Quotes of All Topics . Occasions . Authors
During the year 1894, Pierre Curie wrote me letters that seem to me admirable in their form. No one of them was very long, for he had the habit of concise expression, but all were written in a spirit of sincerity and with an evident anxiety to make the one he desired as a companion know him as he was.
I was one of those guys, you know, playing and singing, and there was no reason for me to write a song, because there were so many beautiful songs out. And Bob Dylan was always the ultimate songwriter, and nobody could ever write a song as good as him, and nobody ever has written a song as good as him.
The Gospels were written to present the life and teachings of Jesus in ways that would be appropriate to different readerships, and for that reason are not all the same. They were not intended to be biographies of Jesus, but selective accounts that would demonstrate his significance for different cultures.
People are always saying it's the end of the Gutenberg era. More to the point, it's a return to an oral era. The Gutenberg galaxy was about the written word. At its best, the digital era is part of the rediscovery of the oral. At its worst, it's a Kafkaesque victory of the bureaucratic over the imagination.
'Milk and Honey' was written with me being honest to myself, kind of pulling at the things that I hear the most and saying that out loud, and you know, that thing that we hear the most is most universal, and so that rings true with all folks. The language used in the poetry is extremely, extremely accessible.
Policy is no longer being written by politicians accountable to the American public. Instead, policies concerning the defense budget, deregulation, health care, public transportation, job training programs, and a host of other crucial areas are now largely written by lobbyists who represent mega corporations.
It is imperfection - not perfection - that is the end result of the program written into that formidably complex engine that is the human brain, and of the influences exerted upon us by the environment and whoever takes care of us during the long years of our physical, psychological and intellectual development.
I've written about this before, but the sad truth is this: There are only a handful of Trump true believers in the Senate. The rest are chugging a toxic slurry of cowardice, ambition, and opportunism that has led members of the upper house of a co-equal branch of government to relinquish their power and prerogatives.
'Boldface' is a pilot term, a magic word to describe the procedures that could, in a crisis, save your life. We say that 'boldface is written in blood' because often it's created in response to an accident investigation. It highlights the series of steps that should have been taken to avoid a fatal crash, but weren't.
The behavioral scientist Karen Stenner has written very eloquently about people who have what she calls an authoritarian predisposition, a personality type that is bothered by complexity and is especially enraged by disagreement. Trump has made himself into the spokesperson for precisely these American authoritarians.
'Boyz-n-the-Hood' was actually supposed to be written for Eazy's group. He had a group out in New York called Home Boys Only, called HBO. One of them looked like LL Cool J. Eazy wanted to write a song for them, a street song, like what we were doing on the mix tapes. So when I wrote it, it was too West Coast for them.
I started with Sidney Poitier and Ruby Dee and Lou Gossett, Jr. and the rest of the wonderful cast of 'A Raisin In The Sun.' We were directed by the great Lloyd Richards. The play was written by the wonderful Lorraine Hansberry, and it was produced by Phil Rose. That's where my start was, so... not a bad way to start.
Of all the nonsense written about love, none is more absurd than the notion that ideal love is selfless. To love is to see myself in you and to wish to celebrate myself with you. What I love is the embodiment of my values in another person. Love is an act of self-assertion, self-expression and a celebration of being alive.
The Victorian language of flowers began with the publication of 'Le Language des Fleurs,' written by Charlotte de Latour and printed in Paris in 1819. To create the book - which was a list of flowers and their meanings - de Latour gathered references to flower symbolism throughout poetry, ancient mythology, and even medicine.
I'm a brown girl from a Punjabi pind raised in Toronto. I don't expect literary critics and purists to understand the nuances of my experiences, and the experiences of the people around me... And my tradition holds that there is a magic in the written word. So how I write, what I write of, and why I write all comes naturally.
But, in North Korea, it's just the opposite. There's one story. It's written by the Kim regime. And 23 million people are conscripted to be secondary characters. There, as a youth, your aptitude towards certain jobs is measured, and the rest of your life is dictated, whether you'll be a fisherman or a farmer or an opera singer.
With this 'social media,' instead of letters you get emails. They're all written in a hurry, with no punctuation, no paragraphs - it's one continual stream, with spelling mistakes. Quite frankly I think it's a world I don't need. But I have to read them all because people say, 'Did you get my letter?' And it's not even a letter!
We are not called upon to enter into controversy with those who hold false theories. Controversy is unprofitable. Christ never entered into it. 'It is written' is the weapon used by the world's Redeemer. Let us keep close to the Word. Let us allow the Lord Jesus and His messengers to testify. We know that their testimony is true.
Africa and its people are the most written about and the least understood of all of the world's people. This condition started in the 15th and the 16th centuries with the beginning of the slave trade system. The Europeans not only colonialized most of the world, they began to colonialize information about the world and its people.
There's a great phrase, written in the '70s: 'The definition of today's AI is a machine that can make a perfect chess move while the room is on fire.' It really speaks to the limitations of AI. In the next wave of AI research, if we want to make more helpful and useful machines, we've got to bring back the contextual understanding.
New Year's Day. A fresh start. A new chapter in life waiting to be written. New questions to be asked, embraced, and loved. Answers to be discovered and then lived in this transformative year of delight and self-discovery. Today carve out a quiet interlude for yourself in which to dream, pen in hand. Only dreams give birth to change.
The problem is once you've written the opening paragraph and worked out how the rest of the story will go in your head, there's nothing in it for you. I write in longhand using disposable fountain pens on the right-hand side of the notebook for the first draft, then I rewrite some of the sentences and paragraphs on the left-hand side.
My last vivid boyhood fright from books came when I was 15; I was visiting my uncle and aunt in Greenwich, and, emboldened by my success with 'The Waste Land,' I opened their copy of 'Ulysses.' The whiff of death off those remorseless, closely written pages overpowered me. So: back to soluble mysteries, and jokes that were not cosmic.
Let reverence for the laws be breathed by every American mother to the lisping babe that prattles on her lap - let it be taught in schools, in seminaries, and in colleges; let it be written in primers, spelling books, and in almanacs; let it be preached from the pulpit, proclaimed in legislative halls, and enforced in courts of justice.
Usually, in theatre, you're adapting existing material or creating an entirely new play. With the 'Cursed Child,' we have been given the unique opportunity to explore some of the most cherished books and beloved characters ever written, yet work with J. K. Rowling to tell a story from that world that no one yet knows - it's exhilarating.
My mother was the greatest mother in the world. She thought I was the greatest thing on two feet. I'd come home with a little composition I had written at school, and she'd look at it and say, 'It's wonderful! You're another Shakespeare!' I always assumed I could do anything. It really is amazing how much that has to do with your attitude.
'Sour Heart' is a collection of seven linked short stories narrated by young Chinese-American girls living in New York City in the '90s. It's exceptionally hard to describe what I've written without sounding delusional or boring, so I'll just say they are stories about growing up and the pleasures and agonies of having a family, a body, and a home.
