I think the United States and the secretary of State should be concerned about the poverty in this country - people without health insurance. The United States should stop being the empire and be concerned about other countries. You've got to be more worried about your own people.

After a lifetime of feeling at home in my plus-size body, I was a 27-year-old having self-esteem issues. Clothes shopping stopped being fun and became a chore; I couldn't wear the curve-showing styles I loved without Spanx - and I worried that my new body would affect my training.

People are sad. People are broke. People are worried about money, people are worried that they're not enough and not amounting to anything and they don't feel good about themselves. People have rough times, and everybody's pretending it's not true, and we need to break that veneer.

Being a pop star is something I don't think I'm very good at. I'm worried it's making me too paranoid, because all of a sudden, life has become this constant assessment. When you put something out there and people get to hear it, then those people react to it, socially, culturally.

There's a tendency on the part of Americans, all of us, to say, 'Hey, the Cold War is over, the Soviet Union is gone, we don't have to worry about these guys again.' We always have to be worried about them, we always have to be concerned about them, and we have to be well-informed.

I ran for governor because I was worried about my kids' future. Then, I took on the big government union bosses, and we won. They tried to recall me, and we won. They target us again, and we won. We balanced the budget, cut taxes, and turned our state around with big, bold reforms.

When you spend such a large portion of your life working - and it's not fun, and you're worried about getting sued or fired for saying the wrong thing or for acting crazy at a work party - then what has work done to America? That's the impetus to have a huge office Christmas party.

I always knew, since I'm the one making the movie, if I didn't like it, I'd just simply build another set and do it again. I was the one doing it all, so I never really worried about if I didn't like it. I just thought, "Well, if I didn't like it, I'll just do it again! Who cares?"

I'd visually have that idea. I'm diving off the end of the diving board. I'm not going to be worried about if I'm going to dive into a jellyfish or the water's going to be too cold or the boys are going to beat me. I'm just doing it. And if I do it, it's a good chance I'll make it.

I don't need anyone creatively to tell me how I'm supposed to be. Only I know the answer to that. Only I know what I would say. That's always been my outlook. I haven't really worried about rubbing people wrong because I only know how to be Bray. And Bray is always going to be Bray.

When I talk to some of the younger filmmakers, they are so worried about their films that, eventually, this state of being worried reflects itself in and helps the final work. Whereas, with projects that are meticulously planned, you look at the end result and it is full of emptiness.

You bring your children onto this earth thinking, 'Okay, I want to make sure that by that time, I'm gonna be good and that they'll be okay.' But it's like, every day we're worried, 'Are we gonna be good?' Things change constantly, so you just gotta push, and you gotta work to the core.

For me, the acting part - and I have to say it makes me a little worried about my own psychological make-up - is that I just love to hide in other characters. I don't like to get up in front of people and talk as Kathy Baker. But as soon as you say 'action,' I'm lost in that character.

The way games are designed is you create a story, and then you create an obstacle course inside that story, and the player has to endure it to see more. So it's artificial. Game designers are so intensely worried about people getting bored that they pile on busy work for players to do.

For me personally, I was just worried that transitioning from a podcast, which is a very intimate sort of experience - people tell me they listen to my podcast while they're at the gym or on road trips, so you're in someone's ear - to being on television - that's a lot of space to fill.

There's a guy in London named Ben Cohen who is doing great things. In a way, we need people like Ben - we need straight guys to come out and say, 'What're you worried about? Get over yourself.' That's what we need! Because no one's listening to us - certainly, no one is listening to me.

I think it's great training for any comedian to start on cows. Because with cows, you expect them to be bored and just stare at you blankly. And that's exactly what you'll get at a comedy club. If you can toughen up with a cow audience, then you'll never be worried with a human audience.

I'll tell you, in making film, especially when you're an actress, you're always worried about how you look on film, how they light you, always working with your camera people to be at your best, with the expectations of our culture that you always look perfect and beautiful and whatever.

When I get in there, I'm not really worried about scoring. I'm just worried about playing as hard defense as I can play, making my opponent work, and then I know the offensive end will open up for me. I've been a scorer all my life, so that's what I try to pride myself on. It feels good.

When I was growing up, I wanted to dress like a lot of my idols, but I simply couldn't afford it, or my mother would say, 'Too much make-up' or 'It's too old for you.' So all I've ever worried about is that my fans could relate to me, and as a teenager with the same tastes and interests.

As I recovered at Walter Reed, I worried about the soldiers who pulled me out of my helicopter that Friday afternoon. Would they make it back okay? And what about all the other soldiers, sailors, airmen, Marines and Coast Guardsmen who were also putting their lives on the line every day?

I'm worried about economic growth in the United States. And the creation of jobs, output, and employment. And if you tax people who work, you're going to get less people working. And what the carbon tax would do is remove the tax from people who work and put it on a product in the ground.

I'm worried that the audience is being conditioned. That's my real fear. Because if they don't want to see wrinkles on the screen, if they actually fear looking at them, then it's only going to get worse. Those of us who don't want to shoot up and cut and sew, we're just not going be cast.

In high school, we would give away rulers to our friends that said, 'Jesus loves you.' I couldn't put together the concept that Jesus loves you, but if you don't love him back, you'll burn in hell forever. I worried, 'I'm rejecting the Holy Spirit, so I'm definitely going to burn in hell.'

The funny thing, I guess, is that my husband ended up being the muse of a book about the worst marriage in the world, because if he hadn't consistently said, 'Don't censor yourself, don't worry about me' - if he'd been anxious and worried about it - then it would never have gotten written.

The people who are worried about privacy have a legitimate worry. But we live in a complex world where you're going to have to have a level of security greater than you did back in the olden days, if you will. And our laws and our interpretation of the Constitution, I think, have to change.

Jesus discouraged the accumulation of wealth, worried about its effects on those who had it, and took special pleasure in helping the poor, dedicating his efforts to them. He must have shaken his head at the large gaps between rich and poor throughout ancient Palestine in the first century.

Between 1776 and 1789, Americans replaced a government over them with a government under them. They have worried ever since about keeping it under. Distrust of its powers has been more common and more visible than distrust of the imperial authority of England ever was before the Revolution.

It's harder to do anything in the public eye now, in terms of if you're worried about scrutiny or being judged negatively. It's not as much of a free ride. If you're someone who's making film or TV or music, or any kind of art form now, there's a billion outlets, and they all have an opinion.

Since puberty I've always had this strange awareness that all the keener experiences I would have in my life would happen later than it would to my contemporaries. When it came to the career thing, I never worried about it. It's better if you're still peaking when you're 60, which I feel I am.

When you look at children, they're so beautiful, and they seem so peaceful because their faces aren't all wrinkly and worried. They're like beautiful little pieces of pottery or something. You want to think they have this peace because they have no big responsibilities, but it's just not true.

My daddy wanted me to be a farmer; feel the smoothness of Alabama clay and become one of the first blacks in my town to own land. But, I was worried about my history being caked with that southern clay, and I subscribed to a different kind of teaching and learning in my bones and in my spirit.

I think one of the most important changes of our time has been our attitude to fear. Every civilisation defends itself by keeping fears out and saying 'we protect you from fear'. But it also produces new fears and throughout history people have changed the kind of fears which have worried them.

I use as high SPF as I can get, and I live under a hat like a mushroom all the time. Someone said they're worried about their kids getting older and doing drugs, and I got this look of horror on my face and thought, 'What if my girls don't wear hats?' But at 13 months old, they could say 'hat.'

Ever since viewing screens entered the home, many observers have worried that they put our brains into a stupor. An early strain of research claimed that when we watch television, our brains mostly exhibit slow alpha waves - indicating a low level of arousal, similar to when we are daydreaming.

My mother and father raised their eyebrows at first when I said I wanted to be an actor because I was in this industrial city. My dad had done a bit of boxing on the side, but he was a welder first and foremost. I was 17, and I said, 'I want to be an actor.' They worried it was a waste of time.

Democrats have always historically referred to our families as working families, and I have sort of changed that moniker. I think what we have is a nation of worried families - families that are concerned about job security, families who thought their pensions were secure and now have questions.

I had spinal surgery to correct scoliosis when I was 16 years old. The only thing that scared me about the procedure was that it would make me two inches taller. At the time, I had a crush on a boy who was about my height - and I was worried that if I were taller than him, it would never happen!

I've never worried about 'the reader' because there isn't one. There are thousands, and they all have strong opinions, from 'Magician' was the best ever,' and I've gone downhill since to 'The new book is the best ever,' so to whom to I listen? So I write for myself and hope other people like it.

One thing that worried me was how writers get categorized and so they end up having to write the same kind of book again and again. That is fine if it is what you want to do, but I would rather be locked in the trunk of my car with a weasel than write the same book every three years until I die.

While I believed deeply in my husband's vision for this country... and I was certain he would make an extraordinary President... like any mother, I was worried about what it would mean for our girls if he got that chance. How would we keep them grounded under the glare of the national spotlight?

When I realised that I had feelings for men as well as women, at first I was worried and frightened, and there was a certain amount of 'Who am I? Am I a criminal?' and so on. It took me a long time to come to terms with myself. Those were painful years - painful then and painful to look back on.

When you're on camera, even though you try to lose yourself in the character, you are aware that there is a camera there capturing every moment of it visually. With doing a voiceover job, you are worried about the sound of it, and you have to make all those visual colors come out with your sound.

Some of my good friends who were writers disappeared. Others are still inside Syria and there are others who are refugees. I'm worried about those who disappeared. I don't know anything about them now. They just disappeared like that after the war started, while I was living in the United States.

As an actor, you're always worried about getting stuck on a show that's not good because working actors need the paycheck. So being cast on a regular procedural, where everything gets wrapped up by the end of the episode, was always a fear of mine because that doesn't really test you as an actor.

I don't like the way the cage is set up. I think it's really dangerous that the metal comes up about three inches off the ground. People were putting their foot on it. I can see it. And I was worried about being taken down and landing backwards with my elbow. and damaging my elbow or even my head.

There's something else that my mother taught me, public service is about service. And, as her daughter, I've had a special window into how she serves. I've seen her holding the hands of mothers, worried about how they'll feed their kids, worried about how they'll get them the healthcare they need.

There's so much fakeness in the fashion world, but Mum and Dad have always given us a good work ethic and were quite worried at first about whether I could make a living from acting. They've been together for 29 years and share the same values. I really do want to have that kind of marriage myself.

I like stories where people have to face some big demons internally. It always seems to be an element of horror, because it's pretty scary to have to face yourself and the things you're most worried about: your own abilities and your own capabilities and your own level of competence in being a hero.

People out there with pre-existing conditions, they are worried. Are they going to have the guarantee of coverage if they have a pre-existing condition or if they live in a state where the governor decides that's not a part of the health care, or that the prices are going to go up? That's the worry.

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