The only thing that makes me feel old is when I can see your ankles and you have on pants.

To me, I feel like your accomplishments have been recognized when you make the cover of a videogame.

You can't feel your way into an Ashes series, you have to be switched on from ball one. That's just me in a nutshell.

I think sometimes when you're working consistently in film, and maybe this is just me, but you do feel quite dislocated from your audience.

I crave for adventure. It makes me feel alive and excited. It's a constant tussle between what you want to do and other parameters that aren't in your hands.

I don't really rely on watching video monitors. They put you at a certain distance from your actors, and it makes me feel less a part of what's really happening in the scene.

I just feel lucky to have grown up where I did because I think it gave me a nice base. Hollywood can really mess with your sense of self and I feel like coming from the South keeps me pretty grounded.

The blessing of having your first project be something as fantastic as 'Girls' is that it gave me room to be selective because I didn't feel pressure to do other things. The curse is that my standards were really high.

When I was in high school, my thing was to get as close as humanly possible to a girl and just make her have to kiss me! You do the hug that's too close, where your mouth is close to hers and you kinda feel it out a little bit.

For me, it was my first cosmic connection, on par with a first kiss. No other planet looks as unworldly or surreal as Saturn. When you see it floating in the eyepiece of your telescope, you feel as if you've uncovered mystery in the cosmos.

Every single player needs that eye-to-eye connection, I'm sure. They want to know what is expected of them, but it's not just me telling them what to do. It's about asking, 'What are your strengths? What do you feel? What can you give to the team?'

I think, in a large way, it's, 'OK, you've knelt; you've made your point.' But I don't necessarily feel like that. I don't know what that looks like. Do I kneel forever? I don't know, probably not. But I think until I can feel like I'm being more effective in other ways, then this seems appropriate to me.

It's not about composition. It's the way you feel about how your objects should relate to each other. I've got lots of African statues and things, and the cleaner arranges them like soldiers, which drives me mad. So I have to rearrange them, and I must drive her mad, because I'm doing anarchy and she's doing military manoeuvres.

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