Quotes of All Topics . Occasions . Authors
I don't think it's too late for 'The War of the Worlds' to come true. I'm talking about it from the standpoint that which you need to have and own things - to breed, to think, to create - is going on everywhere, not just on this planet or in the space around it.
Sects and 'isms' have branched out in one direction and another, but still Jesus from the invisible worlds enfolds in his love all the Sons of Seth who will call upon his name by faith, and he will eventually unite the scattered churches in the Kingdom of Christ.
I've always loved massive worlds, whether in fantasy or science fiction. I like the idea of making my own rules as well as utilizing everything that I love or inspires me. It's very freeing to know you can write a story that can be as big as your own imagination.
Maybe to feel like an Afghan I needed to be born and raised in the States, and maybe I needed to live in Afghanistan for nearly a decade to feel like an American. Both worlds shaped me, but neither one of them completely correspond to the picture I have of myself.
There's another film - a little Greek movie - that hopefully is going to get some distribution here in the U.S., called 'Worlds Apart,' where I also play a 60-year-old guy who looks a lot like J.K. Simmons, who has a romantic relationship with an appropriate woman.
People are looking for a simplicity in their fictional worlds where good and evil are clearly delineated, that you can't find in the real world, and that provides an enormous comfort - and that, I think, has an awful lot to do with the reason fantasy is so popular.
A reader's own imagination is a far more powerful form of CGI than anything any movie can provide because it's unique. In your own imagination, you can enter all sorts of worlds, and they are unique to you because no other reader will interpret a book the same way.
I've never been to the Olympics, so I don't know what to expect. It's better for me, just like my first Worlds... My third Worlds, I knew what it was like, so I was like, 'Oh my goodness. But this is my first Olympics, and not knowing what to expect is good for me.
For better or worse, we live in possible worlds as much as actual ones. We are cursed by that characteristically human guilt and regret about what might have been in the past. But that may be the cost for our ability to hope and plan for what might be in the future.
There are two worlds here in the U.S., especially here in Los Angeles. All the Latinos have watched my shows for 30 years, but Americans haven't seen them. So I am living in this world where I am a huge star for part of the population and a nobody to the other part.
It's so easy, as a writer, to get stuck in your own head, to live in the little worlds you create. To forget that there are people out there reading your work, people who may be deeply affected by what you do, that you are writing not just for yourself, but for them.
I am drawn, as a reader, to detail-drenched stories about human lives affected as much by the internal as by the external, the kind of fiction that Jane Smiley nicely describes as 'first and foremost about how individuals fit, or don't fit, into their social worlds.'
One of the greatest gifts my brother and I received from my mother was her love of literature and language. With their boundless energy, libraries open the door to these worlds and so many others. I urge young and old alike to embrace all that libraries have to offer.
I have always been a huge fan of Ridley Scott and certainly when I was a kid. 'Alien', 'Blade Runner' just blew me away because they created these extraordinary worlds that were just completely immersive. I was also an enormous Stanley Kubrick fan for similar reasons.
People don't listen to one radio station. On iTunes you can mix different worlds and bring country and pop and folk and live music together with a mass audience. I could have sung 'Easy' in a country way but I just sang it how I sing. I think it's a really nice blend.
There are worlds of experience beyond the world of the aggressive man, beyond history, and beyond science. The moods and qualities of nature and the revelations of great art are equally difficult to define; we can grasp them only in the depths of our perceptive spirit.
I look for roles that allow me to immerse in different worlds, immerse in worlds that are different from mine. Then, when you finish a film, you're a different person. I look for that. I look to be impacted, to be transformed, changed by my roles. That's why I do this.
As the physical, digital, and biological worlds continue to converge, new technologies and platforms will increasingly enable citizens to engage with governments, voice their opinions, coordinate their efforts, and even circumvent the supervision of public authorities.
Man is a spiritual intelligence, who has taken flesh with the object of gaining experience in worlds below the spiritual, in order that he may be able to master and to rule them, and in later ages take his place in the creative and directing hierarchies of the universe.
I'm consistently asked how I keep a foot in two contrasting worlds - one in the entertainment industry, predicated on wealth and indulgence, and the other in humanitarian work. To me, it's less of a question of how can you do this, and more a question of how can you not?
The ideal engine of a 3-D game is an intricate and elegant construct of code that allows players to speed through solidly built virtual worlds. The engine allows every picture on a monitor to be drawn there quickly enough to convince hand and eye that it is instantaneous.
I'm always reaching for something we really haven't done, and War of the Worlds has a lot of this sort of documentary look to it and first-person camera view that is a new thing for me. I've done some stuff like that before, but nothing like the extent of this and digitally.
Will Smith is my favorite actor, because he has so much variety in his career. He's done all types of roles, played in all types of worlds, and to me, that's the fun of acting. That's why I started doing it when I was eight years old, because you get to be whatever you want.
I needed to step away from music because the truth was I couldn't be the dad I wanted to be to my kids. My truth was that I could not reconcile the two worlds - the entertainment world and being the dad I wanted to be in the present. You can't substitute time, you just can't.
Whenever I think about movies, I always look at that art process as having the best of a lot of worlds. Because if you watch a great film, you have a musical element to it, not just on the scoring, but in the way that the shots are edited - that has music and rhythm and time.
The mission of NASA's Kepler telescope is to lift the scales from our eyes and reveal to us just how typical our home world is. Kepler operates by measuring the dimming of stars as planets pass ('transit') in front of them. It has found thousands of previously unknown worlds.
Actors get to go to these amazing worlds. In 'Terminator,' I was a cyborg with feelings; in 'Avatar,' I lived for 15 months on a fantastical planet, and in 'Clash of the Titans,' I get to fight a scorpion the size of a dump truck. It's a bizarre job, but you explore yourself.
To me, it always comes down to character and script and then director. If a character belongs to me, it's mine. We belong to each other, and I feel a fierce need to tell that story, and it just so happens that a lot of these characters have been residing in pretty dark worlds.
Science fiction in particular is often assumed to be about the future, or about some abstract technological or philosophical idea, or just about 'adventure,' but writers can't build worlds out of nothing. We use bits and pieces of the real world to assemble our fictional ones.
My writing could be the most beautiful or important piece of prose, but it means nothing if it's boring, if people aren't listening or reading. I think transporting someone, putting them in a story for a few hours, taking them out of their worlds, is what I always strive to do.
I almost always start with setting! I have to know the world before I know how to populate it. I have a tendency to play with doors - between life and death, human and monster, mundane and magic - and with 'ADSOM,' I knew I wanted to play with the physical doors between worlds.
New technologies and approaches are merging the physical, digital, and biological worlds in ways that will fundamentally transform humankind. The extent to which that transformation is positive will depend on how we navigate the risks and opportunities that arise along the way.
In Olympia, Washington, many of us were writing songs that were the equivalent of bloodletting: This is the sound a wound makes; this is the screech of a scar. But Mary Timony was always more kaleidoscope than microscope, creating magical worlds replete with weaponry or sorcery.
Researching real history has taught me to be bolder and more imaginative in building fantasy worlds and writing fantasy characters, to seek out the margins of history and the forgotten tales that illuminate the whole, complex truth of our flawed yet wondrous nature as a species.
Mash-ups have gained a lot of credibility between the fall of Danger Mouse's infamous 'Grey Album' and the rise of Girl Talk's overwhelming mega-mixes. There's just something marvelous about hearing seemingly mismatched ideas work together, as two worlds collide to a heavy beat.
I've read up on magic, and I think it sets you free, and it gives you hope. You can explore worlds you didn't know existed. It stretches your imagination, and I like my own imagination to be stretched and also the children I'm telling the story to. It gives you a sense of wonder.
I tried almost every genre. I decided at 14 I wanted to be a writer. I think I had to wait until they invented word processors to get serious about it, but I really tried every genre, and fantasy was the one that gave me the scope to do the most... you could play with worlds more.
For me, growing up in Harlem and then migrating down to SoHo and the Lower East Side and chillin' down there and making that my stomping ground... That was a big thing, because I'm from Harlem, and downtown is more artsy and also more open-minded. So I got the best of both worlds.
In the early and mid 1990s, every musician I knew was obsessed with Helium. The 'Pirate Prude' EP and 'Pat's Trick' played on repeat at nearly every gathering I attended. And we didn't just listen to these records - we discussed them, the worlds they opened, novelistic and strange.
It's been a long struggle. But we've made huge progress. I mean, when I started at Berkeley, women weren't allowed to be part of the band. No women were allowed into the male faculty club. I mean, I was there. I remember that! The worlds were so divided. So the change has been huge.
We want to connect all these musical worlds together. We just improvise; we know straight away if its going to work or not. They're not covers - I hate the word cover. We do a transcription: mix it up, put our own spin on it. I think people will be surprised how powerful our show is.
The math is dead simple: it seems that the frequency of planets able to support life is roughly one percent. In other words, a billion or more such worlds exist in our galaxy alone. That's a lot of acreage, and it takes industrial-strength credulity to believe it's all bleakly barren.
I feel like I'm bipolar. I have my different moods and that. That's why my music exists in so many different worlds - this moment I'm feeling all raw, this moment I'm wanting to talk to a girl, the next moment I'm wanting to talk about spirit and be deep. Then I'm back to being angry.
I was always interested in mixing experimentation with pop music, and Brian Eno, Kraftwerk, Tangerine Dream - we were all doing it at the same time, just very isolated from each other, all in our different cellars, in different worlds, without the Internet - underground in every sense.
My heroes in real life are definitely my mom for being true to herself, for having a foot in both worlds, for being so very polite - Canadian and also such a traditional Greek woman. I would sum it up this way: the life lesson she would say is be polite while you're breaking the rules.
Introverts probably have a higher degree of sensitivity to outside stimulus and tend to back off. In your quiet shyness as a child, you end up with an accumulation of thoughts and ideas, building up big, imaginative worlds. You have to get it all out somehow, so it goes into your work.
I feel like I'm really blessed and lucky that I have a very good social life outside of the gym, and I have a really amazing family. My parents are so supportive. I have a younger brother and two younger sisters, and they're really awesome. So I feel like I get the best of both worlds.
Comics are a dying art. If you ask a little kid to choose between a video game with insane graphics or comic books... you have to compete with cable, satellite TV with its thousands of channels, and with video games that are like movies, with CGI explosions where you can blow up worlds.
There are so many stories to tell in the worlds of science fiction, the worlds of fantasy and horror that to confine yourself to even doing historical revisionist fiction, whatever you want to call it - mash-ups, gimmick lit, absurdist fiction - I don't know if I want to do that anymore.
I can work every day of the year. TV is easy. My call's at 8:30 a.m. I'd like to break out of the comedy thing and take a shot at something serious like theater. The off-season allows me to do movies, but I'm not tired of TV yet. There's nothing like it. I've got the best of both worlds.