I left home when I turned 17 and ran away to New York. I did a lot of moving. I was based in New York and country-hopping, so I was always 'the new girl'.

When I first came to New York, I would scream like a girl and run to the other side of the street if there was a pigeon. Now I can face off with a pigeon.

There's been talk of YES possibly doing something on Broadway in New York. People have approached me with that idea, and there are discussions about that.

A typical agent in New York gets 400 query letters a month. Of those, they might ask to read 3-4 manuscripts, and of those, they might ask to represent 1.

When I walk down the street in New York, I swear to God, the building constructor, the guy pounding cement and what not, will yell, 'Hey, you hockey puck!'

Every single wave, when I was overwhelmed and poor and struggling in New York, there were these extraordinary people in New York who said, 'Come this way.'

It is no secret that New York City has an affordable housing shortage. For those who've returned from the battlefield, the problem is even more pronounced.

Being from New York, there's three things you know about Hollywood. You know about the Hollywood sign, Sunset Strip and Hollywood Boulevard with the stars.

And I think that even today, New York still has more of this unexpected quality around every corner than any place else. It's something quite extraordinary.

When I heard Puerto Ricans in New York City, it sounded very strange. And the first time I heard someone from Spain, I thought they had a speech impediment!

In London and New York, people just naturally seem to dress really well, and that makes me want to do the same. In Seoul, too; in L.A., I'm just like, 'Eh.'

The beautiful thing about New York is, you have to expose yourself to other people the minute you step outside the door. There is no choice. And I love that.

In New York, everyone's desperate for success, desperate for money and desperate to be accepted, but in London they're more laid back about things like that.

I started playing in New York when I was 16. I had a fake ID so I could play shows, and, I don't know, bouncers didn't really say no to me, I guess. I'm fun!

I did the same thing as every Irish person who comes to New York. I arrived on a Wednesday, and by Saturday night, I was pulling pints at a pub in the Bronx.

New York has really thrived both upstate and downstate when there are tens of thousands of small businesses all representing their different creative impulses.

I have a somewhat reclusive quality myself, and actually what's great about New York is that it pushes you to be social because the streets are full of people.

The life of a dancer is tragically short. What is remarkable about the New York City Ballet is that it makes us forget that. Because it keeps the ballet alive.

Dumb luck brought on the move from business to acting. I had moved to New York when I was 23, in the year 2000. On a lark, I went to audition for a soap opera.

I wasn't born with a silver spoon in my mouth; I came from really humble beginnings - the projects of New York City - and I worked my way to get to where I am.

I live in New York and I love it, because it doesn't make me feel like my life is always just about acting and that world of acting. I don't have expectations.

I think the sensibilities of having grown up in Upstate New York and the concerns, the fears, the hopes of the people there are reflected all over the country.

I grew up in New York, and I've always been surrounded by fashion. My grandmother used to write for 'Vogue' in the '50s, and my mother was a dancer and a model.

The war in Vietnam was not lost in the field, nor was it lost on the front pages of the 'New York Times' or the college campuses. It was lost in Washington, D.C.

When I'm wearing too-high heels and swaying my hips, I do that Sharon Stone kind of thing - she has the sexiest walk, a New York cool thing that throws you back.

My weekends start at about 4 P.M. on Friday afternoon, when I let go of work and leave my colleagues to crawl through the rest of the day in our New York offices.

I have had the same apartment in New York City for almost 40 years but have actually lived in it for less than half of that time, owing to a busy travel schedule.

People here always said to me, 'Why would you leave civilization to go to a place like Fiji?' Fiji is a far more civilized place than California or New York City.

I got a job when I was 15 because my allowance was about $20 a week which in New York was impossible. So I used to waitress across the street from where I grew up.

When Casey Stengel was putting his mark on all four New York baseball teams, he came off as many things. I have to admit I never thought of him as anybody's uncle.

When I am in New York, you know, my studio is big, about 20,000 to 25,000 square feet, and I have painting rooms and rooms I do etching in, rooms I do lithographs.

I've lived in so many different towns - Guttenberg, Union City, West New York, Jersey City. We didn't have a lot of money, and we'd get kicked out of places a lot.

New York sounds like something that I could really listen to. It's like a vibe; it's a hit song. It's a song that you could listen to in five years and still like.

I pick up the New York Times or Time and it's talking about the latest rock group, which I'm sure is exciting to some people, but it neglects a huge area of music.

According to New York publishers, Bill Clinton will get more money for his book than Hillary Clinton got for hers. Well, duh. At least his book has some sex in it.

I'm a country boy. I hate New York. But that's where things happen, so I use it as a base for stories, I know enough about it. But I have to keep going back there.

In New York you go to the coffee shop, have a bagel, walk down the street, get hassled, run into someone else. People just waltz into your world and it's believable.

I quit my band in New York City in 1969 and I got really angry at them. I got angry at one of my guitar players and I dove over the drum set and we got into a fight.

I miss New York terribly. There is no place like the city. I miss people-watching. I miss the nightlife. I miss the food. There are so many options in New York City.

I moved to New York to do theater, and I got cast in a play that was funny, and then I was the funny guy. I did a movie that was funny, and then I was the funny guy.

I realized the other day that I've lived in New York longer than I've lived anywhere else. It's amazing: I am a New Yorker. It's strange; I never thought I would be.

There were a couple of things I needed to do while I was in New York. One was to have a pizza pie, one was to get a tattoo... and the other was to get a Yankees hat.

In New York, we're always confined with spaces. Our restaurants are difficult to navigate as cooks and to operate. We fight against the buildings we run in New York.

I left home when I was 16 years old, and I've been living all around the world honing my craft. I lived in L.A. for eight years, then Stockholm, London, and New York.

My father, David Gilbert, is in prison in New York. He is lucky that he has a single cell, not shared with another person. His cell is about eight feet by eight feet.

I grew up in New York City in the late '70s, at a time when U.S. - China relations were something that was on the front page of The New York Times on a regular basis.

I went to school for audio engineering, and I was around a lot of sound engineers over the summers in New York, so I'm pretty comfortable in engineering my own stuff.

'The New York Times' breathlessly writes about the left-of-center Americans Elect being a 'new third party,' but we already have a third party: the Libertarian Party.

There's a difference between performing in Philadelphia to New York as much as a difference between playing in Luton and playing in San Francisco, y'know what I mean?

Long before my days at ESPN, the 'Philadelphia Inquirer,' or the 'New York Daily News' before that, I was a student at Thomas A. Edison Vocational and Technical High.

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