Quotes of All Topics . Occasions . Authors
My definition of an adventure game is an interactive story set with puzzles and obstacles to solve and worlds to explore.
Children's books deal in idealized worlds, so they're a document of how our notion of ideal worlds has changed over time.
The splendid discontent of God With chaos made the world. And from the discontent of man The worlds best progress springs.
I love my hockey, but if you can do that and go home and just be a dad and husband, then you have the best of both worlds.
One of the best parts of being a writer is getting to peer into other worlds - even if you aren't going to stay very long.
Jeremy Scott reminds me of Harmony Korine, mixing all worlds and making them into one - you just never know what he's up to.
'Constructed Worlds' comes from a novel draft that I wrote in my early twenties and reread/revised only in my late thirties.
When Alexander of Macedon was 33, he cried salt tears because there were no more worlds to conquer. Eric Bristow is only 27.
We're a migrant nation made up of people who've been torn out of other worlds, and you'd think we would have some compassion.
I really love living in cities where the people living above, below and next to you are from totally different worlds to you.
We are not without empathetic terror when we open Pascal's 'Pensees' and read, 'I am the great silent spaces between worlds.'
I'll continue making films because I love being able to drop into other people's worlds. My goal is to be constantly learning.
I look for anything new and inspiring - in the worlds of makeup but also jewelry and decor. I never know what will inspire me.
I've always been interested in invisible worlds, and I like to visit digital worlds, you know, any world that's imposed on us.
I love Japan. I love the collision of the modern and ancient worlds coming together in that place. It's so high-tech and cool.
There are two worlds: the world we can measure with line and rule, and the world that we feel with our hearts and imagination.
For me it would be unhealthy to be a method actor; I'm not mentally stable enough for that - I need to separate my two worlds.
Indie world won't have me, and mainstream world treats me like an alien, but here I am still floating between these two worlds.
The beauty of dystopia is that it lets us vicariously experience future worlds - but we still have the power to change our own.
I write poetry anyway and have for years and years. For me, putting fiction and poetry together is like the best of both worlds.
If there are other worlds elsewhere in the universe, I would conjecture they are governed by the same laws of natural selection.
I am on a fat-free diet for most of the year, but before 'the worlds,' I tend to relax on the diet a bit to concentrate on darts.
One of my proudest moments was probably 2013 Worlds because I proved to myself that I could do things that I didn't think I could.
I grew up reading SF in the '70s and '80s, and I like fast, thought-provoking plots that take you places in fully realized worlds.
I feel like my imagination was crafted by Tolkien. He seemed to tap into that childhood intrigue of secret doors and hidden worlds.
I want to find the intersection between digital media and traditional media and be pioneering the endeavor to merge the two worlds.
I think people who live in the worlds that movies are based on end up disliking them. Unless they're from a different time and era.
When you come from a background like mine, where you're entering worlds that are so different than your own, you have to be afraid.
What I do believe in is other worlds and spirits. There is some other power in control - levels of energy that perhaps we don't see.
I consider myself a humanist. Even if I do very dark worlds, I try to make those characters real humans as opposed to just cartoons.
I've never known anyone who was what he or she seemed; or at least, was only what he or she seemed. People carry worlds within them.
We love creating these fantastical worlds, and that really comes from things like 'Strawberry Fields Forever' and 'I Am The Walrus.'
In my entire life, I have ten people that are the closest people to me. They're my family, and I really don't mesh worlds that often.
I want the concentration and the romance, and the worlds all glued together, fused, glowing: have no time to waste any more on prose.
Realistic novels simply pretend that the rules of their invented worlds are identical to the rules of actual life, but that's a ruse.
I live an odd existence. I dip into bizarre, very expensive worlds, and then I'm back with a bang to reality, and I put the bins out.
Every television show is hard to do, but when you're in genre and you're recreating worlds and mythologies, they're particularly hard.
I was a police reporter, so I got into the worlds that I write about, and I think many of the details in my books come from those days.
Like every writer, I'm drawn by unlikely juxtapositions, precisely-dated and once-only collisions between people from different worlds.
Prebiotic chemistry on other worlds is going to be common. Plenty of small rocky planets will have similar chemistry. It's almost a given.
There are as many worlds as there are kinds of days, and as an opal changes its colors and its fire to match the nature of a day, so do I.
Acting allows me to explore new worlds, to discover characters by delving into their lives, and ultimately to become someone else entirely.
I do have a chef, but I still go out. Sometimes I can still blend in, and sometimes I get a little bombarded. It's the best of both worlds.
There are so many different worlds in Long Island. That's why it's so fascinating. Between Great Neck and Montauk, there are 10,000 worlds.
Giving frees us from the familiar territory of our own needs by opening our mind to the unexplained worlds occupied by the needs of others.
There are two worlds we live in: a material world, bound by the laws of physics, and the world inside our mind, which is just as important.
Imagination is the Discovering Faculty, pre-eminently. It is that which penetrates into the unseen worlds around us, the worlds of Science.
Being a cinematographer taught me a lot. I got to expedite the visions of many directors and learned how to navigate many styles and worlds.
'Tulip Fever' did change my life. It did that thing that sometimes happens when a book takes off - it opened doors on to whole other worlds.
I'm always excited about stories that allow me to explore a character and create interesting stories and worlds that we haven't seen before.