Quotes of All Topics . Occasions . Authors
I think it starts to feel really redundant when you start to do something the same way over and over again. I don't think it's good to become so dependent on a certain writing process.
We have a writing process that's very much you try to create the character in a complicated way and then you let the story lead you to discovering who the character is in a natural way.
I don't know that it's particularly good for my writing process, but I have gotten some very valuable writing ideas and advice through Twitter and Facebook and other social network sites.
My writing process often begins with a question. I write down ideas and let them stew for about a year. Then, when I sit down to write, I make a list of characters and try to see how they fit.
I grew up on film sets but more around the process of making films. I saw a lot of the editing process and the writing process, which takes years. That really affected me growing up, that side of it.
My writing process is such that a story will be in my head for awhile, and I'll start making notes on my computer. I create character sheets that include a character's past, fears, goals and ambitions.
During the writing process, I tend not to listen to too much music. I obviously wear a lot of influences on my sleeve, but if I was listening to too many records, I would turn into too much of a monkey.
A huge part of my writing process is listening to music as I write, almost creating an unofficial soundtrack to the film I'm working on, a sort of playlist. But the specific songs change rapidly as I write.
I really enjoy the writing process because I can do it from my house. I can create these characters and take them in the different directions that I want to take them. You have a lot of freedom as a writer.
Reading the final copy of my book was like walking down memory lane all over again. Sure, the writing process was emotional, but when I had the final copy in my hands, it was a completely different feeling.
My writing process is consecutive, like, 'mad scientist' crazy. It's not totally writing something that rhymes or even writing a rap necessarily. Sometimes it's just writing down stuff that I'm going through.
If there was anything that I learned with my own writing process, maybe there's too many choices what to write about. Just the amount of subject matter in the world these days; maybe that feels chaotic for me.
When I write, I don't allow the fear of consequences to interfere with the writing process. I have in the past paid for my commitment to the truth and the way I live my life. I am prepared to pay more if I have to.
The real writing of a piece comes only when you are performing it. It is why I like theatre. In film and TV, the image is locked forever, but in theatre, there is constant change; each performance is part of the writing process.
As an actor, you see a sliver of how the show is made, but to see the actual writing process and the re-writing process and the casting process and art direction and set design - all of this is happening in a very intense period.
And I've always loved commercials. I like working out how to organically weave a brand's message into the writing process. It's like an improv show, where comics ask the audience to throw out a word and a skit is built around it.
Early on in the writing process, there is sometimes this temptation to write around the central drama instead of just aiming for the bull's-eye. The bullseye is harder to hit, of course, but it's so much more satisfying when you do.
In a lot of senses, things are definitely changing in my life, and with what's going on around me. But I still feel like the writing process is as intimate as it as before, if not more. Because I need my time more than I had before.
All of my scripts are based on other people's novels. Generally, I consider myself as one who writes for theatre. I do not see film work as a continuation of writing for theatre. It is more of an interruption of the writing process.
Each song is a small universe to me. Each song has a story of its own. Each has a full life to express in order to be complete, so it often happens that the building to a big crescendo feels right in the recording or writing process.
I enjoy talking to groups who are interested in the writing process or the industry. I never teach - because truthfully, I don't know how it all works; it just does. Sort of magic-like. But I love to share my experiences and perspectives.
My writing process is chaos. I usually start with an overarching theme. Then I establish several story threads, but I don't outline. I just start writing and keep notes for what may come. It's an organic process that's usually pretty flexible.
I sometimes start keeping a journal about the writing process itself. Particularly when I get the ideas, and I am trying to brood over the chaos phase. In writing a novel, you really have to brood over a lot of chaos of ideas and possibilities.
I think I write and publish as often as I do because I can't bear being without a book to work on... I don't feel I have this to say or that to say or this story to tell, but I know I want to be occupied with the writing process while I'm living.
Since signing with Universal, I have been working closely with Gary Ross, the director, producer and screenwriter. We have spent many hours on the phone, and I've been sending him information and items that have been useful to the writing process.
My writing process hasn't changed - it's is the same whether I'm working on a Y.A. novel or, as now, a new novel for adults. A lot of reading, a lot of research if the subject warrants it, a lot of sticky notes and scraps of paper - and get to work.
I was in the middle of filming Season 3 of 'Grace and Frankie.' Then the writing process for 'Mystery Science Theater 3000' was happening at the exact same time. And then the pre-production for 'Fatherless' was happening at the exact same time as well.
I worked initially in very low-budget independent films that I often wrote. My early work was all written by myself, and then I adapted 'Tsotsi,' so I was used to the writing process being, in a way, integral to my directing. I felt it really prepared me.
I enjoy the writing process and producing; I enjoy seeing an idea come to fruition. I'm driven by very complex characters. You look at the pilot of 'Breaking Bad,' where there's so much depth to the character, you can't help but be invested when you watch.
In 'Snow White and the Hunstman,' when we see them in the Dark Forest, you're allowed a lot of freedom to be able to cutaway to, for instance, the prince. That B and C story stuff helps the writing process, even though it makes it a more complicated movie.
When I return to the writing process after being away from it for a while, the first part of it always is being honest with myself: What am I into right now? Is it rock bands and guitars, is it noise, is it dance beats and electronics? Is it space, is it clutter?
There's always somebody you can call and go have lunch with and just talk out an idea. And it's great, because I need that. It's part of my writing process, to early on sit people down and say, 'Alright, this film I'm working on...' and I tell them everything I have.
Traffic' was an album that had a significant amount of songs. It was not complete and I felt didn't fully represent me as a person or as the artist I want to be and so when I started the writing process for 'The Autobiography' I was really turning a corner in my life.
One of the things is, in the writing process, if you do it enough, you have a sense of where you are. I didn't have that with the first book as I was writing it. Now, as I write books, I have a sense of where I am. Unfortunately, the sense of where I am is usually behind.
I'm a writer who simply can't know what I'm writing about until the writing lets me discover it. In a sense, my writing process embraces the gapped nature of my memory process, leaping across spaces that represent all I've lost and establishing fresh patterns within all that remains.
I don't really have a writing process. I don't write at all but, honestly, I feel like it's a modern-day writing because everything is technology and if I go in there and freestyle and I keep it, I feel like I wrote that. If I go in there and fix it, it's almost like something I wrote.
I got a little bit lost in the writing process: like, that moment in the 'Fight Song' music video where I'm throwing the crumpled paper on the bed, that was really true life. I was filling journals with different possibilities of lyrics for the first verse. And none of them felt right.
Of course having a baby derails the writing process for some time. And I will be the first to say that I have essentially no social life, because there's just nothing left after being a mom, professor, and writer. I used to be big into rock climbing. No more. A lot falls by the wayside.
I write every day. Most weekdays, I write about ten hours a day. That doesn't mean eight hours of surfing the Net or watching videos on YouTube. I park my butt in a chair and write... I learned that writer's block is a myth created by people who don't have, or understand, a writing process.
I think it's important to say typing in the computer is like the last, last phase of my writing process. That's kind of the fun part. Well, it's all somewhat fun, I suppose. But usually what happens is I think about a movie for at least a year - maybe a couple more - and I don't put anything down.
Usually I start with a beat, I start making a beat, and my producer side is making the beat. And on a good day, my rapper side will jump in and start the writing process - maybe come up with a hook or start a verse. Sometimes it just happens like that. A song like 'Lights Please' happens like that.
It's writing songs within the structure of telling a story, so it becomes a platform for diverse songwriting, for a writing process that's broader than just figuring out a song. You're also dealing with always pushing the story forward, with casting the voices, with the orchestration, with the arrangements.
In live-action, writing, production, and editing happen in discrete stages. In animation, they overlap - happening simultaneously. This allows a real dialogue to occur between the writer, the director, the actors, and the editor, and it makes the writing process a lot more collaborative and a lot less lonely.
The writing process, the way I go about it is I do whatever the beat feels like, whatever the beat is telling me to do. Usually when the beat comes on, I think of a hook or the subject I want to rap about almost instantly. Within four, eight bars of it playing I'm just like, 'Oh, OK. This is what I wanna do'.
I love, love writing about Los Angeles. I love exploring every part of it. And I find, rather than a burden, it's actually one of the most enjoyable parts of the writing process for me. I love everything about L.A. Okay, not the traffic. But I love the way it looks. I love the geography. I love the diversity.
Writers often like to talk about how intuitive the writing process is, but in truth, building a book is a remarkably unintuitive task. Or, to put it more accurately, you need a lot more than intuition. You need plot and characters. You need a setting. You need a theme that is relevant and supported by your text.
As for my writing process, there is one truth I have discovered after writing some twenty-plus books: Not every book is the same, but the middle of every book is where I really begin to question my choice of vocations. The beginning and end is usually fairly clear to me, but that middle just sucks the life right out of me.
When it's your words, and then you watch it connect with an audience as the artist, I kinda reflect back on the writing process and why those words were important to me. And to watch people sing it back, I mean, that kinda means everything because that's the whole point for me - performance and songwriting - is to connect with people.
The writing process is more... it becomes a case of more like a diary for me. I mean, I write stuff down all day whenever I'm experiencing something that I think would be important for me to look at later on. You know, whether it be for writing lyrics or just for a memory, like, 'Oh, my gosh, I can't believe I was feeling that way at that time'.
I used to always throw in random questions. I'd have to ask about artist's single and their writing process, which I know is every artist's most-hated question, like, "Well what was ,your process?" And it's. like, "Well, I wrote this album." And then at the end I would throw in, like, "So, Seinfeld or Simpsons?" and they'd be so thrown, because everything else could be autopilot. All my greatest moments were from the most sporadic questions.