Worlds Quotes - Page 13

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Recent results from astronomers who study the occasional gravitational lensing of unknown worlds by intervening stars suggest that orphan planets could be at least as numerous as the stars. In other words, there could be hundreds of billions of orphan worlds shuffling through our galaxy.

I can still remember the afternoon, on my 15th birthday, when I opened up 'The Virgin and the Gypsy,' D.H. Lawrence's novella, in my tiny cell in boarding school, and whole worlds of possibility opened out that I had never guessed existed. The language was on fire and sang of liberation.

We designed a number of features from the ground up, like custom display and optics technology with very high refresh rates and pixel density. We added integrated 3-D audio, a built-in microphone so you can speak to friends inside virtual worlds, and precise mechanical adjustment systems.

We all like going to the dark side of things; we all like dipping into worlds that we don't know anything about, or hopefully don't know anything about. I think 'Banshee' gives people a chance to do that pretty safely because we all know there's a solid buffer between the show and reality.

Books about technology start-ups have a pattern. First, there's the grand vision of the founders, then the heroic journey of producing new worlds from all-night coding and caffeine abuse, and finally, the grand finale: immense wealth and secular sainthood. Let's call it the Jobs Narrative.

When I was a kid, my favorite movies were the George Pal version of 'War Of The Worlds,' 'Them,' and 'Invasion of the Body Snatchers.' Those movies were scary! They haunted my nightmares for years, so when I started writing, I wanted to write a story that was just as big and just as scary.

Going to Liberia really changed a lot for me. I didn't realize what was happening on the same planet. My understanding that in the world everything is interconnected really grew - to go to one of the poorest countries from one of the richest countries in the world. It was two worlds apart.

There are two worlds out there - two Americas out there. If you're a white person, there's one way of being a citizen in our country, and if you're a brown or a black body, there's another way of being a citizen, and that way is very close to death. It's very close to the loss of your life.

The cosmos is three times as old as Earth. During most of creation's 14 billion year history, our solar system wasn't around. Nonetheless, the early universe still had the right stuff for life, and contained worlds that were just as suitable for spawning biology and intelligence as our own.

Life coaching, the mental and physical well-being of footballers, is going to be really important. I don't mean necessarily in a deep psychological way. But they're surrounded by a lot of people. Important people, seemingly. Not always. But important in their worlds. They're mini companies.

There is no reason to teach an ape to become human. There are many reasons to teach some apes and some humans to transition the worlds between the species boundaries, especially when our genetics are so similar as to make us 'siblings.' It is the way to learn how we become that which we are.

Governance is complex, difficult, and on the whole, thankless - why ever should the Bright Young Things leave the management of their hotels, newspapers, banks, TV channels and corporations to join, like fleas on a behemoth, the government? Wherein lies the difference between the two worlds?

The Middletons and the Windsors might seem at first glance to be worlds apart. Kate certainly shows no sign of adopting the horsey, doggy lifestyle beloved of her grandmother-in-law. But the Queen admires how well Kate has embraced royal life, combining it cheerfully with duty and motherhood.

Fictional realms are usually terrible places to vacation, as they tend to be full of monsters and conflicts - Narnia and Middle-earth would both be good places to get killed - but I wouldn't mind visiting the worlds of Iain M. Banks's 'Culture.' You'd just have a hard time getting me to leave.

The current approach that psychiatry takes almost ignores social worlds in which mental health problems arise and tries to become highly biomedical like other branches of medicine such as cardiology or oncology. But psychiatry has to be far more embedded in people's personal and social worlds.

I think I have a God complex, and I like moving mountains and writing stories that affect entire worlds, and it's a bit hard to do that in a contemporary setting because you have reality intruding. Whereas, when you set your own reality, you can make up your own rules and do whatever you like.

The first step in Occultism is the study of the invisible Worlds. These Worlds are invisible to the majority of people because of the dormancy of the finer and higher senses whereby they may be perceived, in the same way that the Physical World about us is perceived through the physical senses.

When you look at statistics for the white community alone, you see that we've become two separate worlds in which the successful are educated and wait to have children until they are married, and those in poverty are primarily those without higher education and with children outside of marriage.

I'm a big guy: I look like a linebacker, you know? But no one cares, really, that I'm educated. I have a copy of 'Fire Next Time' by James Baldwin in my bag. I have an Ibsen play in there, too. I have to walk through this world with that duality all the time, that I live in two different worlds.

The British and American literary worlds operate in an odd kind of symbiosis: our critics think our contemporary novelists are not the stuff of greatness whereas certain contemporary Americans indubitably are. Their critics often advance the exact opposite: British fiction is cool, American naff.

For us, it is all about breaking the boundaries between different genres of music and combining different styles of music and performing what we are passionate about. We are so lucky that we can experience both worlds: the more intimate classical world and the wild and crazy world of rock n' roll.

I was raised in an Indian household - singing classical music and eating south Indian food. But the second I went to school, it was a different world. I'd be listening to Destiny's Child, Usher and the Backstreet Boys. It wasn't until college that I really found the balance between the two worlds.

The information age has made Thiel rich, but it has also been a disappointment to him. It hasn't created enough jobs, and it hasn't produced revolutionary improvements in manufacturing and productivity. The creation of virtual worlds turns out to be no substitute for advances in the physical world.

Fashion is really a place where every other industry connects, whether it's music or acting. At the end of the day, everyone is going to walk the red carpet and be interested in the fashion side of it. I think that's really cool because as a model, you get to connect with a lot of different worlds.

Being South Asian in the U.K. is like being Latino in the U.S., I would guess. It's a bit more hood. You see things; things happen. I was bouncing between worlds. You're acting from a very early age, when you have to code-switch like that. I'm a hybrid, a mongrel. I think many people live that life.

I was a West Hollywood and Laurel Canyon girl for years, and it was so central that I felt like we'd moved to Portland when we came to Malibu, but now I can't imagine living anywhere else. We have the best of all worlds, hilltop living, 15 minutes from town, with the beach at the bottom of the road.

I've wanted to follow my dad into acting for as long as I can remember. 'I've had a very serious round of dramatic training, and I like action films that take their characters seriously, so I figure I'm making it the best of both worlds if I try to bring some serious acting to a shoot-'em-up picture.

I loved reading Grimm's fairy tales and Hans Christian Andersen, and I loved to dream about other worlds and other lives. Maybe that has something to do with having an incomplete family, being an only child. All I know is I loved to pretend, and all that was in tandem with my wanting to be an actress.

This is what I tell my students: step outside of your tiny little world. Step inside of the tiny little world of somebody else. And then do it again and do it again and do it again. And suddenly, all these tiny little worlds, they come together in this complex web. And they build a big, complex world.

When Basquiat was hanging out with Madonna and Fab Five Freddy, and all those worlds were colliding, people have to realize hip-hop and the arts were like this 'cause we both were outcasts: we wasn't allowed inside the galleries or inside Yankee Stadium. We were writing in the street and making music.

I've been fortunate to play many different types of characters thus far. However, I really enjoy playing roles that are different than who I am personally. You can have these small fantasy worlds where you can be people you would otherwise never get to be: a doctor, a lawyer, a ruthless business woman.

We are poor, feeble, and blind mortals when the eye of the Almighty looks through all worlds and by his power executes all things aright, and by his grace, he makes us all rich in Heavenly Gifts. In distress and in bereavements, we can look only to him. From mortals like ourselves we can derive no help.

I am a fan of the Coen brothers. I'm not a fanatic. I'm a big admirer. They create unique worlds, and there is a real atmosphere to their films. Not everyone can get that. That's a massive part of their appeal: you can recognise them. Like all the great directors or artists, you know it when you see it.

Conflict photographers grapple with two worlds that are themselves often in conflict - the one where bombs fall and bullets fly, where adrenaline runs high, and the other, back home, which is comparatively secure, and where the big event of the day may involve selecting swatches of fabric for a new sofa.

We are so isolated in our own little worlds, in our own little geographies, that it's pretty hard to understand where someone else is coming from. And so I think that we have to really think about what that means as a country and, frankly, whether this segregation that we have is durable over the long run.

Any child may go through periods during which they become less outspoken with their parents or teachers. But girls, like boys, live in many different worlds - they have their friends and their classroom and their parents - and within these different domains, they may have different levels of expressiveness.

Being an immigrant and living in England, I feel like I lived in two worlds. There was the world that, when I was at school with my friends, was very English, and then I'd go home to another country, with exotic foods and colours. I have a sense of colour pairings, and that came from my background, I think.

I feel like 'Gossip Girl' isn't really 'Gossip Girl' anymore when they're away at school because they don't go to NYU; they go to, like, Yale and Brown. New York City is just as much a character as anyone else in the books, and I was really sort of reluctant to show them off in their separate college worlds.

I do, in some senses, feel that Hollywood and Washington are similar in that, first of all, they are, again, male-dominated worlds, which is not unusual. There are a lot of industries like that, but also, there's a lot of politics when it comes to the ins and outs of getting things done, getting a film made.

There comes not seldom a crisis in the life of men, of nations, and of worlds, when the old forms seem ready to decay, and the old rules of action have lost their binding force. The evils of existing systems obscure the blessings that attend them, and, where reform is needed, the cry is raised for subversion.

In addition to exploring imaginative worlds, I believe that young people should have access to reading material that validates their life, that gives them a sense of identity - to be able to read texts that chimes with their own world, corrals thoughts, and connects with the emotional conflicts of growing up.

The overwhelming bulk of the cosmos is deathly quiet. But here and there - on worlds where matter is thick and conditions are right - noises are commonplace. And in some cases, these noisy worlds may ring with the sounds of life - the bleats and bellows of creatures we have never seen, but may someday discover.

We often compare the experience of writing a book to that of playing God. It is up to us, and only us, to determine what happens to the people we invent. It is for us alone to determine what is good and bad, just and unjust, appropriate and inappropriate for the worlds we create. I love that about writing books.

As a kid, creation was something that I always loved. Creating worlds for video games, creating businesses that didn't make any money, selling lemonade, etcetera. In my fourth grade classroom, I even instituted a government structure because I was really interested in people having positions and there being law.

I like the two worlds coming together in the Internet space, which is so up for grabs... It all struck me when I heard about Twitter and Instagram, how it's like notes you pass in class. If someone's passing you a note, you really should be doing something else, and instead you're like, oh, 'What are you doing?'

There are worlds and more worlds below them, and there are a hundred thousand skies over them. No one has been able to find the limits and boundaries of God. If there be any account of God, then alone the mortal can write the same; but God's account does not finish, and the mortal himself dies while still writing.

Real history is far more complex and interesting than the simplistic summaries presented in Wikipedia articles. Knowing this allows you to question received wisdom, to challenge 'facts' 'everybody' knows to be true, and to imagine worlds and characters worthy of our rich historical heritage and our complex selves.

The Rolling Stones have been the best of all possible worlds: they have the lack of pretension and sentimentality associated with the blues, the rawness and toughness of hard rock, and the depth which always makes you feel that they are in the midst of saying something. They have never impressed me as being kitsch.

When everything does seem out of control, writing fiction is a way I can order that chaos and restore some sort of meaning. I like the playful aspect of writing fiction. You know how it is when we are kids and we make up our worlds: You be this guy, and I am going to be this guy, and we are going to go slay dragons.

When I went to Moscow, I felt I was relearning Swan Lake - which was written for the Bolshoi - and being immersed in a tradition and history I had never experienced. It took a while to adjust to living there and learning the language, but now I have lots of friends. I get the best of two completely different worlds.

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