Yeah, I like to keep myself interested - I'll kind of throw myself into some area that I don't completely know or understand, that I'm not adept at, so I'm forced to swim in order to stay afloat. There's a good feeling that comes from that.

If singing weren't happening, then yeah, I definitely would still be working hard at karate. I already have some teaching diplomas in it so would've continued to do that and maybe eventually had opened my own club! Maybe one day I still can.

My version, of course, is not this flag-waving, let's all get on the Jesus train and ride out of hell. I'm not that kind of guy. It's an embrace that life is good, worth living and yeah, it's not easy, but there are more pluses than minuses.

I love James Taylor and Carole King, Joni Mitchell - this is, like, early '70s stuff. I love the stuff from the '40s. I love that tight harmony that the studio singers in the '50s would sing. I love Patsy Cline. Yeah, I'm all over the place.

When I made it, I still didn't wave the flag and say, Yeah go Asian people. I do want people to know that about me, but I always felt like at least musically, let me just do what I do and be the best at it. Which is what I'm doing right now.

I'm not looking for pity, I'm really not, but I'm constantly uneasy and every day it is pretty much like getting up and going to war. Once I shift into the mindset of 'Yeah, you're alive. It's tough. Let's do what we can today,' it's easier.

I definitely always took my problems and turned them into music, and the more I can make myself feel happy, the better. But yeah, I definitely feel like music was always a place for me to, like, escape to. I just love songs that are fantasy.

I want to be part of the resurgence of things that are tangible, beautiful and soulful, rather than just give in to the digital age. But when I talk to people about this they just say, 'Yeah, I know what you mean,' and stare at their mobiles.

Well concerning the world records that I did, I think it helps a lot to me, yeah. I think it's a very individual thing because I heard some people say, like, oh I don't like it at all. But I definitely, for me it really made a big difference.

Oh yeah - I watched Knife in the Water, saw the shot, and repeated it. But even if I hadn't seen that film, inevitably the camera would've ended up on top of that mast, I mean if you think of it there are only so many dynamic shots on a boat.

Yeah, we pretty much had a form and a shape by that time - a style - and I think one of the advantages of not having any relationship to any other puppeteer was that it gave me a reason to put those together myself for the needs of television.

Yeah, my parents really valued education; they were both educators. But it was definitely true that I grew up in an area where a lot people didn't go to college. A lot of people did two years, a kind of terminal two years at community college.

I'm one of those people that is up for most things. When I was offered to sing at the Oscars I was like, 'Yeah, I want to know what that's like!' I'm always curious to know what things are like - as long as you're not compromising who you are.

Sometimes I say to people, 'Do you think you're easy to live with?' People who are single. And the ones who say, 'Yeah, yeah, I'm pretty easy to live with; it's just a question of finding the right person,' massive alarm bell rings in my mind.

It's the reality: film is a director's medium, and, ultimately, they are the ones that are in charge, and you have to respect that because somebody has to be in charge. But, yeah, you do reach a point where you want to have your voice come out.

It's very easy in the studio to get overzealous with your vocal takes, thinking, 'Oh yeah, I can do it over and over. I can sing at the top of my range for this whole song.' But when you're doing it every night on the road, it's pretty intense.

I get this call and they go, you know, 'Do you want to do the finals?' and I go, 'Yeah, I guess, I've never, never done the finals.' Especially for somebody who's done as many thousands of games as I have, it kind of takes you one step further.

I know I'm not a coal miner, but I do long hours and I never complain, and there is nowhere else I'd rather be. So, yeah, that's how I'd define myself. I want to do it right, and prove people wrong once and for all about the myth of child stars.

I came up with my natural logo and ya know, just dealing with Nike I was like can y'all put my logo on the shoes and, you know. At that time I think other guys had logos or specific names on the shoe. So they was like yeah - let's rock and roll.

Yeah I do and I don't mind, in fact that is one of the real encouraging things about this whole career of mine is that there are tunes I wrote almost thirty years ago that I will still play in front of an audience and I still like the old tunes.

I had written the script for Juno and apparently Steven Spielberg had read it. I can't just call him Steven, that's weird... Mr. Spielberg had read it and he liked it. He asked me if I would write this television show for him and I said, 'Yeah!'

I don't think there was ever a moment when I was like, 'Yeah, I want to be a singer!' I guess it just happened. I performed a lot when I was younger and stuff, but I remember getting to the point where I thought I might have to get a normal job.

Yeah, we shot ourselves in the foot right out of the gate. The guy who ran it at first misled pretty much everybody about how much capital we had. He said we had enough to go three years without making money, and we had enough to go three weeks.

The commitments, schedule and sponsor appearances don't change. It gets more busy, because you get more popular, and the more popular you are, it actually gets more busy. They're like, 'Yeah, let's use her, she's hot right now. Let's do a shoot!'

Yeah, I could get an internet page and maybe get a thousand downloads of new songs but it's a lot of work. I'm 57 now, I really feel like I've got the T-shirt. I just like performing. It's instant. I go off, I do the show, it's over. I like that.

I have seen 'Thor', yeah. It's fantastic. Being that close to something, it's often pretty hard to watch yourself, but the film in so many ways is so impressive that I was swept along with it like an audience member, and that's a pretty good sign.

Some people would call me a workaholic. I don't consider this time: I just love my work so much, so it's my real hobby, OK? And, yeah, getting some play during working hours for which you are paid is the best job I can recommend for anyone around!

You watch guys talk about football, and you think that maybe it's really easy, and it's really not. Yeah, we've got the expertise because we played, but how you put that into a 30-, 45-second take and educate and entertain someone that's watching?

My mother says to me, when I'm making a new movie, she says, "Oh, is Steve Buscemi in it?" I'd say, "Yeah." And she, "Oh, then it's going to be a good one." I swear to God, she says that every time. And when I say Steve's not in it, she says, "Oh."

A lot of my friends are gangsters. Not like gangsters - well, yeah, all sorts of levels of criminality - but not the types that are preying on innocent people. I have no interest in the type of criminality that has no respect for collateral damage.

I want to be rich enough that, without being cruel, I could buy a horse, a white horse, and permanently attach a horn. A pearlescent horn. And then I could just be like, 'Yeah, I have a unicorn.' But I don't know how you do that without being cruel.

Yeah, but you need an experienced radio veteran who is a liberal advocate. And there just hadn't been any radio that did that. And so they weren't trained - they had developed all these bad habits of being objective and balanced and stuff like that.

Yeah, you know, if I'm having an emotional scene I do like to go off and be by myself; not to say that I'm a method actor or anything like that, but for scenes like that that are more emotional, I do like to take that night off and not be so social.

People are always like, 'It must be so hard for you, not to be able to leave your house. I'm like, 'No, I go where I want and do whatever I want all the time.' 'No, you walk down the street?' 'Yeah, I do all the time.' 'Really?' 'Yeah, all the time.'

I don't think I've had any adversity. I mean, yeah, I studied hard in school, but that's not adversity. Everyone in the Nuba Mountains has faced incredible adversity, every single one of them. Just to finish primary school is an incredible challenge.

This arrogance thing... I've had that my whole life. I flip between, 'Oh really? Oh, thank you. Wow. That's amazing' and, 'Yeah! Of course I am.' They're both varying degrees of a self-defence mechanism. It can be from minute to minute that I change.

Yeah, there's probably been times when I'm watching cable and seeing there's like three movies that Jack's in and I'm sitting hogging a bag of Cheetos in my underwear and I think 'God, what happened to me? Why can't I be something special like Jack?'

I know more about what it's like to be elderly and infirm and kind of stupid, the way you get forgetful, but on the other hand I'm a littler, wiser, dare we say? The word 'wisdom' has kind of faded out of our vocabulary, but yeah, I'm a little wiser.

For myself, I went into an industry I wasn't educated on, and I thought, 'Hey, yeah, let's do this. Awesome.' And I've really had to educate myself in the fashion world: undergarments, fabrics, and learning their language, but it's been really great.

I'll watch a Pixar movie over and over and over again. I'll be with friends of mine who have kids, that want to watch 'Finding Nemo,' and I'm like, 'Yeah, okay, let's watch 'Nemo' again, for the seven billionth time!,' because they're amazing movies.

When something like that happens, people want to try to find some dirt and make it more of a soap opera. But I think we both walked away with the door still open, if we want to do something together again. So yeah, I would call it a friendly break-up.

That's the trouble with being me. At this point, nobody gives a damn what my problem is. I could literally have a tumor on the side of my head and they'd be like, 'Yeah, big deal. I'd eat a tumor every morning for the kinda money you're pulling down.'

You know, people who almost - yeah, there's a slight reluctance there - but there's also an ambiguity. What are their morals? What is their code of living. What are they really doing here. And it is just interesting because it is never black or white.

Yeah, in my scripts, I don't tend to describe landscape too clearly because I like to keep it really basic and sort of let people paint their own picture. I don't find it helpful to spend a page describing a setting, except for maybe a few key things.

For me, I was literally trying to stay afloat. I never actually thought I would get my own sketch show. So the idea that one day I would have my own show is pretty wild. But once I got it, I thought, 'Yeah, this is exactly what I always wanted to do.'

For the most part, yeah, I'm happy with my body, but there are days when I'm like, 'Ugh! Really? Why is it so hard to fit into my jeans?' That's when I say to myself, 'I look this way because I'm supposed to. If we all looked the same, we'd be boring.'

Yeah, that's what kind of, we get the idea a little bit yeah, because other people from different countries also try as hard as they can to get a medal or a gold medal in the Olympic Games. And you know, if they can work hard, we can work hard as well.

Well football teams are perhaps easier to control than political parties, I'm sure the Prime Minister would agree with me, but yeah I think every team needs discipline and a sense of self-belief and that's important, that's what leadership's all about.

You're a Dhampir," I breathed. "So are you." he teased. "Yeah, but I just thought—" "That I was human? Because of the bite marks?" "Yeah." I admitted, No point in lying. "We all have to survive," he said "And dhamphirs are good at figuring ways out to.

We're in a world where there's famine and hunger and people are dodging bullets and having their nails pulled out in dungeons so it's very hard for me to place any high value on the work that I do to write a song. Yeah, I work hard but compared to what?

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