I never prayed for no money, and I never prayed for no fame. I said, 'I'll take care of that myself. You just keep me healthy and I'll do all I can to try to turn people around, to try to steer 'em in the right direction.' That's the whole trip in life, ya know.

One of the interesting things about YA books - I don't know about Percy Jackson, but I do know about 'Twilight' and 'Maximum Ride': There are a lot of adult readers. In fact, we released 'Maximum Ride' both as a paperback for kids and as a mass release for adults.

I really get inspired by songs. Like, if I hear a thug 'Want to kill ya' song, I'm ready to go out and get crazy. Or if you hear this really sexual, sensual slow song, I want to go have sex. I'm very animalistic when it comes to stuff like that. Very basic emotions.

In terms of age, I think I've covered about as wide a range as is possible, having written everything from picture books to early chapter books to middle grade novels to YA to one adult novel - and having been editor and lead writer for a magazine for retired people!

This is a year and a few months after the transplant. Before I had it my doctors told me that it would be the biggest thing that I ever had to face and believe me, when they take your liver out of ya and put another one in it's like replacing a football in your stomach.

People - I hate to use the word 'fans' - are very respectful. It's not like I'm some pop idol or big movie star. I'm very approachable, and I love the people who enjoy me, because they react like they've run into a friend. Usually, it's like, 'Hey, Wanda! How ya' doing?'

'Daughter of Smoke and Bone' is one of my all-time top YA fantasy trilogies, so I was a little nervous about reading 'Strange the Dreamer.' Of course, I shouldn't have been worried because Laini Taylor immediately grabbed me by the proverbial lapels and refused to let me go.

Can I play a southern character? You betcha. Can I do the voice of Tourist Dad and Carnival Barker? Ya betcha. Can I do Fix-It Felix? Ya betcha. But I don't want to just play southern characters, so I hide it; I bury it. I tamp it down like a secret. Like a dirty little secret.

One day, I got a call from Aditya Chopra and he said, 'Ma'am, I am Aditya Chopra speaking, Yash Chopra ji's son. I am making a film and I have a role for you.' I was so simple at that time, I told him, 'Ya fine, I am shooting at Noor Mahal bungalow, you come and meet me there.'

As a kid, I went from reading kids' books to reading science fiction to reading, you know, adult fiction. There was never any gap. YA was a thing when I was a teenager, but it was a library category, not a marketing category, and you never really felt like it was a huge section.

Ya know, I always admired Ray Kroc, the man who invented McDonald's. Ray had a vision of the most commonplace thing - a hamburger and fries to go - but to him it was just the greatest thing ever, and he was going to make it the greatest thing ever for everybody else, and he did.

I really only respect the Arab culture. I ain't really trying to pay no attention to, ya know, these little people in political positions and executive positions that ain't Arab culture oriented people because a lot of the times, what are you really showing all of this concern for?

I think more people are going to continue reading YA as well as reading other books because they have learned that they can find books there which they will truly love: a teenage protagonist is close enough to adult so readers of whichever age can sympathise and empathise with them.

I was a cub reporter on a local newspaper in Limerick city, and I used to cover the district court meetings. All of life passed through the Limerick courthouse. Misery, malevolence, the dark side of humanity... I tell ya, it made 'Angela's Ashes' look like 'The Wonderful World of Disney.'

I think 'Holler If Ya Hear Me' is almost 'A Raisin in the Sun' 50 years later, with just a different 20-year-old voice speaking the words. But it's about access to the American dream and equal lives having equal value in America. It's still holding a mirror up to us so we can see ourselves.

I look up to Jimmy Fallon. He hosts talk shows as a fan himself, and that's how I do it. When the celebrities come in, I'm excited that they're there. It's not just like a formal, 'Hey, how are ya?' It's like, 'Dude, what the hell! So happy to see you!' That's what Jimmy Fallon does every time.

There are so many YA novels being made because there is so much young talent that can bring it to life. J-Law was one of the first females to do it with 'The Hunger Games,' and it's been going on for a while now. With J-Law, it was like, 'Hey, I'm Katniss,' and then, 'Hey, I just won an Oscar!'

Plot is a framework on which to drape other things. So once that's working, I can just let it go and do all the stuff that I love - 'Trojan horse' it. There are so many great YA heroines, and that's fantastic, but what about the emotionally complex boy out there? That's who I tend to write about.

One of the things that defines YA is a really strong narrative. Adults love YA because, at the end of the day, they're good stories and page-turners. The other element is emotion. The teen years are a very emotional and intense time, and I think it's a time we that we can all relate to and remember.

I write what I like to read, and I enjoy love triangles in YA and adult fiction - not to mention in other media like TV, opera, theatre, and even in video games! I relish when dark and compelling characters compete for our protagonist's heart. The doubts, the uncertainty - the jealousy! - can be breathtaking.

I do a bit called, 'You go, girl!' where I say, 'Don't tell me 'You go, girl!' I get it. I don't need you encourage me.' And nine times out of 10 after I finish the bit, some guy in the back will yell 'You go, girl!' I get a lot of that or 'I hear ya!' I don't generally - knock on fake wood - get mean heckling.

Bent Literary Agency had a Q&A on Twitter, and I took a chance and asked if the Black Lives Matter movement was an appropriate topic for a YA novel. Brooks Sherman, who is now my agent, responded that he didn't think any topics were inappropriate for YA. I remember being so terrified even just sending the tweet.

As someone who writes and teaches YA fiction, I spend a lot of time trying to define its character and readership, and I don't think I'm alone - genres are all about boundary drawing, and the YA genre is, in a lot of ways, about carving out boundaries around adolescence, a space for teenagers to do teenage things.

It was quite surreal. Me and my wife went on holiday to America and the security was really tight in the airport. And the security officer that was letting us go through to Los Angeles kept looking at my photo and then he said, 'I know you don't I?' And I said 'Do ya?' and he said 'You're the guy with the bloopers'

'Hard Hit,' a YA collection of poems, explores the country of grief and survival. Mark, a 16-year-old boy and skilled pitcher, must confront the coming death of his beloved father with the help of his friends, family, baseball, and an idiosyncratic belief in God. I used my own experience of my parents' deaths to inform this journey.

I marketed pens - on the phone. But the beauty of the gig was that you had to call these strangers and say, 'Hi, how ya doing?' You made up a name, like, 'Hey, it's Edward Quartermaine from California. You're eligible to receive this grandfather clock or a trip to Tahiti.' You promise them all these things if they buy a gross of pens.

It's very hard to make grand, romantic gestures on a mandolin, and there are times, particularly when playing Bach, that you long for just a little more sustain. But for better or worse it's my voice, and the trade-off comes with increased intimacy. It's like you're beckoning the audience closer: 'C'mere, I've got something to tell ya.'

If you have notoriety, you can dress any way you want to dress. That's the way it is. I just like to get dressed up. I think that they go hand in hand - notoriety and people lookin at ya. If they look at ya, either you look like a million dollars, or you don't. A guy can have a phenomenal body, but if the suit doesn't fit him, forget it.

I was raised by the last of the Gorgeous George era. You don't let somebody come from some other business, walk in your business, make a fool of ya and go back into his business and laugh at ya. So if you watch Wrestlemania the very first one, I was the general and here was the rule: don't let Mr. T throw a punch; keep it strictly amateur with him.

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