Quotes of All Topics . Occasions . Authors
When I came to New York and I opened the window of the thirty-fifth-floor apartment, there's light pollution and fog, and I couldn't see my star. So I drew it on my wrist with a pen, but it kept washing away. Then I went to a tattoo parlor on Second Avenue and had it done.
There's nothing more fun than seeing the things that you dreamed about when you were a kid come true. I'm headlining an iconic theater in New York City during the New York Comedy Festival. When you're starting off as a comedian, you don't think that's ever going to happen.
Yes, I got my first Bolex camera a few weeks after being dropped in New York by the United Nations Refugee Organization. That was on October 29th, 1949. With my brother Adolfas, we wanted to make a film about displaced persons, how one feels being uprooted from one's home.
No city owns me, you know what I'm saying? I'm from New York, but no city owns me. Nobody can bottle up my sound and box me in. Yes, I am a rapper, but am I a New York rapper? No. I am from New York, I love New York to death, but I will not conform myself to one place, no.
I remember, my mom, she's lived in Spain for about thirty years, and we were playing the Royal Albert Hall, and she was with some friends from New York. Morrissey came out with the sign 'The Queen is Dead,' and my mom's friends are like, 'Oh my God.' They took it literally.
If you're the type of person who has to fulfill your dreams, you've gotta be resourceful to make sure you can do it. I came out to California when I was 21, thinking my New York credentials would take me all the way. I came back home a year later all dejected and a failure.
They're lots of good Americans here in New York who have common sense and who believe in free markets and free people and limited government under our Constitution. Those are the principles I've always stood for. I know they're right, and that's what I'm going to stand for.
My parents were born and brought up in New York City. My father was trained as an electrical engineer, and my mother was an elementary school teacher. They were the children of Jewish immigrants who had come to the United States from England and Lithuania in the late 1800s.
New York is the opposite of East Germany, the crown of individuality. That's why I can work well here and find out what I personally think of the pieces I'm learning. I can lay aside all the baggage of German education. In any case, whatever I do, I can't lose it altogether.
In New York City, it's popular. I used to think to myself, 'Man, there's a lot of gay people out here.' And it had me comfortable: it was like, I can be myself! I used to still try to hide it, until it was really overwhelming - there were just too much girls attracted to me!
I was born in St. Augustine, Florida. I lived there till I was about 13, and then my family moved to Connecticut. I finished school there, and then I went to college in Philadelphia and came to New York in '87. I wasn't finished with school - I left school to go on the road.
Most of the writers in TV are from L.A. or New York, and those are places where people are cynical and snarky. And they fly from L.A. to New York in an airplane over this vast, expansive land where people aren't snarky; they're a lot more like the 'Parks and Rec' characters.
I went to UCLA for a year and a quarter. There were too many students at UCLA interested in what I was interested in, and they couldn't accommodate all of us. I wasn't allowed to take voice or dance, only theater and acting. So I saved my money and, at 19, moved to New York.
I still do all my developing and printing in my darkroom. Being in New York, you get tremendous exposure to great arts. In my student years, I saw exhibitions of August Sander and Diane Arbus. I still go back to their pictures. I don't really go for contemporary photo shows.
I really believe that you grow up a certain way in New York. There's a New York morality, a sense of loyalty. You know how to win and lose. There's a thousand kids outside, you know who to push and who not to push. There's a sixth sense you develop just because it's New York.
Because I direct films, I have to live in a major English-speaking production center. That narrows it down to three places: Los Angeles, New York and London. I like New York, but it's inferior to London as a production center. Hollywood is best, but I don't like living there.
Osama bin Laden, the Saudi-born revolutionary who is believed by most Arab and Iranian observers to be the inspiration of the attacks in New York and Washington, is the best known of the Islamic militants to have emerged in the past 20 years and the least difficult to fathom.
Mumbai is home, so there's no comparison. But then again, New York's a lot like Mumbai, which is why I choose to live there. It's fast, crowded (in a good way), the people are friendly and it's full of color and race, like Mumbai. Unfortunately, the traffic's also just as bad.
For a black person who's Senegalese, growing up in France, or a New York Jamaican, that's a completely different relationship with being black and how you might be accepted in that culture or that world. Everyone's experience is different. Especially black women and black men.
We started Airbnb because, like many across the U.S. and in New York, we were struggling to pay our rent and decided to open up our living room to fellow artists coming to town for a design conference. Sharing our apartment allowed us to stay in our home and start our company.
I did a movie called 'Clueless' when I was first starting out. And with that paycheck, I went and bought a car, which I had no use for, because I lived in New York City, where you can take a train for a dollar anywhere. But instead, I bought a $20,000 car with a $12,000 check.
I don't know Hollywood very well. I've never lived in Los Angeles or New York. But what I can see in Paris, where I live, is that actresses like Catherine Deneuve, Isabelle Huppert, Charlotte Rampling, still get the chance to play strong, sexy roles even though they're not 20.
I personally would rather raise my child in New York. It seems like it would be easier to make sure she or he gets a whole bunch of experience and understanding of the world. But, people in general think it's easier to raise a kid when you don't have so much stuff in your face.
Remember that before 'Roe v. Wade' was decided, there were four states that allowed abortion in the first trimester if that's what the woman sought: New York, Hawaii, California, Alaska. Other states were shifting. And people were fighting over this issue in state legislatures.
I wore an Urban Outfitters dress on my wedding day. It was one I had in the back of my wardrobe. It was white. We went to City Hall here in New York. I wore it with blue velvet boots my husband bought for me. I loved it. It was my favorite thing. It was chilled and spontaneous.
I love New York, and I'm drawn to a certain intensity of life, but I've just never felt like I want to escape from the Midwest. A writer lives a great deal in his own head, and so one intuitively finds places where your head is more clear. New York for me is one of those places.
My favorite Galaxie 500 album is the first one, 'Today,' recorded in three days at Noise New York and produced by Kramer. It contains my favorite Galaxie 500 songs: 'Temperature's Rising,' 'Tugboat,' and our interpretation of Jonathan Richman's 'Don't Let Our Youth Go to Waste.'
Chicago is constantly auditioning for the world, determined that one day, on the streets of Barcelona, in Berlin's cabarets, in the coffee shops of Istanbul, people will know and love us in our multidimensional glory, dream of us the way they dream of San Francisco and New York.
We are all Julian Assange. Serious reporters discuss classified information every day - go to any Washington or New York dinner party where real journalists are present, and you will hear discussion of leaked or classified information. That is journalists' job in a free society.
I moved to New York on October 21, 2004, and it was the day that the Chelsea Grill, a restaurant in Hell's Kitchen on 9th Avenue between 46th and 47th Street, opened. I had never waited a table in my life, but I walked in and lied to the manager in a very J. Pierrepont Finch way.
You get a lawyer whether you're in a military tribunal or whether you're in a federal court, number one. The attorney general decided that the court with the biggest - with the greatest venue, with the best jurisdiction was the New York court. That was the right decision to make.
I remember my own life as a small boy, son of Jewish immigrants, in a janitor's flat on Orchard and Stanton streets on the Lower East Side of New York City. My father made pants and doubled as janitor of a tenement - before he made janitoring at $30 a month, plus rooms, a career.
I went to really good New York City public schools that had arts programs. So in junior high, I got into the drama department. From there, I went to a performing arts high school in New York City called Laguardia and I just kind of fell into the professional side by happenstance.
If I had done 'Go, New York, Go' for the Spurs, it might not have worked. It really taught me a lot about demographics and tastes and styles. I never went to business school, so that whole experience was my crash course in marketing, contracts, negotiations, and product launches.
Your look changes depending on your confidence, and then your beauty changes. When I first came to New York, all the people were saying, 'You look so Asian because you have a different eye shape.' They didn't really understand because they didn't really see that many Asian models.
Playing in New York is special to me because you are surrounded by so many communities and a strong Latin community, including the Washington Heights neighborhood. I come to Washington Heights for real Dominican food that reminds me of my hometown, and it's a great place to visit.
Devo and The Cramps didn't get big until they went to New York City. Chrissie Hynde didn't get big until she moved to London. When I was growing up, there wasn't even a place to play - just one little bar. If we wanted to have a gig, then we had to drive 45 minutes up to Cleveland.
I grew up in suburban New York, and my family wasn't much on traveling, so when I arrived at my alma mater, The Colorado College, I'd never been out West before, seen a 14,000-foot mountain, experienced snow in 70-degree weather, or come into contact with something called a 'dude.'
The reason I want to be able to teleport is that I don't like waiting around. It's one of my pet peeves. I also don't like traveling, because I don't like sitting on a plane for six hours, doing nothing, essentially wasting time. You know what would be awesome? Bam, I'm in New York.
When Paul Beatty's 'The Sellout' was first published in America in 2015, it was a small release. It got a rave review in the daily 'New York Times' and one in the weekly 'New York Times Book Review,' too, for good measure. But by and large, it was not a conversation-generating book.
It sounds stupid, but there's nothing like walking down the street and seeing a building that's older than 100 years old. I think London - not to sound pretentious - like New York, it's a big melting pot for all things and it's just got this energy that you can't find anywhere else.
I grew up hearing stories about how my maternal grandfather had put himself through engineering school in New York City. He saved money by walking down to a gas station once a week to take a shower. When I applied to college, both education and investment value were important to me.
I was born into an Irish Catholic family in the New York area in this great, wonderful, and safe country, but the Holocaust has always haunted me, and it has long stood as a stumbling block to faith. How could such a thing be? How is that consistent with the concept of a loving God?
Call it a hunch, but I sense that many of us are not entirely comfortable with a world in which every single thing we buy creates a cloud of data. I'd like to have an option to not have a record of how much I tipped, or what I bought at 1:08 A.M. at a corner market in New York City.
When I was a little kid, all I wanted to do was to escape what I thought was the country and get to a city. Probably film and television had influenced me so much, I really thought the key to happiness was living a very artificial life in a penthouse in New York with martini glasses.
If I go to someplace like Switzerland, I find a lot of uptight people because they're living amongst so much beauty; there's no urgency in trying to find the beauty within themselves. If you're stuck in New York, you have to somehow look within yourself - otherwise, you'd go crackers.
'Jaws' was the first A-list picture that was released like an exploitation picture. They made a lot of money with that picture because they could save a lot of money on advertising. Instead of having a full-page ad in 'The New York Times' for one theater, they had it for 100 theaters.
Once I was walking from The Mercer in New York - because otherwise I don't walk anywhere - and this woman paparazzo who was following me fell over a fire hydrant and her whole tooth went through her lip. I leant over her, saying, 'Are you all right?' and she was still taking pictures.
When I was in New York, the whole vibe was really just not matching with me. I was kind of super depressed in New York. It just had this vibe of 'Get out,' you know? I would try to get out, and we'd look back and just see the city and feel like, 'Oh, I have to go back to prison again.'
My maternal grandma was a tough, tough lady and a stern woman, who lost her husband young and raised six kids by herself. She lived in a mining community in Upstate New York and ran a boarding house for miners. She took care of an entire family and miners who lived in the house as well.