Quotes of All Topics . Occasions . Authors
I learned so much during my time at United. Sharing a dressing room with Paul Scholes, Cristiano Ronaldo, Wayne Rooney, Ruud van Nistelrooy, and Ryan Giggs at such a young age was an amazing experience. I didn't play as much as I would have liked, but it was a master's degree in development both as a player and a person.
Donald learned from a very young age that in order to survive in my family, he needed to be what my grandfather referred to as a killer, you know, somebody who had no weaknesses - in other words, kindness, generosity, sensitivity. So I think, over time, those qualities were systematically drilled out of Donald by his dad.
From a young age, I wanted to play in the NBA. Oh well... It was when I was a senior in college that I fell for film, but even then, it wasn't documentaries. It wasn't until I ended up in graduate school at Southern Illinois University that I really discovered documentaries and thought that maybe that would be my calling.
My mother was working on her college degree throughout my childhood, and being the youngest in the family, that meant being dragged to a lot of her classes. She majored in playwriting, so I was exposed to theatre from a very young age, and it was just the most magical world to me. I never really wanted to do anything else.
One thing I took - you know, especially from boxing at a young age - from my coach was, if you're a jiu-jitsu guy, and you only cater your training to jiu-jitsu, there's going to come a day and time in your career when you face a guy who is a great wrestler, has great takedown defense, and he's going to make you look silly.
I grew up in low-income areas and I've seen people take negative energy and just accept it. They give into and end up living a pretty rough life. At a young age, I just knew I wasn't going to give in because I didn't want to end up being one of those people in the neighborhood that didn't have anything and lived a hard life.
The reason I always loved 'The Omen' so much, and what has always been scariest to me, is anything to do with God. Anything to do with God is quite frightening because fear is something that's very much expressed in a church environment, and I grew up in one. And the fear of God was very much instilled me at a very young age.
I understood from a very young age that school was important and that my parents were making great sacrifices for me. Every morning I saw my father get up and go to a job that he didn't really like. They came to France for the same reasons all immigrants move to another country - so their kids could have a better way of life.
Science is a way of getting knowledge. It's a method. It's a method that really relies on making mistakes. We propose ideas, they are usually wrong, and we test them against the data. Scientists do this in a formal way. It's a way that everyone can go through life; that's how we should be teaching science from a very young age.
My sister was an actress before I ever got into it, and I kinda wanted to do what she was doing. That was a really young age. Four years old? I just followed her everywhere and just wanted to do what she wanted to do. I didn't even know what I was getting myself into. I just wanted to be where she was and do what she was doing.
If anyone thinks they'd rather be in a different part of history, they're probably not a very good student of history. Life sucked in the old days. People knew very little, and you were likely to die at a young age of some horrible disease. You'd probably have no teeth by now. It would be particularly awful if you were a woman.
There are a lot of distractions when you're in creative industries like publishing or fashion or media, and it's a real blessing to have witnessed some of those up close at a young age. I think when you get past the glamour, that's when you get to the good stuff - the stuff that really feeds your soul and enriches you as a person.
I was influenced by Ray Harryhausen and Lotte Reiniger, with her twitchy, cutout animation, which I happened to see at a very young age, but also by the Warner Bros. cartoons, 'Tom and Jerry,' and of course Disney. And also by Fellini's 'Giulietta of the Spirits' and Kurosawa's 'Ran.' And by other American illustrators and painters.
I was rebellious, I was a dreamer, and I didn't know it at a young age, but I've always been an entrepreneur and I was going to pursue boxing and hope that boxing opens up doors that allows me to live out my life as an entrepreneur. And luckily for me, I've had great success, and I believe that I will have a life after boxing as well.
It became motivation as opposed to something else - the thing about poverty is that it starts affecting your mind and your spirit because people don't see you. I chose from a very young age that I didn't want that for my life. And it very much has helped me appreciate and value the things that are in my life now because I never had it.
I was writing at a really young age, but it took me a long time to be brave enough to become a published writer, or to try to become a published writer. It's a very public way to fail. And I was kind of scared, so I started out as a ghost writer, and I wrote for other series, like Disney 'Aladdin' and 'Sweet Valley' and books like that.
One of my own kids was in a class with a friend who had two mums, and that was absolutely normal right from a very young age. I think it's important that we absolutely accept equality in every area whilst at the same time respecting that parents may have concerns about how young their children are when they become aware of these things.
I'll tell you something: my dad was a nuclear engineer and he was really bright, and I've always said that because of negotiating at such a young age with my dad, it was really such a gift because I could then negotiate with very difficult personalities - and not end up being the scapegoat. I learned to really pick and choose my battles.
To expose the hardships experienced by children who are deprived of the right to attend school, Camfed has produced a series of films about educational exclusion. 'Every Child Belongs in School' provides a glimpse into the lives of children who have been forced by poverty to leave school at a very young age and take a difficult life path.
As a father, I believe that involving children in sports at a young age is generally, a wise proposition. I believe that healthy competition is... well... healthy; that sporting events foster a spirit of teamwork that far surpasses the events themselves; and that active participation keeps children moving and is good for their self-esteem.
I grew up watching horror films from a very young age. My sister was never able to watch scary movies; I don't think she'll ever watch mine because she's just so bad at it. Its funny because I'm the complete opposite: I love to be scared. I love to have that fear before you go to bed, and you're like, 'Oh my God, please, nothing come out.'
For me, when I was a kid, volunteering was the last thing I was thinking about. When I see kids doing it now, it amazes me. It's very impressive, it gives them something productive to do as opposed to getting in trouble. For them to take time out at such a young age is remarkable. I think all kids should take a little time out to volunteer.
I joined Bayern at the age of 11, and from then on it was all about being up to the competition. It doesn't matter who you face, you are always the favorite. You learn this at a young age. And this continues throughout your career at Bayern Munich, you are always the favorite or one of the favorites in every competition you are involved in.
In a lot of the art world, you have to present yourself as you know what you're doing at a young age. Music gave me another outlet. The 'no wave' bands were such an inspiration; it felt so free - once you start doing it, it's hard to stop. But I can't get away from art. It comes back around. I wouldn't be true to myself if I didn't pursue it.
It's kind of a crazy thing with kid actors because a lot of them get hired without people really knowing if they're good or not. They get hired for the way they look at a really young age. You also have your fingers crossed around kid actors... because the lessons they learn on set aren't always the best. You can really get whatever you want.
I think that when people who've had success from a young age go through a train-wreck cycle, it's usually because they're working on someone else's terms, so they feel the need to rebel. But when it's something you've built, you don't have that same kind of resentment or angstiness. But it's also difficult to keep those standards for yourself.
I started writing stories at a young age, but not once did it occur to me that I could grow up to be a writer. Who could I look to? My favorite authors were Ann M. Martin and E.L. Konigsburg and Judy Blume, Beverly Cleary and Lois Lowry and Norma Klein. They were all white women, and they seemed so stately to me, so elegant. A whole world away.