Quotes of All Topics . Occasions . Authors
It's one thing if you live in London and you're rooting for Chelsea or you're in New York and you love the Giants or Jets and no matter who's on the team you're into it. It's different in tennis; you're sort of your own guy, so you have to reach out and grab a person in a different way.
I had not been in the jazz environment, having been brought up in the church. But once I got to New York, and I was signed to perform at The Village Gate and the Vanguard and clubs like that, and these - the Vanguard was one of the most elite, if not the most elite, jazz club out there.
The making of the far-famed New York Central Park was opposed by even good men, with misguided pluck, perseverance, and ingenuity, but straight right won its way, and now that park is appreciated. So we confidently believe it will be with our great national parks and forest reservations.
I had saved a lot of money working at Mrs. Fields' Chocolate Chip Cookies, ushering at the Golden Gate Theatre, and doing odd jobs so I could live in New York for a few months. If it ran out, I would have to give up and go home. It turned out OK. I got my Equity card and started working.
My first album after 'American Idol' I did with Desmond - we paid for it together, and we literally were together working on it every day for a year and half, just writing. We wrote in New York, Nashville, L.A., Sweden - we wrote with some other amazing songwriters like Diane Warren, too.
There's this old Frank Sinatra song: 'If you can make it here, you can make it anywhere'... that song was about New York, but it applies to America. People know that if you make it in America, you can make it anywhere, and that is both in terms of sophistication and customer satisfaction.
My friend and I founded the New York Arab-American Comedy Festival to counter the negative images of Arabs in media. And we always made sure that the comedy came first. So we weren't a bunch of Arabs trying to be funny. We were a bunch of comedians who just happened to be of Arab heritage.
I was 12 years old when I first moved to New York, and at that age, you're trying to find yourself. It was hard being so different from everyone I was around, and I felt that nobody could really understand me because everyone was American, and I was this little English girl with an accent.
New York is big, fast, energetic, and has the most and best of everything. While it can push the senses, it's the most convenient place to live. It's much easier for a ninety year old to live in New York City than in the suburbs. NYC is the best mass assisted-living facility on the planet.
Chicago seems to follow New York, and coming from New York and being in real estate, I worry about things happening in Chicago that have happened in New York. I've seen a great city like New York go downhill. It has a wonderful financial downtown, but the rest of the city is not very nice.
Whether it's federal highway funds for the Thruway or Tappan Zee bridge project or the corrupt Cornhusker deal, Senator Gillibrand is willing to sell out our hardworking families. She has failed to address the problem that taxpayers in New York send much more to Washington that we get back.
My show 'The Big House' was picked up; they flew me to New York. I'm about to step on stage to announce Kevin Hart's 'The Big House.' And a hand grabs my shoulder, 'Kevin no, they just decided to cancel it.' It's a serious smack-in-the-face business, and either you can take it, or you can't.
When I was a child, I lived in Morocco, and I would always buy a lot of beads from the markets and to make jewellery for friends. Later, at 18, I would do my own clothes and make my own patterns. When I first came to New York, people just assumed I was a stylist because I was so into fashion.
You sail into the harbor, and Staten Island is on your left, and then you see the Statue of Liberty. This is what everyone in the world has dreams of when they think about New York. And I thought, 'My God, I'm in Heaven. I'll be dancing down Fifth Avenue like Fred Astaire with Ginger Rogers.'
Sometimes I live in Paris for a couple of months, then I have a job some place, and then I come back to New York. I guess my base is New York-ish, 'cause my family is here. But my husband's family is all in Paris, so we try to spend a lot of time there, also. Especially now that we have Rose.
New York has an amazing history of farming and fishing that goes right back to the Pilgrim Fathers. At its core are the four seasons, which are distinct, well-established and similar to those in Lyon, where my family lives: when it's snowing in New York, a week later it will be snowing there.
I don't really know why I started playing as a kid, but I grew up in Queens, New York, not too far from Forest Hills, where they played the U.S. Open in those days. I even got to be a ball boy there. Also, there was a tennis court just a block away from our house, and I'd hang out down there.
When you're a chef, you graze. You never get a chance to sit down and eat. They don't actually sit down and eat before you cook. So when I finish work, the first thing I'll do, and especially when I'm in New York, I'll go for a run. And I'll run 10 or 15k on my - and I run to gain my appetite.
We danced on the lip of the volcano, so to speak. We were young, too. And New York was still a big, open city where anything could happen and anyone could be star. Rents were cheap, creativity was encouraged, and bottle service was still 20 years away. That was the era the Club Kids came into.
When I first moved to New York, I wanted to be a dancer. I danced professionally for years, living a hand-to-mouth existence. I never tapped into nightlife; all I knew was dancers. We went to bed early and got up early and went to free concerts at the Lincoln Center and Shakespeare in the Park.
I've seen a lot of brands fail because they went, 'Hey, look, we're from New York, and that's what we're all about.' But wherever you go, people are proud of where they are. So even though we're from New York, what we do is a mindset: it's got to work in Japan, in Los Angeles, London, wherever.
This union has been divided in like a civil war - brother against brother - sister against sister. And I'm pulling it together. We've already seen evidence of that in New York, in Pennsylvania, in California. The first thing is we have to get on the same page. We have to be united in one cause.
'The Food Network' was just starting in New York, and I was getting lots of attention from Mesa Grill. They had no money, so if you couldn't get there by subway, you couldn't be on. It wasn't like TV was something I really wanted to do - but I knew it would be great publicity for my restaurants.
Theater in New York is nearer to the street. In London, you have to go deep into the building, usually, to reach the place where theater happens. On Broadway, only the fire doors separate you from the sidewalk, and you're lucky if the sound of a police car doesn't rip the envelope twice a night.
Whether it is an attempt to bomb the New York City subway system, an attempt to bring down an airplane over Detroit, an attempt to set off a bomb in Times Square... I think that gives us a sense of the breadth of the challenges that we face, and the kinds of things that our enemy is trying to do.
They call Howard University the 'capstone of black education.' Howard was one of the historically black colleges where people want to go and send their children. Both of my grandfathers went through the medical school, and being in D.C., not far from New York City, it was a natural choice for me.
Every summer my husband and I pack our suitcases, load our kids into the car, and drive from tense, crowded New York City to my family's cottage in Maine. It's on an island, with stretches of sea and sandy beaches, rocky coasts, and pine trees. We barbecue, swim, lie around, and try to do nothing.
I'm not really well educated - other than an art survey course at the High School of Art and Design in New York when I was, like, 15. I don't know the history of art, but I got over intimidation from the art world when I realized that I was allowed to feel whatever I want and like whatever I want.
One week before my 17th birthday, I had a blind date with June Rose, a television actress on network soap operas, a model, and a regular on the popular Dick Clark's Saturday night 'American Bandstand' show from New York. We were married five years later, one week after my graduation from Columbia.
I'm not an immigrant - I was born and raised in New York. My parents are Puerto Rican, and Puerto Rico is a part of the U.S., for the people that don't know. So my whole life, I've identified as an American. There are times when I've gone to Puerto Rico, and there, I'm seen as the American cousin.
I used to run away to New York from Baltimore all the time. I would get on the Greyhound bus and tell my parents I was going to some sorority weekend... I'd even make up fake permission slips, come to New York, and just ask people on the street if I could stay with them and go see midnight movies.
I mean, if you look at all the great romantic screwbally kind of movies from the '30s and '40s, they're all in New York. Even 'Sleepless in Seattle,' a movie about Seattle, ends up in New York, of course. The whole country, even if they've never been to New York, knows about it... from the movies.
I had to move out of my home in New York when I was 13. I left all my friends, family, my dogs, and summer camp... all that stuff behind. I moved out to L.A. with my mom and brother. That was difficult for me. I think the hardest part was seeing all my friends graduate without me and go to college.
Tobey Maguire and I had a tough relationship - it was a tough working relationship. We butted heads, and ultimately, I lost the Los Angeles game because of differences with him. But then I moved to New York and built a bigger game, five times bigger, making more money, and that was pretty exciting.
We've shown the world that New York can never be defeated, because of its dynamic and diverse population and because it embodies the spirit of enterprise and the love of liberty. And because no matter who you are, if you believe in yourself and your dream, New York will always be the place for you.
The handwriting is on the wall: if you want to have your franchises viable, then you can't have a situation where New York and Chicago and Los Angeles are doing very, very well, and some other teams are, but, I would say, a significant percentage of the teams in our league are struggling financially.
I can't wait for summer in the city! I love all the free activities in the parks that become available to us New Yorkers. Yoga and movie screenings in Bryant Park, concerts in Central Park - there's so much more available to the New York community in the summer! And everyone just seems to smile more.
Nature is impersonal, awe-inspiring, elegant, eternal. It's geometrically perfect. It's tiny and gigantic. You can travel far to be in a beautiful natural setting, or you can observe it in your backyard - or, in my case, in the trees lining New York City sidewalks, or in the clouds above skyscrapers.
It's time to make America safe again. It's time to make America one again. I know it can be done because I did it by changing New York City from 'the crime capital of America' to - according to the FBI - the safest large city in America. What I did for New York City, Donald Trump will do for America.
I once spent an entire night in a hotel in New York looking across the way into someone's apartment where nothing was happening but daily life, a phone call, television watching, staring into the fridge. Seeing how those strangers lived over that small distance and in absolute silence moved me deeply.
I was inspired to see leaders from Paris, New York City, San Francisco and Vancouver, B.C. rolling up their sleeves to create clean and safe transportation systems; make homes and buildings efficient, comfortable and affordable; and ensure more of our energy comes from clean sources like wind and solar.
New York is just an energy. There's a beauty to the way it's laid out: the architecture, the way the planning is. It's huge, but you really do get to experience more than your own existence here. It's kinda hard to isolate yourself from different types of people, different types of ideas or communities.
A lot of Polish and Russian Jews had this experience: they would emigrate, thinking they were on their way to New York. Then their captains would stop in Dublin and say, 'Everybody off.' They would leave, and by the time they discovered they weren't in America, they didn't have enough money to continue.
I was born on the other side of the tracks, in public housing in Brooklyn, New York. My dad never made more than $20,000 a year, and I grew up in a family that lost health insurance. So I was scarred at a young age with understanding what it was like to watch my parents lose access to the American dream.
New York has influenced me a lot in terms of my own independence. I'm really struck by the idea of authenticity, and I think New York embodies that idea, even though people are like, 'I miss the old New York.' But at its core, it has this natural, authentic energy. L.A. lacks that idea; it's painted over.
I'm not saying you have to be totally despondent or anything, but... in New York, it's cold sometimes; it rains sometimes; even if everything in your life is great, bad weather can set the mood. You can write songs in New York because it's not always perfect. To write a good song, things can't be perfect.
My plan was I just knew, I think the first time I was in a high school play, and I liked the feeling of that. Getting on the stage and entertaining and audience. Eventually, I went to New York and studied my craft, and I was in school for two years in the same class with Joanne Woodward and Steve McQueen.
'We Were the Mulvaneys' is perhaps the novel closest to my heart. I think of it as a valentine to a passing way of American life, and to my own particular child - and girlhood in upstate New York. Everyone in the novel is enormously close to me, including Marianne's cat, Muffin, who was in fact my own cat.
In 2003, I wrote a New York Times best-seller called 'Shut Up & Sing,' in which I criticized celebrities like the Dixie Chicks & Barbra Streisand who were trashing then-President George W. Bush. I have used a variation of that title for more than 15 years to respond to performers who sound off on politics.
Thomas Young was born in 1731 in upstate New York. The child of impoverished Irish immigrants, he grew up in a log cabin without the benefit of a formal education. But he was an avid reader who began collecting books at a young age and eventually amassed one of the finest personal libraries in New England.