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Yeah, Kubrick's a big influence. In something like 'A Clockwork Orange,' he is trying to use the practical light - I mean, at least he says that in his interviews, like they're not using traditionally Hollywood lights. In 'Elephant' we basically used no lights; we never really adjusted.

This whole idea of too much TV, I think is really gross. Because I feel like it's mostly white men who are saying it. And it's like, 'Yeah, man, there's too much TV for you, but by nature of there being so much TV, there are other voices being represented.' Isn't that a wonderful thing?

If you mentioned Hanna-Barbera to people, they said, 'Oh yeah, Flintstone, Yogi, Scooby-Doo, Jetsons,' and that was pretty much it. We have characters with very high recognition factors and great films, but no organized plans for really making the most of them and increasing their value.

You write these songs which are really dear to you about your family or friends, loved ones, and then you get this call, and they say, 'It's perfect for two vampires making out in the back of a car.' It's some random TV show, and so I say, 'Oh, yeah, perfect - that's what I meant it for.'

Ask me not, 'Are you rightwing,' but ask me 'Are you a committed believer in individual freedom, the values of the enlightenment?' Then, yeah, if being rightwing means believing Adam Smith was right, both in the 'Wealth of Nations' and the 'Theory of Moral Sentiments,' then I'm rightwing.

I get 'The New Yorker,' and I'm usually about three issues behind. But I do catch up. The problem is that it always seems like homework, but then you start reading it and go, 'Why am I not doing this all the time? These are such great stories!' But, yeah, that stack gets so big and dense.

Have I learned something from making records? Yeah, I've learned a lot, because I've not only made eleven of my own records, I've also probably produced that many records for other artists, and then I've probably played on, or been a large part of another eleven records with other people.

On bad days, I think I'd like to be a plastic surgeon who goes to Third World countries and operates on children in villages with airlifts, and then I think, 'Yeah, right, I'm going to go back to undergraduate school and take all the biology I missed and then go to medical school.' No. No.

Maybe there's a little girl who thinks she can be an Olympic athlete, and she sees all the things I struggled through to get here. Yeah, I didn't walk away with a medal or run away with a medal, but I think there's lessons to be learned when you win and lessons to be learned when you lose.

I'm a huge fan of Canadian rock-and-roll. When I was growing up, Rush came out with a record called Hemispheres, and I must have listened to that record for two years straight. Even when I was asleep I had it on. So, yeah, whenever I hear a Rush tune, the first thing I think of is Toronto.

I got traded in the middle of an injury - my ankle injury - so in '09, I came back and just kind of flukishly had some success. I was far, far from healthy. I came back in 2010 still nursing that ankle injury. Yeah, it was a rough, rough go. My first few years in Chicago were not much fun.

They think that, if we were just smart enough, we'd be able to understand their policies. And I so want to tell 'em, and I do tell 'em, Oh, we're plenty smart, oh yeah - we know what's goin' on. And we don't like what's goin' on. And we're not gonna let them tell us to sit down and shut up.

Of all the unhappiness I went through, you must know I wouldn't live a moment of my life differently for what I have now. Would I do it all again? I wouldn't want to, but if it got me to the same place, yeah, I'd do it. Because I realize now that God would not give more than I could handle.

Bullying has been around forever, and so it became one of these issues that as an adult we look back on and say, 'Yeah, it's just one of those unfortunate parts of growing up.' You know you're not going to stop it, so it just became easier to call it one of those things that 'just happens.'

I would love to do a Black Widow movie. That's perfect, I would love to do that. That character is really interesting: she doesn't have any superpowers; she just has extraordinary skills, and the world that she comes from, being this ex-K.G.B. assassin, I find that really fascinating, yeah.

This is the great thing about Northern Ireland. I walk down the street and people stop me and say things like, 'I know you. You're that wee golfer, aren't you?' I say, 'Yeah, that's me.' They say, 'Keep it up, wee man.' It's very funny and that's why I want to stay here as long as possible.

The definition of success is that the company doesn't miss a beat. Do I love what I do? Oh yeah - I love it more than ever. You've got to have that energy level 24/7. But you've also got to make sure the transition is smooth. Being realistic, most high-tech companies haven't done that well.

Remind me again what's wrong with Dave Matthews?" "Basically everything, except technical proficiency," Walter said. "Right." "But maybe especially the banality of the lyrics. 'Gotta be free, so free, yeah, yeah, yeah. Can't live without my freedom, yeah yeah.' That's pretty much every song.

I'm going to put a museum on my ranch and people keep saying, 'That's a huge idea.' Yeah, it's big, but not bigger than the average big movie. A hundred million dollars in the art world is a substantial amount of cash to do anything. That's maybe a big gallery's total sales for a given year.

There are a lot of hardcore 'Napoleon' fans, and they do the research and find photos of what I look like when I'm not 'Kip-ified.' Those fans recognize me. It happens maybe once a week, where someone will come up to me and be, like, 'Dude, you're Kip.' And I'm, like, 'Yeah, my name's Aaron.'

So yeah, a good director will be able to listen and hear everything, but have a confident vision of his own that he can say, 'oh yeah - that's a great point.' And you never know; often you can help far more than you think you can, because there's so much more that he's juggling than an actor.

When I was on the radio, I used to be able to go a lot farther than I can now. You don't really remember until you're on the radio again, sometimes in your old radio station and sitting with the guys you used to work with and you go, 'Oh yeah, I can't say these things anymore. I'm handcuffed.'

I'd love to be an artist that's multifaceted. At the moment, I am not. But wouldn't that be cool if I was like, 'Yeah, let me pull out my guitar and play you a song.' I would adore that. I am so far not gifted in that way. But I am a very hard worker and a very determined person, so who knows?

I think the press has an interest in communicating to its viewers or readers, and their viewers or readers drive profit for those news organizations, so I think those news organizations have a certain bias toward their own readers. Yeah, I think they are a special interest. Of course they are.

This mum comes up, she's got a five-year-old kid and she says, 'Can he have your autograph, you are his favourite person in the whole world.' I thought, 'How cool is that? I've got five-year-old fans,' and as I'm signing this autograph, the mum goes, 'Yeah, yeah, you're by far the best Wiggle.'

Who directed the video 'No More Drama' for Mary J. Blige. I was actually kickin' with J. Lo talking about some music that we're gonna put together, and we were talking about great directors. She said she really, really liked that video and was wondering who directed it, so yeah, I looked it up!

I have no trouble walking around. But every once in a while, somebody will come, during the course of the day, and say, 'Oh, I recognize you from such-and-such,' and yeah, they'll make a connection. I think for the most part, people don't go, 'Where do I know him from? Does he work at the bank?'

I don't want to be a historical action figure or treated like I'm dead. Like one of those people where they go, 'Oh, isn't she dead?' And then I walk up, and they're like, 'Whoa.' I can't really complain... because I've made myself into a historical action figure. I was like, 'Yeah, come on in!'

It was probably in third grade - I had a super-fake gold herringbone chain. Yeah man, it was, like, super fake. I don't remember if it was my mom's or how I got it, but ever since then, I've loved chains. The first real chain I got was from Kanye. It was a Jacob the Jeweler Kanye West Jesus piece.

I think anyone who has, you know, is in any sort of artistic pursuit, kind of goes up and down with the way they feel about their work. And I, for the most part, am pretty happy person. But, yeah. I go through definite periods of time where I'm not funny. I'm not good. I'm - I don't feel original.

I say, 'Yeah, Taylor Swift.' I think she is a smart, beautiful girl. I think she's making all the right moves. She's got a good head on her shoulders. She's surrounded with wonderful people. Her songs are great. She keeps herself anchored. She knows who she is, and she's living and standing by that.

Sometimes you just work, you work, you work, and you have no life, no boyfriend, you have no more friends, no more nothing, you just make movies, and you're tired, and you don't know why. Then everybody says, 'Oh you are so lucky, you are working!' And you're like, 'Oh yeah, oh yeah, it's so great!'

I've done four other films since 'Submarine,' so that's quite cool. It's just good to have people respect your work; I've never had that before. Yeah, my life has changed crazy. I'm a kid from a small town in south Wales, I play my Xbox usually and all that sort of stuff, and it's a whole new world.

Yeah I grew up in the public eye. I became a man in the public eye, which is kind of a bizarre thing to come to terms with. Now I'm in my late 20s and I was in my early 20s when I became recognizable. But I think 'Moneyball' represents a very strong shift in my career and becoming an adult and a man.

It's a wonderful profession, and it opens lots of doors, and I think it's quite right that people can accuse actors and actresses of being dilettante, but you learn on every job, whatever it is, the process moves you on in some way, and yeah, I want to expand my knowledge of our existence, I suppose.

My teacher told my mum, 'I think William has dyspraxia,' and Mum asked what that meant. She said, 'Well, if I put a chair in the middle of the room and asked every child in the class to walk around it, William would be the only child in the class to walk into it.' Mum was like, 'Yeah, that's my boy'.

I did a lot of commercials starting in about '75, yeah. Well, not 'a lot'; I never was a big old commercial gal, but I made a good living. I didn't immediately make 'a living' at commercials; the first year I made maybe a living was about '80. I had a great year in '85. I had a nice little supplement.

And I asked my mother about it; I said, 'Is there something wrong?' She said, 'God... God makes people. You understand that, don't you?' And I said, 'Yeah!' She said, 'Who makes a rainbow?" I said, 'God.' She said, 'I never presumed to tell anyone who could make a rainbow what color to make children.'

Every time I'm a good guy in a movie, which is the 'Marine,' people are like, 'Wow, you can play endearing. You can play kind and nice and sweet but yet hardcore.' And I'm like, 'Yeah. Just because The Miz is a jerk and an egotistical maniac doesn't mean that there isn't a softer side to Mike Mizanin.'

My habit would have been to veer towards the dark - to prove I was something; edgy, or maybe to prove that I was cognisant of the dark side. Now, with age and confidence, I can say, yeah, that's true, but I am cognisant of the fact that people can do things well. And can be more loving than you expect.

I like to mix it up, yeah. I don't sort of think, 'Oh, I need to do a comedy, I've done three dramas this year.' I don't think of it like that, but I definitely from project to project I feel like I want to just do something different all of the time and stop, I don't want to bore myself or anyone else.

Yeah, my dad was in the foreign service. We lived in India, Indonesia and Africa, and we traveled a lot from those places. I was 10 when we moved back, and I felt like the odd guy out. It wasn't until later that I appreciated it. But coming back I didn't know any TV shows or music, which was even worse.

What really broke it down was I had my son while I was locked up, so that really affected me. I can't really have this, knowing my father was locked up when I was small. So that really out of everything - through the fame, the money, everything - that really put the toll on me: 'Oh yeah, I gotta change.'

I obviously identify with the anti-authority figure. I've pretty much always had problems with authority, ever since I was a kid. But, yeah, it's not identifying, I think it's more a part of my natural DNA that I question anybody who has a plan. Everybody's got to have an angle; that's the way I grew up.

But yeah, a lot of people compare me to Magic. The physical appearance, the tall point guard, the ability to pass the ball. But comparisons are one thing, it's up to me to go out and play my game, get those wins, those championships, that's the only way those comparisons can get closer, but he's a legend.

When I'm working, I'm pretty busy with that, but when I'm not, yeah, I like to make music. I sing in jazz bars and stuff, and then I mainly paint every day. It's kind of like a different side of my mind I like to use, and it keeps the other one fresh, and yeah, writing, I've been writing with some friends.

I did what I always wanted to do. Wrestling. - conquered that. Can't physically do it anymore. So now what? Maybe I'll paint. Maybe I'll write another book. Yeah, I'll try this acting thing and now actually concentrate on it and try and get better at it and take classes and get coaching and give it a shot.

I don't really mind what people say about my love life or anything like that, but the one thing is that, yes, I do sing and write all my own music. That is something that I hold really dear. And yeah, I made a fool of myself in front of the world, but it was also great to pick myself back up and go on tour.

Yeah, I think it motivates you as people start to count you out. It doesn't make you play any harder, because every time you go out on the field you give 110 percent, but it does give you more of an edge mentally, knowing that you were in the same situation, because in sports you always find yourself behind.

I had a stormy graduate career, where every week we would have a shouting match. I kept doing deals where I would say, 'Okay, let me do neural nets for another six months, and I will prove to you they work.' At the end of the six months, I would say, 'Yeah, but I am almost there. Give me another six months.'

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