Quotes of All Topics . Occasions . Authors
Certain governments are suggesting that bloggers and tweeters aren't 'real' writers and, so, don't merit protection. A writer is anyone from a Nobel laureate to a debut blogger. They all get PEN's attention.
Once, in an interview with 'V' magazine, I said that I preferred Fitzgerald to Hemingway. I think that Hemingway is an amazing writer, but by being related to him, I had it in my head that I had to like him.
Primarily, I am a prose writer with axes to grind, and the theatre is a good place to do the grinding in. I prefer comedy to 'serious' drama because I believe one can get the ax sharper on the comedic stone.
I felt a failure because I couldn't sustain myself from what I earned from my writing. My day jobs were what mattered, and it was hard to even get those because universities wouldn't hire me as a real writer.
Cultural change is always incremental, so the most important thing for any right-leaning artist, writer, or media mogul is to focus less on making political statements and more on producing high-quality work.
Sometimes I felt as a writer I was purging, and it almost hurt to purge to that level. Now it doesn't feel that way, maybe because I'm older. Maybe life has given me some punches, but it didn't knock me down.
Remember Graham Green's dictum that childhood is the bank balance of the writer? I think that all writers feel alienated. Most of us go back to an alienated childhood in some way or another. I know that I do.
On a personal basis, when I decided to become a writer, about the last reason I did it was because I thought I'd meet interesting people and make new friends. But that has turned out to be the very best part.
I know that books seem like the ultimate thing that's made by one person, but that's not true. Every reading of a book is a collaboration between the reader and the writer who are making the story up together.
It is the sincere desire of the writer that our citizens should early understand that the genuine source of correct republican principles is the bible, particularly the New Testament or the Christian religion.
If you take my stuff apart, you'll find my choruses of repetitions are picked up almost verbatim from Kurt Vonnegut, and my distanced fracture quality is all from Amy Hempel, who's probably my favourite writer.
I want to be a Kid Reporter because I would like to meet interesting people, and I also love being in front of the camera! As a Kid Reporter, I would love to learn how to be a better writer and interview people.
I'm a songwriter; that's where it starts. I love writing with someone that shares that same feeling of accomplishment. I'll play music for my fans as long as they'll listen, but I fancy myself as a writer first.
Many years ago, I was a producer on a movie called 'My Dog Skip.' Willie Morris, the great southern writer, had written the book. We had adapted it and taken 17 years of his life and compressed it into one year.
As a writer, I am an intellectual. I believe in the ideals of the Enlightenment, I believe in the written word, in dialogue and in truth. I hate lies more than anything else. Most of the time I react by writing.
As a writer, as a lyricist, you're just trying to make sure that you're not repeating yourself. And that's a danger for a lot of people. So for me, I just try to keep taking corners and trying to find new paths.
I was going mad. One day, I just started writing, and it was like therapy because I was in a position where I couldn't rage. I never expected to be a writer; it's a different world than I ever expected to be in.
I haven't had the occasion to meet Adele. She lives in England. So when I'm flying, or when she comes over here, perhaps we'll have a chance. I think she's a very fine singer, a very strong writer and performer.
I'm often characterized as an optimistic writer, and certainly my 'Neanderthal Parallax' and 'WWW' trilogies shade toward the utopian. I like to think that's not simple naivete, but rather a reasonable approach.
Nabokov, who I loved more than any other writer when I was young, had such contempt for dialogue. When I was younger, I never wrote a word of dialogue because of him. I thought it was a childish part of a novel.
I spent years only ever reading horror and then trying to write horror - and deep down, a horror writer is still what I'd love to be. But it wasn't until I started writing crime that things began to work for me.
Read good books. Read bad books - and figure out why you don't like them. Then don't do it when you write. If you are a science fiction or fantasy writer, going to conventions and attending panels is very useful.
I think I was 16 when I had the thought of maybe being a writer. And this is complicated, something I only now understand, because when I was young, having dyslexia and not knowing it made reading such an ordeal.
I am not, at the end of the day, a mother, a wife, a writer, an activist, a friend. I am a child of God. That's who I was when I came into this world and who I'll be when I leave it. No one can take that from me.
You hope for that with anything, but with a TV show, the writer and the actor being the right mix are more important than the actual writing of the pilot because you hope it's something that can have a long life.
I began running on an everyday basis after I became a writer. As being a writer requires sitting at a desk for hours a day, without getting some exercise you'd quickly get out of shape and gain weight, I figured.
As a freelance writer, I'd be asked to become an expert for various magazines on any subject, whether food or wine or history or the life span of veterinarians. I was completely unschooled in any of these things.
It helps to know from a very early age what you want to do. From the time I was five years old, I wanted to be a writer, even though I couldn't even read. It was mainly because I thought of my father as a writer.
One of the ironies of being a professional writer is that, if you are even moderately successful, the very traits that let you succeed as a writer are not much help when the time comes to head out as 'The Author.'
My writing regimen is not very regimented. I tend to be a binge writer, working sometimes in the morning and sometimes all night. When I get going I like to hunch over the keyboard until I feel totally played out.
My freshman English professor at Kent State University in 1984 told me I was a good writer, and she loved all the silly pictures I drew in my notebook. She said I should try writing children's books, and so I did.
I was a writer. I couldn't sell anything, and the comedians were among the dumbest people I had ever met. They'd all say to me, 'The average man won't understand it.' You know, they're superior to the average man.
Well, to be honest I think I'm a better short story writer than a novelist. Novels I find very hard, hours and hours, weeks and weeks, of conscious thought - whereas short stories slip out painlessly in a few days.
I don't remember deciding to become a writer. You decide to become a dentist or a postman. For me, writing is like being gay. You finally admit that this is who you are, you come out and hope that no one runs away.
I'm not intelligent. I'm not arrogant. I'm just like the people who read my books. I used to have a jazz club, and I made the cocktails and I made the sandwiches. I didn't want to become a writer - it just happened.
It took me 40 years to write my first book. When I was a child, I was encouraged to go to school. I was not encouraged to follow the career of a writer because my parents thought that I was going to starve to death.
The writer has two kinds of faith: actual writing and sitting openly. Have faith in your personal effort or sweat. And faith in God, or whatever you want to call it. Then the voices will come. Faith is the big deal.
It's true that misunderstanding and lack of understanding are often themes in my fiction, but I am grateful for the moments when true understanding is achieved, especially between writer and reader. It's miraculous.
When I write a novel, I am God at my own typewriter, and there is nobody in between. But when I write a screenplay, it must be a compromise because there are so many elements which are outside the writer's province.
When I was young, I wanted to be a writer or painter. I was always writing stories, and I excelled at drawing. My teachers encouraged my art work. When I was 9 or 10, I began learning piano and started writing music.
There was no audience for my books. The Indians didn't regard me as an Indian and North Americans couldn't conceive of me of a North American writer, not being white and brought up on wheat germ. My fiction got lost.
Being a novelist is the adult version of a kid creating a make-believe world. But unlike a child, a writer of fiction has to come up with a structured story, one that has as much meaning for others as it has for her.
I didn't become a good writer until I learned how to rewrite. And I don't just mean fixing spelling and adding a comma. I rewrite each of my books five or six times, and each time I change huge portions of the story.
I think my family and closest friends are learning about my need to withdraw, and I am learning how to restore and store my energy to both serve the community to the best of my ability and to serve my writer's heart.
I was training to be a lawyer... I was president of the law society at Glasgow University, and my bass guitarist was my secretary of my law society; the lead guitarist and writer worked at the law firm that I worked.
Easy reading is damn hard writing. But if it's right, it's easy. It's the other way round, too. If it's slovenly written, then it's hard to read. It doesn't give the reader what the careful writer can give the reader.
If I have enough ego to say I'm a writer, a director, a producer, and an actor, I should have the energy and the knowledge to write a scene for this great actor named Henry Fonda and direct him in it and have it work.
The education that prepared me was my general education classes, which I tried to avoid when I was a stupid undergraduate, but which gave me the foundation of general knowledge that makes a career as a writer possible.
When I wrote my stories in elementary school, I signed them all 'Karen E. Bender' with the squiggly 'E.' I wanted, from an early age, to be a writer, and that name - that E - was a way of pretending I knew how to do it.
An artist or a writer can boast about working for himself, but it would be highly irresponsible of a director to say such a thing as the sweat of many people is involved in realising his dream and he should respect that.