Quotes of All Topics . Occasions . Authors
During the session of the Supreme Court, in the village of -, about three weeks ago, when a number of people were collected in the principal street of the village, I observed a young man riding up and down the street, as I supposed, in a violent passion.
I've been very lucky to have achieved a lot of the things that I dreamt of achieving as a young man. But, at the end of the day - and I truly believe this - it is not about achieving great wealth or success. Because they don't bring happiness, ultimately.
I first met Bev Shea while in Chicago when he was on Moody Radio. As a young man starting my ministry, I asked Bev if he would join me. He said yes, and for over 60 years we had the privilege of ministering together across the country and around the world.
When I first ran for public office, it was with the passion and idealism of a young man who believed that government could help make our lives better, that public service was a calling and that citizenship demanded responsibilities. There was a greater good.
Similarly, many a young man, hearing for the first time of the refraction of stellar light, has thought that doubt was cast on the whole of astronomy, whereas nothing is required but an easily effected and unimportant correction to put everything right again.
An older guy, he's going to show you things that a young man can't show you. He's going to show you how to stay alive. He's going to show you how to turn corners where your young friends will show you how to turn right into that wall, you know what I'm saying?
When I was a young man, I understood that poetry was two things - it was difficult to understand, but you could understand that the poet was miserable. So for a while there, I wrote poems that were hard to understand, even by me, but gave off whiffs of misery.
The last thing in the world I should have done was go into the theater because was inordinately shy as a young man. I couldn't open my mouth. At a party, I was the one stuck up against the wall. I was embarrassed about talking. I felt that I couldn't talk well.
I have the same interests as women. Well, apart from football and music, obviously. I've always had as many female friends as male ones. The novels I read as a young man were all by women writers, and when I started writing, I wanted to set my books inside the home.
I agreed to go on a date with a nice young man who was a former student of my uncle, who taught music in high schools and colleges. The nice young man took me to a party at his sister's, where I met people who introduced me to virtually all the elements of my future.
A young man who knows and loves the Book of Mormon, who has read it several times, who has an abiding testimony of its truthfulness, and who applies its teachings will be able to stand against the wiles of the devil and will be a mighty tool in the hands of the Lord.
In a summer marked by instability in the Middle East and Eastern Europe, I know the world also took notice of the small American city of Ferguson, Missouri - where a young man was killed, and a community was divided. So yes, we have our own racial and ethnic tensions.
Well, I think they're all basically the same story. Every culture in the world has them. When you strip it down and analyze it, it's the young man or girl who goes through a trial or ordeal and hits a very low ebb but manages to get guidance from a Merlin type figure.
I remember as a young man seeing these bigger-than-life, strong images of black manhood in the form of Jim Brown and Fred Williamson, Jim Kelly, Billy Dee Williams. All these guys were these alpha males who were smart, attractive. I said, 'Wow, I want to be like that.'
As a young man, every bone in my body wanted to pick up a machine gun and kill Germans. And yet I had absolutely no reason to do so. Certainly nobody invited me to do the job. But that's what I felt that I was trained to do. Now no part of my upbringing was militaristic.
I have to say that Adam Levine is truly a daring young man to go on Twitter to bash Fox News. He's so rebellious, so subversive. I mean, for a musician, seriously, could you find a more predictable stance than that? He's as edgy as a hacky sack, which also describes his music.
As a young man, even if I was going to see a play or a film by myself, I didn't feel like I was alone. There was something that was unfolding up there that brought me into it. And I recognised that. For those two hours, it made me feel like I belonged to something really good.
Like the Negro League players, I traveled through the segregated south as a young man. Because I was black, I was denied service at many restaurants and could only drink from water fountains marked 'Colored.' When I went to the movies, I would have to sit in the Colored balcony.
Drake was a fan before a friend. He already was a Cash Money millionaire. When opportunity came, maybe we put the most on the table. That was my thinking because I just thought that this was a very talented young man. We saw a future with him, so it was about him being comfortable.
I was a nervous young man. I wanted to do so many things. And I was so enthusiastic and earnestly in love with so many things that I tried too hard. I tried really, really hard. And I made a lot of mistakes. I was afraid of a lot of stuff. And I kind of feel bad for that person I was.
The historical Woodrow Wilson suffered from numerous complaints which we might today label as psychosomatic. Yet, Wilson did have a stroke as a relatively young man of 39 and seemed always to be ill. He was 'high-strung' - intensely neurotic - yet a charismatic personality nonetheless.
I studied Japanese language and culture in college and graduate school, and afterward went to work in Tokyo, where I met a young man whose father was a famous businessman and whose mother was a geisha. He and I never discussed his parentage, which was an open secret, but it fascinated me.
Religion features more now in my life than it did when I was a kid - my dad rejected the Catholic church as a young man. I had no religious upbringing, but certainly, Dad was a kind of secular humanist. I don't know if he was an atheist or agnostic. I regret I didn't talk to him about it.
Jekyll is quite me: young man; polite. But being able to play Hyde was quite fun, to create a character that's nothing like me. I quite enjoyed creating a new character like that: he had a different voice; physicality; mannerisms. Everything had to be thought about. It was a real challenge.
If I could change anything, I would definitely have had a father around. My father. I would definitely say it affected me deeply as a young man, coming up. Who doesn't want a father? Those are the beginnings, and those are what can dictate the roads you choose in life, and choosing them well.
My father passed away a few days before my election. This man, an African American born to a poor single mother in 1936 in the South, would worry in the last years of his life that he had better life chances when he was growing up than a young man born in the same circumstances would have today.
When I made my first film, I had hardly ever seen a camera before, and I was a young man when I arrived in Paris from the suburbs. At the time, I didn't talk much. I was very shy, so the bluff served me. I was telling people that I had no money, and that I knew how to make films, but I had no proof.
It is indeed fitting for me to make a comment to the effect that it takes a village to raise a child because I have lived in many villages down in deep south, and everyone there who played a part in my stewardship as a young man growing up and as a professional, they have given me unstinting support.
My father was - actually was an Episcopal priest as a young man. Became a psychotherapist, a psychologist. My mother is Jewish, so I grew up in a mixed background. But the common denominator was certainly music, and that was sort of emphasized in my household as music being sort of the spiritual force.
I have never criticised the Thai government. I was only invited there to share my experiences of being a young man who took part in the umbrella movement. And this led to me being detained as soon as I stepped off the plane and being treated in a way that goes completely against human rights and the law.
To play the trumpet, you must train your lips for a long time. When I was twelve or thirteen I was a good player, but I lost the skill and now I play very badly. I do it every day even so. The reason is that I want to return to my childhood. For me, the trumpet is evidence of the sort of young man I was.
A woman at the Limited once asked me, 'Why do you work?' She said, 'You made a lot of money as a young man, so why are you still working?' I had never thought about it before. Forced to consider it, I told her, 'You know why? Because I think that if you stop to smell the roses, you'll get hit by a truck.'
In truth, I never dreamed of being a manager. Like every other boy in Brazil who was marked by the '70 World Cup, I dreamed of wearing the yellow shirt for the national team. Unfortunately, that was not my fate. I had to undergo seven surgeries on my knee. At 27, my career was over, and I was still a young man.
There is this strange fog of being a young man that I would refer to as soft time. Time does not go forward there. It's a series of doors that kind of wind back into one another, like a series of doors in the upper floor of a house. You revisit the same lessons over and over again, or you choose to ignore them.
The young man who's had the Guggenheim fortune behind him all his life - he can hire all the authorities on the subject to teach him how to do a monologue, but he's never going to have the right stuff to pull it off. If he doesn't walk out onstage needing to walk out there, he doesn't have a dream of doing well.
As a young man, I saw families prosper without reading because there were always sufficient opportunities for willing workers who could follow simple instructions. This is no longer the case. Children who don't read are, in the main, destined for lesser lives. I feel a deep sense of responsibility to change this.
I had a theatre company years ago when I was a young man, and we would do street theater. This guy did a workshop one day on fire eating, and I participated, and it was just one of those party tricks that you learn. My last endeavor doing that was with the Muppets, back in 1995 or something like that. And I haven't done it since.
'Melanin Man' was inspired by the words of an Uber driver in L.A. Before I got out of the car he said, 'They're scared of you young man. You're a king and they all know it. They want your culture, your soulful element and your style. You're Melanin Man, a super hero. Be safe out here.' Then I got out the car and took that all in.
As a young man, I was a navy officer in Vietnam. I made $320 a month and would always give away $50 a month to a family I felt that was in greater need than me, in addition to my tithing to my church. I've just always felt in my heart, coming from a very humble background, that there are plenty of people who need a break in life.
I was always very curious as a young man about why older writers who I met seemed so indifferent to what was going on, whereas I, in my 20s, was reading everything. Everything seemed important. But they were only interested in the writers they admired when they were young, and I didn't understand it then, but now, now I understand it.
I really have to accept the fact that I'm not a young man anymore, that I've probably taken one lifetime's worth of punishment already, and I really do need to be careful. Certainly I don't want other WWE superstars taking the shots I did. That makes me feel very uncomfortable when I see somebody get hit with an unprotected chair shot.
Leo Durocher was our manager and he brought Willie up to me and said, 'This is Willie Mays and he's your new roommate.' You could see right away that this young man was a natural. He had those real big hands, great power and speed and would catch everything hit in his direction. He's the best center fielder that ever lived, no question.
I was a musician and did moderately well at that. I made an enjoyable living as a very young man, but I think as I became more comfortable and knowledgeable about myself and what I wanted, I moved into acting. I came to it rather late - later than most. I just really wanted to try my hand, and thankfully, it worked out for the most part.
I read John Irving's novel 'The World According To Garp' when I was about 14 or 15. It was the first grown-up book that I had read. It is the story of a young man who grows up to be a novelist. I finished it, and I wanted to write a book that made the reader feel the way I felt at the end of that, which was sort of both bereft and elated.
Those of us in law enforcement must redouble our efforts to resist bias and prejudice. We must better understand the people we serve and protect - by trying to know, deep in our gut, what it feels like to be a law-abiding young black man walking on the street and encountering law enforcement. We must understand how that young man may see us.
As a young man I couldn't travel, nobody could travel, they wouldn't give us a passport. For many years I was trying to go abroad. And then one day I read in the newspaper about a new competition for composers, and the first prize was a trip to the West. I decided I must get the first prize, so I wrote three pieces in three different styles.
I first came to cinema as a passionate filmgoer, when I was a child. Then, when I was a very young man, I became a film critic precisely because of my knowledge of cinema. I did better than others because of this. Then I moved on to screenwriting. I wrote a film with Sergio Leone, 'Once Upon a Time in the West.' And then I moved to directing.
Everyone finds their own version of Charles Dickens. The child-victim, the irrepressibly ambitious young man, the reporter, the demonic worker, the tireless walker. The radical, the protector of orphans, helper of the needy, man of good works, the republican. The hater and the lover of America. The giver of parties, the magician, the traveler.