I seriously doubt I would ever have written the first story had I not been a lawyer. I never dreamed of being a writer. I wrote only after witnessing a trial.

The most annoying and full-of-crap thing a writer says is, 'I write only for myself, I don't care if anyone reads it.' A writer without a reader doesn't exist.

I love historical fiction because there's a literal truth, and there's an emotional truth, and what the fiction writer tries to create is that emotional truth.

As a writer, you have to believe you're one of the best writers in the world. To sit down every day at the typewriter filled with self-doubt is not a good idea.

All the time, I've felt that life is a wager and that I probably was getting more out of leading a bohemian existence as a writer than I would have if I didn't.

We're past the age of heroes and hero kings... Most of our lives are basically mundane and dull, and it's up to the writer to find ways to make them interesting.

I have a cheat-sheet for each one of my characters about their personality, the way they look, etc. So there is no possible way that I could have writer's block.

To the present writer a careful study of the facts now available seems to leave no doubt that civilization was born at the southeast corner of the Mediterranean.

Think of an economy where people could be an artist or a photographer or a writer without worrying about keeping their day job in order to have health insurance.

I went to Goucher College in Maryland for the best possible reasons - to learn - but then I dropped out at 19 for the best possible reasons - to become a writer.

If you're a singer you lose your voice. A baseball player loses his arm. A writer gets more knowledge, and if he's good, the older he gets, the better he writes.

A writer needs to write, period. He or she can't wait for the muse, shouldn't need peace and quiet, and isn't entitled to perfect conditions or the perfect spot.

I'm a method writer. In order to write about the emotion, I have to experience it. I get physically tired and exhausted, devoting hours and hours and hours to it.

The good parts of a book may be only something a writer is lucky enough to overhear or it may be the wreck of his whole damn life and one is as good as the other.

Basically when you're a writer and have a mind like mine, my mind has gone platinum multiple times, and I have got a heart of gold; my heart's in the right place.

When I was young, I wanted, most of all, to be a writer of films and film music. But Middlesbrough in 1968 wasn't the place to be if you wanted to do movie scores.

The relationship between reader and writer is reciprocal in a way. We co-create each other. We are constantly emerging out of the relationship we have with others.

Historical fiction is actually good preparation for reading SF. Both the historical novelist and the science fiction writer are writing about worlds unlike our own.

I've been writing about James Fenimore Cooper. He was not a writer. Here was a man who was 30 years old and had never put anything more than his signature on paper.

I think plays, like books, are endemic. They grow out of the soil of the writer and the place he's writing about. I think, you just can't move them about, you know.

I often compare putting a hotel together to old-time movie production. You come up with a story line, you hire the writer, the director, the stars, the set designer.

I am, incidentally, the only writer to have received the Somerset Maugham award twice - the first time for my first novel, the second time for my second first novel.

When you're a writer, you talk about things that move you, that you feel really deep inside you that's something that moves you, and you hope it'll move people, too.

English food writer Elizabeth David, cook and author Richard Olney and the owner of Domaine Tempier Lulu Peyraud have all really inspired the way I think about food.

Everything around a writer, or musician in the record business, probably everything in all the United States or in all of western civilization, is about competition.

Just writing a lot doesn't necessarily make you a better writer. You have to hear yourself as a writer, and the best way to do that is to read your writing out loud.

Journalist: a person without any ideas but with an ability to express them; a writer whose skill is improved by a deadline: the more time he has, the worse he writes.

I wanted to become a writer and felt that poetry was perfected language, so having it in my subconscious mind would make the music of language always available to me.

In the end, being the writer on set is a bit like having organised a big party, but you're not allowed to eat or drink anything. You just have to stand in the corner.

A writer's main tool is his memory - his own memory, the collective memory of his people. And the strongest memory is the one that is created by a wound to the heart.

That, for me, is a very important test of a young writer's commitment because most of them are going to have to continue doing that when they've finished the program.

I think Labrinth is an amazing writer and an amazing singer. His voice is just so magnetic. There are so many people that I would work with inside and outside of pop.

My idea is always to reach my generation. The wise writer writes for the youth of his own generation, the critics of the next, and the schoolmasters of ever afterward.

I'm not the type of woman who shows off my body; I'm a vocalist and I'm a writer and I think people see that more so than they see anything else. That's just who I am.

If you want to be a writer, you must do two things above all others: read a lot and write a lot. There's no way around these two things that I'm aware of, no shortcut.

I'm a writer obsessed with remembering: with remembering the past of America above all - and above all, that of Latin America, intimate land condemned to forgetfulness.

I decided if I couldn't be a writer, my life would be miserable. I had this imaginary room of references to all the books I had read, a kind of bubble, in which I lived.

Art, whatever form it takes, requires hard work, craftsmanship and creativity. As a writer, I know my grammar, cadence, the music of prose, and the art of the narrative.

I just can't get used to the idea of being somebody unreal in people's minds. I can't live my life like that. And it's just anathema to being a writer. It's not healthy.

'Carrie' was a pretty big-budget movie at a real studio, with a director that had already done a bunch of things and had some notoriety, and Stephen King was the writer.

Those who prefer their English sloppy have only themselves to thank if the advertisement writer uses his mastery of the vocabulary and syntax to mislead their weak minds.

A serious writer is not to be confounded with a solemn writer. A serious writer may be a hawk or a buzzard or even a popinjay, but a solemn writer is always a bloody owl.

I'm not a writer where I feel particularly blessed by great inspiration every day. I don't. I have to work really hard at it to try and say the things I'm concerned with.

I could have been a cult writer if I'd kept writing surrealistic novels. But I wanted to break into the mainstream, so I had to prove that I could write a realistic book.

Some stories or passages are more difficult and demand more fussing with than others, but, in general, I'm a two-draft writer rather than a six-draft writer, or whatever.

Whatever you do, make sure you want to write more than you want to be a writer. Make sure you want to act more than you want to be an actor. That is what will sustain you.

I would be lying if I said the journalism doesn't reflect my own choices as a reporter and a writer: what to say, what to emphasize, how to say it, what is true or untrue.

The real writer is one who really writes. Talent is an invention like phlogiston after the fact of fire. Work is its own cure. You have to like it better than being loved.

A great writer creates a world of his own and his readers are proud to live in it. A lesser writer may entice them in for a moment, but soon he will watch them filing out.

As a writer, you understand how hard it is to build up backstory for characters, so you can have impactful moments. You have to build toward something and then pay it off.

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