Worlds Quotes - Page 14

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I feel like you are allowed in fiction to embrace imagination and try to enter other worlds. And I feel like you should push yourself to try to persuade your reader that you have the authority to engage with people who, you know, lived in the past, who live in the future, other genders, other places, other cultures.

There was a gap in minority heroes in animation, books, and storytelling for me as a kid, and being a father now, I felt the responsibility I had to the next generation to create stories that allow us to wish and dream and build worlds that inspire young people who haven't traditionally had these heroes to look up to.

I have for a long time loved fabulist, imaginative fiction, such as the writing of Italo Calvino, Jose Saramago, Michael Bulgakov, and Salman Rushdie. I also like the magic realist writers, such as Borges and Marquez, and feel that interesting truths can be learned about our world by exploring highly distorted worlds.

I did a film called 'Worlds Apart' about a Jehovah's Witness. I was the love interest - the male lead - but the story was about the female lead, a young girl who is a part of this cult, and she wants to break out. She meets a guy who has to help her. She has to find out who she is. It's more like a coming of age story.

My first encounter with science fiction was reading the work of H.G. Wells when I was nine or ten, and I don't believe 'The War of the Worlds' or 'The Time Machine' have ever been bettered. Plus, I have always had a liking for Victorian and Edwardian clothes and contraptions, which tends to color the worlds I dream up.

I absolutely adore writing books with paranormal elements - and I love creating the often-complex worlds and/or plots that go along with those stories - but at the heart of all of that ,you have the characters, and when you get down to the core of it, it's spending the time with the characters that is what I truly love.

People talk a lot about Pixar going off the rails. A lot of people are saying they aren't happy that we are making sequels. But for every one of those people, there is one that is happy because they fell in love with the worlds we created. We hope we've proved that a sequel can be every bit as enjoyable as the original.

I think of sports writers as mediating between two worlds. Athletes probably think of sports writers as not macho enough. And people in high culture probably think of sports writers as jocks or something. They are in an interestingly complex position in which they have to mediate the world of body and the world of words.

Kindle Worlds is a clever way to monetize a formerly underground trend, and to enable its participants to be remunerated. But it will be of no interest to writers with any literary ambition, as its constraints are designed to stymie even the most rudimentary impulses - even the first flickering of a dangerous originality.

In the Roman world, and in the worlds around it that Romans sought to subdue and control, the gods were merciless, frivolous, prone to set traps for humans, and largely indifferent to the unprivileged bulk of humankind, who in any case did not expect their fate in the afterworld to be any better than it had been on earth.

I was home-schooled and I graduated super-early. But I've always had older friends, so I got to go to all their dances. I got the best of both worlds. I had the choice to go to prom with a friend of mine and I decided not to because I was filming very close to that. But red carpets and the 'G.B.F' prom were so much better.

I never understood how one could write a whole book: It is so technically challenging, and it's incredible the way writers put entire worlds inside of them on such a large scale. I tend to have that same feeling when I listen to music - it daunts me and makes me feel quite unsettled listening to so much talent and ambition.

To start, I wasn't really interested in acting at all, and I didn't make much impact. The first play I was in was on for five nights and I didn't show up for two of them and nobody noticed. But I stayed because that's where my friends were, and after a while I found myself wanting to inhabit other people's worlds and lives.

The thing that's really cool for me about Miami Beach is you have this dichotomy between sunlight and family and happiness and innocence and then at night, darker, stranger mob conspiracy stuff sort of comes out. It seems like a storytelling engine. You can just keep writing about how those two worlds smash into each other.

Increasingly, we're seeing two worlds in Canada. The world for most Canadians is increasingly unaffordable, involves more precarious work, and is a harder place in which to get by. The second world is an exclusive club for the wealthy and well-connected who get special access and are exempt from rules the rest of us play by.

If you compare Russia and America, they are two different worlds. People, cars, clothes. Girls' figures. Especially girls' figures. Why do you think that is, that when an American goes to Russia for a week, he stays for two extra weeks? Girls! And when a Russian goes to America for a week, he leaves in five days. I'm serious!

I think that black people, to a degree, need to have a certain level of dexterity. If we want to be at the highest level of whatever our field is, we have to be able to navigate both worlds. We all just know that you gotta be able to put that suit on and have a conversation with people that don't look like you or your family.

In general, we like to play as a band - guitar, piano, and voice. We also tour with a bass player, a drummer, and somebody who plays keyboard and guitar. We try to play all of our parts and flesh it out to get a lush sound, while also keeping the energy of a three-piece punk act. We want to be the best of all possible worlds.

I'd guess blockchains will be the full-blown backbone of virtual worlds - the system for currency, assets, identity, even governance - before doing the same in the 'real world.' Which is where I think we will end up in the real world eventually; it's just a matter of which goes first and how long until it's the case for both.

Classical - perhaps I should say 'orchestral' - music is so digital, so cut up, rhythmically, pitchwise and in terms of the roles of the musicians. It's all in little boxes. The reason you get child prodigies in chess, arithmetic, and classical composition is that they are all worlds of discontinuous, parceled-up possibilities.

In Ireland, novels and plays still have a strange force. The writing of fiction and the creation of theatrical images can affect life there more powerfully and stealthily than speeches, or even legislation. Imagined worlds can lodge deeply in the private sphere, dislodging much else, especially when the public sphere is fragile.

For most people, an hour a day playing our favorite games will power up our ability to engage whole-heartedly with difficult challenges, strengthen our relationships with the people we care about most - while still letting us notice when it's time to stop playing in virtual worlds and bring our gamer strengths back to real life.

'Star Trek' is a 'Wagon Train' concept - built around characters who travel to worlds 'similar' to our own, and meet the action-adventure-drama which become our stories. Their transportation is the cruiser 'S.S. Yorktown,' performing a well-defined and long-range Exploration-Science-Security mission which helps create our format.

The Caribbean is such an apocalyptic place, whether it's the decimation of the indigenous populations by the Europeans, whether it's the importation of slaves and their subsequent being worked to death by the millions in many ways, whether it's the immigrant processes which began for many people, new worlds ending their old ones.

While the whole 'God Butcher Saga' had elements of fantasy, sci-fi and horror all mixed together, 'The Accursed' is very much high-fantasy. Right out of the gate, we've got elves, talk of fantastic worlds, strange creatures, Malekith riding a flying tiger, as well as more dwarves, giants, trolls and elves than you can possibly count.

In order to find our bearings in the spiritual worlds and see truly what is there for us to see, we need a further inner trait in our character, a quality I should like to term 'presence of mind.' In ordinary life, this is the trait we need when faced with a situation that requires us to make an immediate decision without hesitation.

For me, as a believer, I found myself in between two worlds because I live in this world, this fallen world, and I want to glorify God here, and I want to point to Jesus here, I want to work here and live with my wife here, but I also look forward to the recreation of this world when the Lord Jesus comes back and makes all things new.

As a kid, I had a Beatles poster and a Bela Lugosi as Dracula poster, so both worlds always appealed to me. Horror allows you to do things as a composer than you're able to do in no other style of movie. The music has to be aggressive. You can't tiptoe around. It has to be incredibly focused dramatically - no time for second thoughts.

We live in worlds that we have forged and composed. It's much more true than any of the species that you see. I mean, it seems to me that one of the most distinctive features of human intelligence is the capacity to imagine, to project out of our own immediate circumstances and to bring to mind things that aren't present here and now.

I went down to Venezuela and ended up renting a helicopter and flew with my sons to the tops of the tepuis, these freestanding jungle mesas, 'lost worlds' as it were. In fact, it's almost impossible to access them without one. So we were able to land and spend some time there. We were trapped for about six hours by clouds that came in.

In some ways, what 'Hamilton' has done for Broadway shows - what it has done for the interpretation of history and how it fused all these worlds together into this modern, contemporary, hip-hop field, and delivered it in such an incredible way - we were inspired to do a similar thing for ballroom dancing and for dance shows in general.

My view is that musicals are love stories with great final scenes. It's just that simple. Musicals are also conflicts between two worlds. And by those criteria, 'The Color Purple' is actually exactly the kind of story that makes for a great musical. Yes, it's got hard stuff in it, but so does 'Les Miserables' and 'Phantom of the Opera.'

I'm in a really nice position because I can be selective with the modeling jobs that I do and just work with brands I'm passionate about. The two worlds balance out nicely for me because modeling is so social - it has travel, you meet people, it's extroverted. Whereas painting is very solitary - when I paint, I'm kind of in my own world.

It's said that All Hallows' Eve is one of the nights when the veil between the worlds is thin - and whether you believe in such things or not, those roaming spirits probably believe in you, or at least acknowledge your existence, considering that it used to be their own. Even the air feels different on Halloween, autumn-crisp and bright.

'War of the Worlds' was a goof delivered as news bulletins. It was the beginning of an erosion that now has us in trouble. We just don't know where to get the truth. It was a piece made 56 years ago with all good intentions that still abused the public's trust. It was that little marble, that little push, and now no one trusts the media.

I pretty much always knew I wanted to be a writer. I was writing goofy stories when I was 7 or 8. That was what I call 'wishful-thinking writing.' I grew up in the city and always wanted a horse, but there was no way I was getting a horse. So I wrote all these stories about kids who had horses. It's still fun entering these other worlds.

Instead of inventing imaginary friends, I invented whole imaginary worlds. They were elaborate scenarios about spies and adventurers and top secret missions. I crawled along my swing set, searching for escape routes from my maximum-security prison; I biked through the neighborhood, the wind in my hair and a fleet of evildoers on my heels.

I grew up, as I joke around, in the 'People's Republic of Charlestown' in the city of Boston. And I was blessed to be raised right there on Monument Square in Charlestown, and every morning I'd hop on the bus and go on a 45-minute ride out to the suburbs in Brooklyn for elementary school. And I got to have my seat, really, in both worlds.

While writing 'Cold Mountain,' I held maps of two geographies, two worlds, in my mind as I wrote. One was an early map of North Carolina. Overlaying it, though, was an imagined map of the landscape Jack travels in the southern Appalachian folktales. He's much the same Jack who climbs the beanstalk, vulnerable and clever and opportunistic.

In a lot of ways, Chris and Liam are definitely worlds ahead of me in terms of the entertainment industry and the experience it brings, which I'm more than happy to concede to. It's certainly not a bad thing, but there are also things that make it a bit harder for me because of the preconceptions that come along with me being a Hemsworth.

Children will always be afraid of the dark, and men with minds sensitive to hereditary impulse will always tremble at the thought of the hidden and fathomless worlds of strange life which may pulsate in the gulfs beyond the stars, or press hideously upon our own globe in unholy dimensions which only the dead and the moonstruck can glimpse.

When MUDs appeared, that was an entirely novel experience, and often an addictive one. Long before Twitter or Snapchat, MUDs inspired the moral panic of the moment: a 1993 'Wired' article titled 'The Dragon Ate My Homework' described university students losing themselves in these virtual worlds. Keep in mind: they were just words on a screen.

Throughout my career as a lawyer, teacher and labor leader, books have remained my constant companion - stuffed into a briefcase, overflowing on my bedside table, stacked on my desk at work. Books have carried me to distant worlds, opened new doors and made me feel empathy, compassion, anger, fear, joy, acceptance - and everything in between.

Search is now more than a web destination and a few words plugged into a box. Search is a mode, a method of interaction with the physical and virtual worlds. What is Siri but search? What are apps like Yelp or Foursquare, but structured search machines? Search has become embedded into everything and has reached well beyond its web-based roots.

As we have seen in our own history, the injection of new ideas from other worlds transformed life for all, and with the establishment of new frontier communities far from the reach of the old world, new social systems also formed, more in tune with the fact that it was the individual who had to make the decisions and do the work of pioneering.

While big business gain subsidies and political access, small businesses drown in red tape, and individuals now risk being classified as terrorists for complaining about it. Economic globalisation is about homogenising differences in the worlds' markets, cultures, tastes and traditions. It's about giving big business access to a global market.

Post-human intelligence will develop hypercomputers with the processing power to simulate living things - even entire worlds. Perhaps advanced beings could use hypercomputers to surpass the best 'special effects' in movies or computer games so vastly that they could simulate a world, fully, as complex as the one we perceive ourselves to be in.

Certainly, we all have within us the potential to live in a hugely different way. And how happy you can make yourself, I think, a lot depends on how much you beat yourself up about that; and how much you can, in some sort of providential way, console yourself and say, 'Well, it's all worked out for the best, in the best of all possible worlds.'

When I write fiction, I have the illusion of being able to control these fictional worlds and these characters, and to make them say what I want them to say. Of course, the problem is that it is an illusion, and by the end of it you realize that you're not in control of it at all; the characters have taken over, and they're driving the vehicle.

I love fairy tales because of their haunting beauty and magical strangeness. They are set in worlds where anything can happen. Frogs can be kings, a thicket of brambles can hide a castle where a royal court has lain asleep for a hundred years, a boy can outwit a giant, and a girl can break a curse with nothing but her courage and steadfastness.

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