hour before people say I was her,' just because I was fat. When you watch 'X Factor,' you can bet your bottom dollar, every single fat singer sounds like me as far as the judges are concerned. Can you imagine if they did that with every black artist?
I think the comic that's gotten me the most feedback is actually the one about the stoplights. Noticing when the stoplights are in sync, or calculating the length of your strides between floor tiles - normal people notice that kind of stuff, but a certain kind of person will do some calculations.
I've had tons of bullies who would call me retarded, even on my Facebook page. It's sad and it really hurts. I want to tell people not to use the word. Don't say your friend's retarded when they do something foolish. If you have a disability, keep working hard. Whatever it takes, do it, and don't be mean to people.
I don't like to be noticed. The older I've got, the more reclusive I've become. I've got late-onset shyness. People are lovely. When they see me in the street, they don't ask for anything from me. They just say: 'I thought it was you, and I just wanted to say how much I enjoy your books,' but I can't seem to cope with it anymore.
Once or twice in the height of 'Happy Days' excitement, which had more to do with Henry Winkler as The Fonz than ever had to do with me, we were kind of like a boy band for a year or so, and we would go out on personal appearances and feel the limousine rocking, and the grabbing at your clothes and people trying to steal your cap.