Quotes of All Topics . Occasions . Authors
People think of me as a privileged young girl born to wear a chiffon party dress. I was born into a big acting family, and although I absolutely adore them, it's taken me time to work out how or where I feel comfortable.
I didn't want my daughter to feel culturally isolated in the pursuit of her studies as I had as a young girl. I didn't want her to give up on her passions just because she didn't see anyone else like her in the classroom.
My mother as a young girl went out with a young SS officer and she didn't really know what was going on - she just liked the uniform. When he told her about the things that he did, she was disgusted and broke up with him.
I want to make sure that every kid, every young boy and young girl in this country gets the opportunity to live their American dream. That's what the role of being in Congress and being a United States senator is all about.
I guess, as a young girl growing up in Liverpool in the '80s, when unemployment was high, my ideal job would have been to have been Minister for Employment to see, can you solve these problems? Can you get people into work?
As a young girl, I was too intent on getting to London and drama school and out of east Yorkshire to think about winning Oscars. I did win a Bafta once, and was so unprepared for it I jabbered on for a minute - a minute too long.
Usually, when a young girl is pregnant, she drops out of school and concentrates on being a mother. I thought that's what I had to do, but my counselors told me there was no way they would let me drop out. I had too much promise.
When I was a young girl, I lost a lot of weight over one summer - involuntarily - and was just really depressed and sad. There was nothing I could do to gain weight. I would look in the mirror and call myself disgusting every day.
I've been in the songwriting circuit as well. I've been in a couple writing camps where there are seven top writers or whatever, and they're writing songs for a young girl or a young guy that are coming up, and they're kind of nuts.
I have a memory of listening to Tracy Chapman and just being intrigued by her voice. Even as a young girl, I wanted to know more about her and her story. I felt I was learning about her through her music. That was a revelation to me.
What I've learned about being trans in transition is just that sometimes good things don't happen when you try to rush things. Just as a young girl grows into a young woman, you know, we transition; we grow into our bodies the same way.
My father once told me when I was a young girl that I was destined to do great things. His belief in my abilities and ambition is rooted deeply in the spirit of Malawians; resilient and determined for a better Malawi and a better Africa.
I was only a young girl of 13 when my father passed away from a sudden heart attack, leaving us unprepared to take on life without him. We had been protected from life's challenges so far. But without warning, all that changed overnight.
When I was younger, I was in love with everything about the British Isles, from British folklore to Celtic music. That was always where my passions were as a young girl, and so I studied folklore as a college student in England and Ireland.
One can't live with a child of Holocaust survivors without absorbing some of the same sensibilities that her parents transmitted to her as a young girl. It is an unspoken dread, a sense of fragility, an anxious anticipation of unseen horrors.
There were times when I tried to hide my muscles. When you're a young girl, you hear, 'You're really strong,' or, 'You have really toned arms.' In my head, it wasn't something that should be said about a girl. It should be more, 'You're pretty.'
'Rocking With Leroy' used to come on when I would come in from school. It was a very, very big R&B broadcast of the day when I was a young girl. And I would come in and put my books down, lie down on the floor, and listen to 'Rocking With Leroy.'
It's difficult for a young girl like me. Because there's a certain time for young actresses, which is like a really juicy period when all the parts are love interests and young heroines. Of course, there's always work for men whatever age they are.
I was a confused young girl with so much tragedy. Sometimes when you're going through stuff, the last person you're thinking exists is God. I mean, it was my confusion, the anger that was in my heart, all that drama. But thank God I know God now, okay?
A young girl reached out to me to be her mentor one day, which I didn't really know anything about. What I did remember was what it was to be alone as an African-American dancer in the ballet world and wanting to connect with someone who looks like me.
I knew from the time I was a young girl that I was destined to be a writer. I'm incredibly stubborn. The more someone tells me I can't do something, the harder I work to prove them wrong. My father's nickname for me when I was growing up was 'Hardhead.'
My understanding of films was just as much as any young girl who watches Bollywood films. I had no idea about the whole process of filmmaking, about dialogue writing, scripts, screenplay etc. I had probably gone to two or three film shoots in my childhood.
As a young girl, I definitely struggled with knowing what to do with my hair. I was just in a neighborhood that had mostly white people, and the hair norm was long and sleek and straight. My hair naturally was curly, and I didn't have that many references.
The premise of 'Descent' may sound pretty straightforward: One summer morning while vacationing with her family in the foothills of the Rockies, a young girl, a high-school athlete in her senior year, goes out for a run in the higher altitudes - and disappears.
I struggled with self-esteem issues as a young girl, and it was not until my gymnastics career was completed in 2000 that I realized my accomplishments would not have been possible without my type of body, and I finally started to appreciate and celebrate myself.
Every time a young girl comes in and asks me for advice, if you start your conversation with, 'How hard is it as a black woman,' or, 'How hard is it as a woman,' I turn you around. Because I cannot - we cannot look at the roadblocks and see the road at the same time.
As a young girl, I used to dream of giving an interview. You dream of stardom as a kid. People think they don't want to be stars. Everyone wants to be a star! That's the truth. Even grownups; they pretend they don't want to be one and don't care. But everyone wants to.
I was a very young girl and I got into fashion very much by accident, wanting to be independent. What was wonderful was that while I was learning and discovering - learning about the work, discovering myself as a woman - I was allowing other women to feel the same way.
I think Michael Crawford realised, I think we all realised, once we'd gone the route of casting a very young girl, you can't really cast a 65 year old man opposite. Slightly different resonance I think. No, we weren't going to go there. We'd have Jack Nicholson in the lead.
I've always liked wrinkles. When I was a young girl, I used to make lines on my face with my nails because I loved Jeanne Moreau. I always wanted to be older; I always added years to my life. For the longest time, if people thought I was older, I would take it as a compliment.
As a young girl, I watched my mother hand-stitch thobes while sitting on the floor with a lamp at her side. She would make the small designs of flowers and different shapes. Just thinking about it brings up so many memories of my mother and how proud she was of being Palestinian.
The celebrity aspect is nothing short of ridiculous, and auditioning is brutal and dehumanizing. Every time I see a pretty young girl on the subway reading sides for an audition, my only thought is, 'Man, am I glad I'm not doing that anymore.' I never feel nostalgia, just relief.
I became a novelist because of 'Gone With the Wind,' or more precisely, my mother raised me up to be a 'Southern' novelist, with a strong emphasis on the word 'Southern' because 'Gone With the Wind' set my mother's imagination ablaze when she was a young girl growing up in Atlanta.
I think it can be hard for any man to sometimes be upstaged by his wife. So when I'm home, I work very hard to be Todd's wife and Jade's mother. I have no problem going back to those traditional roles. I try to be Giada, the young girl that he met 20 years ago and fell in love with.
When you're adopted, no matter what, you've got issues with unconditional love. And you find out you're the product of the worst situation for a young girl to be in and start her life, and I'm so grateful that my birth mom made the decision she made. She came from a rough situation.
In China, it was hard living as a young girl without my family. I had no idea what life was going to be like as a North Korean refugee. But I soon learned it's not only extremely difficult, it's also very dangerous, since North Korean refugees are considered in China as illegal migrants.
The first time I got pregnant, I was a young girl - I was 17 years old. Although I knew right away that I wanted to keep my child, being a pregnant teen was an extremely scary experience for me. Luckily, my family and friends were very supportive and were there for me every step of the way.
The albums 'Heaven On Earth' and 'Runaway Horses' and 'Live Your Life Be Free' were harking back to when I was a young girl and listening to Californian radio - lush productions, complicated melodies, harmonies like the Beach Boys and the Mamas and Papas. That's what those albums remind me of.
Part of me feels like when you had a lot of success in your teens and 20s, it gets harder for you in your 30s because people are so attached to you as this ingenue. So even though you're older, they still think of you as that girl - that waifish young girl. And so it was sort of like a struggle.
I am an African-American woman of dark skin tone, and there are very specific roles that are usually given to African-American women of a darker hue. Let's start with 'Once on This Island': peasant girl. Let's go to 'The Color Purple': young girl, beaten. Let's go to 'Ragtime': Her baby's taken.
With fashion, my mother was an icon, but she never lived it in the sense that she was never obsessed with fashion. When I was a young girl, my sister wasn't doing fashion, so I started fashion thinking, 'I'm going to do something that they haven't done yet.' That was my silly scheme at the time.
I first read Sigmund Freud's 'Beyond the Pleasure Principle' as a young girl, and it helped me to understand that there are thousands of possible ways to interpret our experience, that everything has a meaning, and that interpretation is the key to reality. This was the first step to becoming a writer.
A lot of my struggles with nutrition date back to my swimming days. I was a super-skinny young girl who would go through hours of intense training. Afterward, I'd be famished, but I had a two-hour trip home before dinner. When I did my hardest workouts, I often ate less; I was too tired to think about food.
When I was a young girl, I was so crazy about animals that I wanted to do something associated with them, and I thought of being a vet. But then again, I figured I had to go to medical school, and science wasn't a good subject for me, so I dropped the idea pretty soon and thought maybe I could be a vet's assistant.
Indian audiences these days aren't really interested in watching a character on screen evolve. They don't want to see a young girl evolve into being a partner and enter motherhood - they are only really concerned about the story. As long as the story is getting interesting with every passing episode, they want more.
Often, when people ask me what I read as a young girl, I lie. Or, I should say, I lie by omission. I tell them about my brilliant fourth-grade teacher, Miss Artis, who assigned us 'Johnny Tremain' and 'Where the Red Fern Grows' and 'Tuck Everlasting,' all books that made an impression on me. And people nod in approval.
I did a film called 'Worlds Apart' about a Jehovah's Witness. I was the love interest - the male lead - but the story was about the female lead, a young girl who is a part of this cult, and she wants to break out. She meets a guy who has to help her. She has to find out who she is. It's more like a coming of age story.
We started the family Bible after slavery was abolished. My great-grandmother remembered the Bible being started, which meant that she was a slave as a young girl. When she died, the Bible was at least 105 years old, so she must have been nearly 115 years old. Her daughter, my grandmother, died at 97, and her husband at 98.
When I auditioned for Tim Robbins for 'Cradle Will Rock,' the young girl who read with me was very young, and I said to Tim, 'I'm sorry, but I don't have enough imagination to pretend this girl is my husband!' And he said, 'Well, I'll read it with you.' Which was very nice; he was the director. And I ended up getting the part.
One day, I was at my grandmother's house, and I found diaries that she kept as a young girl. I opened one to a page that had flowers glued inside. In her childish handwriting, my grandmother wrote, 'Pap died today. I am very sad.' The fact that this was true and that I could see the withered flowers made a huge impression on me.