Quotes of All Topics . Occasions . Authors
As a songwriter, I was influenced by David Bowie - a great writer. A class above everybody in so many ways. Lennon and McCartney, of course. Class stuff. David Cousins was my favorite lyricist.
TV is very much a producer and writer or creator-driven machine in the States. And I'm the kind of actor that needs to be pushed and have someone on my case a little bit, so I suffer from that.
I have to understand what my strengths and limitations are, and work from a true place. I try to do this as best I can while still protecting my writer self, which more than ever needs privacy.
A true critic ought to dwell upon excellencies rather than imperfections, to discover the concealed beauties of a writer, and communicate to the world such things as are worth their observation.
There is no secret to success except hard work and getting something indefinable which we call 'the breaks.' In order for a writer to succeed, I suggest three things - read and write - and wait.
The writer I feel the most affinity with - you said you felt my books are 19th century novels, I think they're 18th century novels - is Fielding, Henry Fielding, he's the guy who does it for me.
I used to go online all the time, and then I had to stop myself... because I'm a writer, and it's like: to have a procrastination tool, like, within my computer... it was just getting too hairy.
There are autobiographical elements to the albums, and when I write, I always reference my own life as well as other things, so I'm just like any novelist or any fiction writer who tells stories.
I spent all my time on my movies worried that people were eating and that the schedule was being kept, so to have experts in those areas giving me the brain space as a writer and director is huge.
Writing, I think, is not apart from living. Writing is a kind of double living The writer experiences everything twice. Once in reality and once in that mirror which waits always before or behind.
Richard Hugo taught me that anyone with a desire to write, an ear for language and a bit of imagination could become a writer. He also, in a way, gave me permission to write about northern Montana.
As a writer, it's important to stay true to your story without giving a hoot about publishers, critics and readers. You should do your karma as an author the way you want to, and rest is up to God.
The life of the professional writer - like that of any freelance, whether she be a plumber or a podiatrist - is predicated on willpower. Without it there simply wouldn't be any remuneration, period.
On the 'Star,' you were forced to learn to write a simple declarative sentence. This is useful to anyone. Newspaper work will not harm a young writer and could help him if he gets out of it in time.
I'm an old school actor in the sense. More and more now, I play myself as I get older. Even as a writer, I never got typecast. I've always bounced from project to project or initiated my own things.
I wrote stories from the time I was a little girl, but I didn't want to be a writer. I wanted to be an actress. I didn't realize then that it's the same impulse. It's make-believe. It's performance.
During the writer's strike I was walking a line and ran into Jack Black and he said, 'We're doing Airborne 2!', and I asked, 'Are you kidding?', and he said, 'Yeah.' I like 'Airborne,' its very pure.
Like pretty much every short story writer, I submitted to every market under the sun and hoped for the best. The rejection letters I've collected over the years can probably make a book of their own.
I'm a 24-hour tweet machine, I'm a 24-hour blogger. When there's no pressure on me, I can talk and write and lecture with the best of them. But put a deadline on me and I start getting writer's block.
And as a writer, one of the things that I've always been interested in doing is actually invading your comfort space. Because that's what we're supposed to do. Get under your skin, and make you react.
Peter Lucas and I live in Durham but spend a great of time in North Wales, where we have a cottage in the mountains, and in Vermont, USA, with my sister - who is a children's writer married to a poet.
There must be a dozen films now based on Philip K. Dick novels or stories, far more than any other published science fiction writer. He's sort of become the go-to guy for weird science fiction notions.
The greatest compliment that anyone can pay me is that after I say something, they remember it. I'll go over a piece of copy until I've gotten the essence of what the writer had in mind - every nuance.
Writing is a very strenuous thing - it's like banging your head against a wall. At the end of the day, acting is better, just because nobody ever asked me if I wanted a Pellegrino in the writer's room.
It is as true for the writer as for the reader that any novel worth its ink should be an experience first and foremost - not an essay, not a statement, not an orderly rollout of themes and propositions.
I do like to work on a Marvel method, so if I've got the opportunity, and the writer is happy to do it, I like to have a writer detail what happens on a page, but not saying what happens in every scene.
Something about writing needs a sort of distance not to be involved as a writer - just something that makes it easier to write. You have to make choices all the time - what to tell and what not to tell.
Writer's block has probably existed since the invention of writing, but the term itself was first introduced into the academic literature in the nineteen-forties, by a psychiatrist named Edmund Bergler.
In France, for instance, one magazine writer was convinced that On The Road had been a huge influence on Lost Souls and was crushed to learn that I hadn't read the one until after I'd written the other.
I wrote my book 'The Amorous Busboy Of Decatur Avenue' completely like a writer does, writing it down, re-writing everything. But in my stand-up, I improvise initially, never questioning it too closely.
I got my Bachelor's degree in nursing and worked nine years - even taught nursing in a college - before I stopped and said to myself, 'This is not who I am. I am not really a nurse inside. I'm a writer.'
Every reader finds himself. The writer's work is merely a kind of optical instrument that makes it possible for the reader to discern what, without this book, he would perhaps never have seen in himself.
It was a pleasure to work with Destiny's Child in the beginning of their career. Working in the studio with Beyonce was a lot of fun. She's an extremely hard worker, perfectionist, and a talented writer.
I try not to push characters too close to myself because they get harder to write, but as a writer, you try to find odd little personal experiences that you hope are universal or think might be universal.
I wrote my senior essay on the Santa Fe Writer's Colony and my dissertation on sacred landscapes - the Grand Canyon, the Dakota Badlands. As a setting, I love the West. I just love that western landscape.
I did have imprinted on me the idea of trauma that changes things dramatically and suddenly. As a writer, I return to that again and again because it fascinates me, and it's where I come from, in a sense.
Never the less, at the age of fifteen, having never seen a writer, a poet, a publisher or a magazine editor, and having only the vaguest ideas of procedure, I began working on the profession I had chosen.
Stephen King in many respects is a wonderful writer. He has made a contribution. People in the future will be able to pick up Stephen King's books and learn a lot about who we were by reading those books.
I have yet to see a piece of writing, political or non-political, that doesn't have a slant. All writing slants the way a writer leans, and no man is born perpendicular, although many men are born upright.
Every single path is so different, but I would definitely say that the idea of what a writer is or should be is not a thing anymore. Everyone is redefining publishing, writing, and storytelling in general.
As a writer, or as a filmmaker, you have to present yourself, and part of what yourself is is what you're interested in, or what you think is funny, or what you think is sad, or what you think is horrible.
An intellectual's weapon is writing, but sometimes people react as if it were a firearm. A writer can do a lot to change the situation, but as far as I know, no dictatorship has fallen because of a sonnet.
Every writer dreams of having a backyard cottage, similar to Dahl's 'writing hut.' English cottages and charming huts might seem out of reach, but a good carpenter could build a modest cottage on the cheap.
Boxing gives you such a good workout, although I've stopped sparring. When your hand speed goes, you're going to get caught, and you can't afford to take cumulative smacks on the chops when you're a writer.
A workshop is a way of renting an audience, and making sure you're communicating what you think you're communicating. It's so easy as a young writer to think you're been very clear when in fact you haven't.
The biggest problem in rock journalism is that often the writer's main motivation is to become friends with the band. They're not really journalists; they're people who want to be involved in rock and roll.
You know, I always was an early morning or late night writer. Early morning was my favorite; late night was because you had a deadline. And at four in the morning you make up some of your most absurd jokes.
I mean, truly, in the land of the blind, the one-eyed man is king, and if you can't spot that CM Punk is magic from the moment he walks in the door, then you're reading a playbook from an antiquated writer.
I don't know if any single book made me want to write. C.S. Lewis was the first writer to make me aware that somebody was writing the book I was reading - these wonderful parenthetical asides to the reader.
Before we started shooting 'Homecoming,' we were in the writer's room for 'Mr. Robot.' I was also editing Season 3 of 'Mr. Robot' while I was prepping for the 'Homecoming' shoot. So yeah, it's a lot of hats.