Quotes of All Topics . Occasions . Authors
I was at this dinner for Rhodes Scholars. And we were in the Rhodes mansion, which is this fancy mansion on the Oxford campus. And I remember I looked up in the rotunda, and I saw that etched into the marble were the names of Rhodes Scholars who had left Oxford, and had fought and died in World War II.
You ask what my conclusions are, rereading my journals and looking back on World War II from the vantage point of quarter century in time? We won the war in a military sense; but in a broader sense, it seems to me we lost it, for our Western civilization is less respected and secure than it was before.
Changing the DNA of a large, multilateral organization such as the United Nations to deal effectively with modern threats is not easy. Indeed, when the United Nations was created in the wake of World War II, threats came almost exclusively from one state carrying out acts of aggression against another.
Mehmet Ertegun died in 1944. President Roosevelt sent his body back to Turkey on the U.S.S. Missouri. Mehmet Ertegun and President Roosevelt had had a cordial relationship, and, indeed, Mehmet Ertegun may have helped insure that Turkey did not ally itself with Germany, as it had in the First World War.
After its defeat in the Second World War, Japan, unlike Germany, failed to show true contrition or give a fulsome apology, though it showered its neighbours, including China, with generous economic assistance. Only in 1995 did it finally offer an apology, but this was of the most limited and formulaic kind.
To be sure, Kennedy did not discount the importance of words in rallying the nation to meet its foreign and domestic challenges. Winston Churchill's powerful exhortations during World War II set a standard he had long admired. Kennedy was hardly unmindful of how important a great inaugural address could be.
The modern Middle East was largely created by the British. It was they who carried the Allied war effort in the region during World War I and who, at its close, principally fashioned its peace. It was a peace presaged by the nickname given the region by covetous British leaders in wartime: 'The Great Loot.'
People often refer to bygone days as a simpler time. Perhaps, more accurately, my grandparents' generation focused better on what mattered. Traffic jams and minor quibbles with my husband Daniel pale in comparison with the worries that were faced on the home front and battlefield during the Second World War.
The casualties in the Civil War amount to more than all other wars - all other American wars combined. More people died in that war than World War II, World War I, Vietnam, etc. And that was a war for white supremacy. It was a war to erect a state in which the basis of it was the enslavement of black people.
We've been in the nation-building business since World War I, and especially since WWII. The goal is not a Jeffersonian Democracy in Afghanistan, but a representative government that respects human rights, protects its own people, and is a friend of the West. These are very realistic - and necessary - goals.
The problem started before World War I. The gold standard was working fairly well. But it broke down because of the war and what happened in the 1920s. And then the U.S. started to become so dominant in the world, with the dollar becoming the central currency after the 1930s, the whole world economy shifted.
DiMaggio was never a rube. He was very smart and very urban. Coming out of the Great Depression, he was the immigrant boy who made it big. Coming back from World War II, he had all the wealth and power that New York aspired to. When New York saw itself as the center of the world, he was its paragon of class.
The World War I, I'm a child of World War I. And I really know about the children of war. Because both my parents were both badly damaged by the war. My father, physically, and both mentally and emotionally. So, I know exactly what it's like to be brought up in an atmosphere of a continual harping on the war.
The marketplace for books when I entered the business shortly after World War II consisted of a thousand or so well stocked independent booksellers in major towns and cities supplemented by thousands of smaller shops that carried limited stocks of mostly current titles along with greeting cards, toys and so on.
In the middle of the nineteenth century, the United States embarked on a new relationship with death, entering into a civil war that proved bloodier than any other conflict in American history, a war that would presage the slaughter of World War I's Western Front and the global carnage of the twentieth century.
The E.U. is the latest of a series of multinational organizations set up after World War II to ensure that there would never again be a pan-European war and to create the conditions for a new European prosperity after the destruction wrought by the war against the Nazis. The E.U. has admirably succeeded at both.
There was a belief after World War I that painting could be an act of civil revolt. I want this exhibition, 'New Museum,' to be an act of civil disobedience. It's not so much about the New Museum on the Bowery, but the idea of challenging museums as projections of cultural authority. It's painting as insurgency.
Americans who have parents raised during the Great Depression or World War II understand how drastically things have changed on the home front. My father did not care a whit whether I liked him, and it would have been unthinkable for him to pick up my stuff. There were rules in the house, and they were enforced.
My hope is that 'The New World Haggadah' will open a new world for readers who will see our heritage through a multilingual prism. I wanted to feature medieval and renaissance authors, resistance in World War II, crypto-Jews and activists during the Dirty War in Latin America, songs of protest, and songs of hope.
I looked back on the roaring Twenties - with its jazz, 'Great Gatsby,' and the pre-Code films - as a party I had somehow managed to miss. After World War Two, I expected something similar, a return to the period after the first war, but when the skirt lengths went down instead of up, I knew we were in big trouble.
Remembering the loss of those Irishmen from all parts of the island who were sent to their deaths in the imperialist slaughter of the First World War is crucial to understanding our history. It is also important to recognise the special significance in which the Battle of the Somme and the First World War is held.
The Philippines and the U.S. have had a strong relationship with each other for a very long time now. We have a shared history. We have shared values, democracy, freedom, and we have been in all the wars together in modern history, the World War, Second World War, Cold War, Vietnam, Korea, now the war on terrorism.
When I was a kid, my mum had a lot of Dumas books in the house, and she's from France originally. My mother had one particular Dumas book that was a family heirloom - this old, beat-up 1938 edition of 'The Count of Monte Cristo' in French. She came to America after losing her parents in World War II as a little kid.
Acting on the theory that sometimes luck is better than work, I randomly called several people named Dattilo in Kentucky. All were unfailingly polite, and none knew anything about a major with their last name who died in World War II. I also discovered that more Dattilos lived in Kentucky than I would have imagined.
My favourite book as a child was an old 'Newne's Children's Encyclopaedia' which my grandfather had bought just before World War II and donated to our family after seeing how interested we were in it. Each volume had special chapters called 'Things Boys can Do.' My brothers and I would pick out interesting projects.
A novel can be set in motion by an incident, a character, a location, a mood - by anything at all. Sometimes the stimulus can be an idea, which will rapidly clothe itself in character and incident. 'Foreign Bodies' came about through the contemplation of the contrast between post-second world war America and Europe.
The Germans have done wonderful work. Not long ago, a German battle group battalion conducted a very impressive counterinsurgency operation in a portion of Baghlan province. I think these are the first counterinsurgency operations conducted by any German element after World War II. And they did a very impressive job.
It became obvious to me that the generation who changed the world were my parents' generation, and not only in terms of the Second World War, but if you look at all the social legislation of the '60s - abortion, homosexual law reform, equal pay - it wasn't done by my generation; it was done by people who were adults.
I was born in Breslau on October 5th, 1930. At that time, Breslau, now called Wroclaw, belonged to Germany, and only German was spoken there. After the Second World War, Breslau became Polish, and the original German population was almost completely replaced by a Polish one. I have never visited Wroclaw after the war.
I was born in Edinburgh, in Scotland, a few days after the end of the Second World War. Both my parents had left school at a very young age, unwillingly in my father's case. Yet both had deep effects on my education, my father influencing me toward measurement and mathematics, and my mother toward writing and history.
Once conscription was introduced during the First World War, and once Britain's wars ceased being confined to the empire or to continental Europe and began seriously threatening our own shores and safety, it became much easier to denounce any anti-war agitation and argument as inherently irresponsible and unpatriotic.
My theory is that Kurt had a lot of residual pain from his childhood. And when you pile that on top of his experience in World War II - he was in Dresden when it was bombed and saw a city annihilated. When you combine those two things, my impression of Kurt Vonnegut at 84 was that he was a very pained and haunted man.
When it comes to his sons, it would be easy to think that the macho Duke of Edinburgh has most in common with Prince Andrew. After all, it was Andrew, his third-born son, who risked his life in the Falklands war as a Royal Navy helicopter pilot - just as Philip had risked his own as a naval officer during World War II.
One culture I find fascinating to juxtapose against American culture is the culture of Germany. They've gone through a long process through their art, poetry, public discourse, their politics, of owning the fact of their complicity in what happened in World War II. It's still a topic of everyday conversation in Germany.
In the four decades after World War II, manufacturing jobs paid more than other jobs for given skills. But that is much less true today. Increased international competition has forced American manufacturers to reduce costs. As a result, the pay premium for low-skilled workers in manufacturing is smaller than it once was.
Behind Trump's promise to 'make America great again' lie many fallacies. The most important fallacy is that America's place in the world can be restored to the one it occupied after World War II, when Europe was still recovering from vast devastation and most developing countries were still European colonies. It can't be.
I've always disliked kamikazes, that is, people who commit suicide in order to kill others. Starting with the Japanese ones from World War II. I never considered them Pietro Miccas who torch the powder and go up with the citadel in order to block the arrival of the enemy troops at Torino. I never considered them soldiers.
The Kurds had always had a bad time. They were oppressed by the Ottoman empire. Then, at the end of the First World War, they were promised a homeland, but the new Turkish state refused to give them any land, while the British went and created the new state of Iraq and sent aircraft to bomb the Kurds there into submission.
Both of my grandfathers fought in the Second World War, and my great-grandfather died at the Somme in the First World War. I never truly believed that the War just finished and everyone was happy-clappy, brought out the bunting, and felt everything was okay again. That's definitely not my impression of the fall-out of war.
The '50s in general are written off as a boring decade following the turmoil of the Second World War and its immediate aftermath - the postwar Labour government, the cold war, the arrival of the New Look in fashion, etc. But I remember it as a very exciting time - a pioneering, rule-breaking time, especially for the young.
I think 'G.I. Joe' is a perfect example of how I'm the world's worst businessman. If I were smart, I'd be writing 'World War Z Part 12', but I have to go where the muse leads, and I've always been a huge 'G.I. Joe' fan. I always wanted to know more about these characters, these little plastic figures I played with as a kid.
I often compare myself as a kid to my own grandchildren, who are around 11 and 14 now. That's the age kids usually read my book. And I remember myself; we'd gone through a world war. My father was an army officer so I was aware of what was going on. But I wasn't bombarded with images of catastrophe like many kids are today.
Not long after I was married, World War II began. My husband John volunteered for the Navy and was sent to Pensacola for training as a Naval Combat Air Crew photographer. It seemed a strange assignment for a young newspaper editor and writer, already exempt, but off he went, saying goodbye to our 18-month-old Johnny and me.
A few years ago, I was trying to buy a piece of land next to a house I had in Newfoundland. I discovered that the plot had been owned by a family, and the son had gone off to World War I and been killed. It began to interest me: What would have happened on that land if the son had lived, had brought up his own family there?
We are constantly trying to cope with what our fathers or our grandfathers did. I wrote the book 'Great War of Civilization,' and my father was a solider in the First World War which produced the current Middle East - not that he had much to do with that - but he fought in what he believed was the Great War for Civilization.
What Stieg Larsson was up to - it was the Swedish guilt over World War II. All of our neighbors had the most terrible experiences with the bad forces, but Sweden didn't. I think we use the thrillers in a different way. We never write a thriller like 'Who is the murderer?' The big question in most of our thrillers is... 'Why?'
Bill Phillips was this nervous, chain-smoking student. He had signed up to be an engineer, he had gone away to fight in the Second World War, he had come back. He had switched to sociology because he wanted to understand how people could do these terrible things to each other. And he did a little bit of economics on the side.
When I first met the survivors of the Indianapolis in 1999 while writing a book about them, their story - the last major action of World War II - was rarely mentioned in high school textbooks. This is despite the fact that, before its torpedoing, the ship had delivered components of the atomic bomb Little Boy to Tinian Island.
When I grew up, in Taiwan, the Korean War was seen as a good war, where America protected Asia. It was sort of an extension of World War II. And it was, of course, the peak of the Cold War. People in Taiwan were generally proAmerican. The Korean War made Japan. And then the Vietnam War made Taiwan. There is some truth to that.
Americans born since World War II have grown up in a media-saturated environment. From childhood, we have developed a sort of advertising literacy, which combines appreciation for technique with skepticism about motives. We respond to ads with at least as much rhetorical intelligence as we apply to any other form of persuasion.