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Before 'Animal House' came out to open up a huge market, there just weren't parts for young guys. That genre of film was my ticket in... One of my first jobs was with Bill Murray in 'Stripes.'
The first few games that we played against some of the teams, the young guys, you know, want a stick sign or photo sign, and I think that they respect what I have achieved throughout my career.
I suppose and I hope that the young guys who are out there losing their lives at least feel the same way I did. I shouldn't think about this very much because I'm almost weeping when I think about it.
I'm working on a cooking show; I'm going to do some of it at Dallas Page's performance center. I'm going to do a cooking show called 'Dude Food,' where I show young guys how to eat good and clean, cheap.
Walk across any of the trading floors - they are full of 29-year-old kids. The capital markets of America are controlled by a bunch of right-out-of-business-school young guys who haven't really seen that much.
Especially young guys, it's always fun to see young guys come in and have that same enthusiasm about playing a certain way and fitting into a certain role and going after guys, trying to get them off their game.
I believe that many of my young guys lived because I didn't waste their lives because I didn't have the vision in my mind of how to destroy the enemy at least cost to our guys and to the innocents on the battlefields.
I would like to see more airplay for all artists, no matter what age. I think there's a lot of money being spent toward the young guys, but a lot of the older guys are the ones who blazed the trail for those young guys.
For the Broncos, they're kind of in a rebuilding stage with a lot of young guys and here I am, 10 years in the league, ready to be a free agent. I think it was best for the Broncos to trade me for the draft picks and try to build.
Young guys in this league don't understand urgency. These guys don't understand that you never know what the league brings, the times may bring. I think they do understand what it takes to win here, and they continue to learn that.
The backstage stuff is not for everybody. I'm very hands on; I like to train and teach young guys now because there's so many of them. There are certain ways to do things, to get crowd reactions and sell your emotions and sell stories.
That's where I'll get the love in my heart: from, the fact that little young guys can look at the obstacles that I had to go through to become a Hall of Famer and know it's not so bad when it comes to them trying to accomplish the same goal.
I am young, and I think all young guys would love to play a superhero - any superhero - it doesn't matter. I could be a superhero that would just turn into a big blob or something like that, but I could tell all the ladies, 'Hey, I am superhero!'
In my office, we were talking about the fact that they'd announced a remake of 'A Star is Born,' and I was bemoaning the idea of a fourth remake. And the young guys who work in my office were giving me blank looks, like, 'What's 'A Star is Born?'
I'm old fashioned. I'm not one of these young guys who think they are so smart that they can prescribe what humanity ought to do. Humanity never learns any lessons. Prescriptions don't matter. We already know exactly what to do. We just don't do it.
You know, I still love the innocent parts of the game. I love hitting tennis balls. I love seeing the young guys do well. I'll still have a lot of friends to watch. I'll miss the relationships probably the most. As time passes, I'll probably miss the tennis more.
Obviously playing on a team like the Cavs in 2014, they were championship contenders, not allowing a ton of young guys to come in and play through mistakes. If you weren't helping the team have success you weren't really afforded a lot of different opportunities.
I hope that there can be a solution where T20 is still a huge part of the game, especially if young guys today understand what a Test match is all about. To me, you have to learn the game from the grass-roots and then reach the next stage where you can be explosive.
Young guys kind of have this chip on their shoulder of, 'I want to prove something,' right? 'I've got to prove how tough I am. I've got to prove how good I am.' And man, now as I'm getting older, I think it's almost sad when guys my age and older still have that chip on their shoulder.
The players don't play the position game as much as we used to play. A lot of young guys go up and down, shoot the puck, go for the rebounds. You're getting tired quicker because the body has to react where the puck is going to go. You cannot read it, because you don't have the puck on your stick.
When you have used your beauty to get around, it's like having extra cash in your back pocket. I was so used to walking down the street and having the young guys passing by at least give me a flicker of a look. But once you're over 40, you become invisible. You're a brick in the building, and it's sad.
Actually, a person asked me if I was ever going to come back to WWE. I told them that if I came back, it probably wouldn't be as WWE Superstar, because the young guys are really what it's all about. Bringing me back as an announcer is a great position for me to actually go out and make the young guys bigger stars.
I took a lot of pride, honestly, in hiring these young guys, that not only to become future head coaches, but I wanted young guys that could help me - guys that can coach, guys that could study, guys that loved it, that would do it for nothing. That's how I got into coaching with the 49ers when John McVay hired me.
You feel like a stud out there when people swing and miss. As I've gotten older, I've preached to our young guys that strikeouts are sexy, but outs are outs, man, no matter how you get them. It's a lot cooler for me pitching in the seventh or eighth inning than it is going 5 1/3. Your manager likes it a lot more, too.
The great thing about Nashville back in the day was that the old guys hung out where the young guys were. The established writers like Harlan Howard and Jack Clement gave us encouragement and passed the guitar, you know? Chet Atkins let me sit in on his sessions. Everybody was good to us, and everybody loved the music.
The first thing I said to Chase Elliott when I was in Iowa at a same race as him, I told him, and he was humble as his father is humble, I said, 'Look, you can't be happy just to be here. Don't be saying, I can't believe I'm here. You're here because you're good. You've got to go out now and win.' I always tell young guys that.
British actors come at acting from a slightly different angle. Because a lot of the films are cast out there, they are so used to the angle from which the Americans, and certainly the young guys from L.A., are coming at it, that I think it's interesting for them to find these English actors who maybe approach acting from a different place.