The late great Horace Lloyd Swithin (1844-1917), British essayist, lecturer, satirist, and social observer, wrote in his autobiographical Appointments, 1890-1901 (1902), "When one travels abroad, one doesn't so much discover the hidden Wonders of the World, but the hidden wonders of the individuals with whom one is traveling. They may turn out to afford a stirring view, a rather dull landscape, or a terrain so treacherous one finds it's best to forget the entire affair and return home.
After all, is it not the way we humans shape the universe, shape time itself? Do we not take the raw stuff of chaos and impose a beginning, middle, and end on it, like the simplest and most profound of folktales, to reflect the shapes of our own tiny lives? And if the physicists are right, that the physical world changes as it is observed, and we are its only known observers, then might we not be bending the entire chaotic universe, the eternal, ever-active Now, to fit that familiar form?
There are two kinds of systems in the world. There are many-party systems and there are two-party systems. And our English cousins, both England, Canada, Australia, India, tend to have majority rule elections, rather than proportional elections and that tends to lead them to have two sort of competing parties. So in England, you know, it's been, you know, since the '20's, that anybody other than Labor or the Conservatives have formed a government and gotten a Prime Minister in the Cabinet, and so on.
When we see through the lens of God's truth, revealed primarily in his Word, everything comes into sharper focus. Suddenly, we'll see that everything is integrated and overlapping - that the world is not divided between the sacred and the secular, but there's one life, and God is the Master of all of it. God knows all things, past, present, and future, and is all-wise; when we train ourselves to see more as he sees, we'll pursue the things he values and seek to live before him as our primary audience.
During the last 35 years, the artists multiplied, the public grew enormously, the economy exploded, and so-called contemporary art became fashionable. All these parameters changed the art world form its previous aspects and fundamentals - the explosion of museums and institutions, explosion of Biennales and Triennials, explosion of money, explosion of interest, explosion of artists, explosion of countries interested in contemporary exhibitions, explosion of the public. Not to see that is to be more than blind.