Quotes of All Topics . Occasions . Authors
It took 23 years from Abraxane being conceived to us showing now with conclusiveness that it works in pancreatic cancer. We cannot afford as a society to wait another 23 years to make sure that the patients get the right care, at the right time, at the right place.
I'm not sure why, but I seem to be drawn to stories about abuses of power. But I'm also drawn, not so much to victims' stories, as stories that tend to show how power works. Because if you don't understand the criminals, you can't figure out how to stop the crimes.
O thou great, unknown Power! Thou Almighty God, who hast lighted up reason in my breast and blessed me with immortality! I have frequently wandered from that order and regularity necessary for the perfection of thy works, yet thou hast never left me nor forsaken me.
It is a huckleberry above my persimmon to cipher out how it is, with six months' schooling only, I, David Crockett, find myself the most popular bookmaker of the day, and such is the demand for my works that I cannot write them half fast enough, no how I can fix it.
As you get older, your skin tone will change, and that means the colours that suit you best change, too. Take a trip to a department store and ask for advice, or simply hold colours close to your face in the mirror, as this should give you a good idea of what works.
I started rapping at the age of 12. That's when I wrote my first song, but I was more intrigued on learning how the recording process works: how do you create music and what materials I needed. So I educated myself musically so that I could focus on creating my own.
The real architecture happens within the works themselves, and that was done by the composer. That's where the real skill is. In putting together a program, you're more a curator, but that's important as well. And then the interpreting of it is where our big job is.
Art does not, like science, set forth a permanent order of nature, the enduring skeleton of law. Two factors primarily determine its works: one is the idea in the mind of the artist, the other is his power of expression; and both these factors are extremely variable.
Through the miracle of natural genetic recombination, each child, with the sole exception of an identical twin, is conceived as a unique being. Even the atmosphere of the womb works its subtle changes, and by the time we emerge into the light, we are our own persons.
I know some people are like, 'I'm depressed, and I'm a struggling artist,' and that really works for some people, but that doesn't work for me. I have to be really happy, even when I'm writing my depressing songs; I have to come through that stage before I can write.
Joan Cusack is one of my favorite comedic actresses, and every part she plays is so different. She does the wackiest stuff and somehow it works. I like watching her a lot, and I think you can always go further and pull back. That's something I really have to work on.
I like the fact that by mimicking the way memory works, a writer can actually write in a fluid way - one solid scene doesn't have to fall on another solid scene, you can just have a fragment that then dovetails into another one that took place 30 years apart from it.
No one works harder at inspiring athletes all over the world than our team at Nike. Creating those experiences requires an amazing amount of energy, a steady flow of big ideas to excite and surprise people, and a constant dialogue that connects us on a personal level.
When movement isn't enough, you dance, or when speaking isn't enough, you sing. When it's organic, and it's earned like that in a musical, that's when it works, and then there's nothing like it because it's this thing that takes you to a whole 'nother level, you know?
Yoga is sort of like acting because it's something you don't really know about - how it happens, why it works. You just do the poses, and you get the benefits. I like sharing that. And I think I have a talent for touching people, getting them in tune with their bodies.
What we have at present is a system of loss socialism. Whatever goes wrong is shouldered by the general public and anything that works is privatised. Worshippers of market freedom have suspended the most important economic principle: Risk and liability go hand in hand.
A regular old drag queen is usually your science teacher who's actually wearing women's panties underneath his slacks. A drag-queen superstar is someone who actually works in clubs and makes a living doing it more than one night a year, or even one night in six months.
Honestly, I don't listen to nobody else's music but my own. It's kind of like sports to me. You don't see Kobe Bryant at a LeBron James game - he just works on his own game. And that's what I do. I only listen to me, so I can criticize and analyze and all those things.
Every year, I have my graduate students read the great works of history, from classical times to the present. They gamely tackle Tacitus, ponder Plutarch, plow through Gibbon. Then they get to Thomas Carlyle and feel like Dorothy when she touched down in Technicolor Oz.
We must not show to all and sundry the secrets of the waters flowing in ocean and river, or the devices that work on these waters. Let there be convened a council of experts and masters in mechanical art to deliberate what is needed to compose and construct these works.
What I respect as far as in myself and in others is the spirit of just doing it. For better or worse, it may work and it may not, but I'm going to go for it. Ultimately I probably prefer to be respected for that than whether it works out or not, either winning or losing.
I've made more with John Cena just by being John Cena that anyone else I've ever met. He works harder than anyone I've ever met, 30 hours a day, 500 days a year and will do anything and everything that is asked of him and couldn't possibly work harder. He is a mega draw.
Science knows no country, because knowledge belongs to humanity, and is the torch which illuminates the world. Science is the highest personification of the nation because that nation will remain the first which carries the furthest the works of thought and intelligence.
The aim of all commentary on art now should be to make works of art - and, by analogy, our own experience - more, rather than less, real to us. The function of criticism should be to show how it is what it is, even that it is what it is, rather than to show what it means.
You'd never look at a Rembrandt and say, 'That's just wood and canvas and paint - how much?!' It's all about how many people want it. It works on a pair of jeans as well - they're just material and stitching, and as soon as you walk out of the shop, they're worth nothing.
Instead of giving money to found colleges to promote learning, why don't they pass a constitutional amendment prohibiting anybody from learning anything? If it works as good as the Prohibition one did, why, in five years we would have the smartest race of people on earth.
The Panda mission really speaks to our philosophy. It is, 'Deliver exceptional Asian dining experiences by building an organization where people are inspired to better their lives.' I'm talking about everyone who works at Panda. They're inspired to better their own lives.
The privilege I've had as a curator is not just the discovery of new works... but what I've discovered about myself and what I can offer in the space of an exhibition - to talk about beauty, to talk about power, to talk about ourselves, and to talk and speak to each other.
It's possible to let technology absorb what we know and then re-express it in intricate mechanisms - parts and circuit boards and software objects - mechanisms we can use but do not understand in crucial ways. This not-knowing is fine while everything works as we expected.
The work of healing is not my work, but by faith, healing is done. The work of deliverance, great and mighty deliverance, is not my work but is my faith in Him. It is not the works of righteousness which I have done, but according to His grace. I am a product of His grace.
When I'm putting some communication out on Twitter or Facebook or Instagram, I think that it's helping me, my brain, you know, because it's always somehow stimulated by people who are sending things to me. And it works both ways. It's great. My brain is very happy about it.
I went through the extremes of amazing notoriety and also the dreaded things that you never thought you'd have to live through. Not everything works the way you want it to, but if I sit back and think, 'Am I happy about this?' Yeah. I wouldn't have done anything any better.
To make a film like 'The Grandmaster,' I know I'm not going to make just a standard kung-fu film; it's not going to be just tricks or like wire works. So I spent seven years on the road interviewing different schools and a lot of real grandmasters from Chinese martial arts.
When we teach in pluralistic ways, there are two wonderful dividends. First of all, we reach more students, because some learn best through stories, some through works of art, some through role play etc. Second of all, we show what it is like really to understand something.
The truth is that I didn't start out making commercial movies. My films were not film festival movies with the possible exception slightly of 'Super,' but I was able to nurture my gifts through the works of artists making lower budget films that needed a place and an outlet.
Both conservatives and liberals watch 'Parks and Recreation,' and they each think the show is for them, which is really cool. 'SNL' was totally different. It was exciting because everyone was paying attention. Political humor works when people know what you're talking about.
It's almost embarrassing, but I do have one trick for taking portraits on commission. I carry one of these little bicycle horns in my pocket, and once in a while, when someone is sour-faced or stiff, I blow my horn. It sort of shatters the barriers. It's silly, but it works.
Anyone who works on a quilt, who devotes her time, energy, creativity, and passion to that art, learns to value the work of her hands. And as any quilter will tell you, a quilter's quilting friends are some of the dearest, most generous, and most supportive people she knows.
I was just taught very early that if I didn't solve problems, I was headed for a very dark path. Problems were everywhere. Now, even if there are no problems, I look for problems. I'm like, 'You know what? I don't like the way this spoon works. I want to design a new spoon.'
I don't want to sound like you never feel anything - we've all loved and lost, all had a lot of pain, and we're supposed to. We're humans; it's the way it works. But it's how you manage it, how you manage those tears and that pain. How you are able to get yourself out of it.
Sometimes ideas are coming so fast that I have to stop doing one song to get another. But I don't forget the first one. If it works, it will always be there. It's like the truth: it will find you and lift you up. And if it ain't right, it will dissolve like sand on the beach.
The guitar for me is a translation device. It's not a goal. And in some ways, jazz isn't a destination for me. For me, jazz is a vehicle that takes you to the true destination - a musical one that describes all kinds of stuff about the human condition and the way music works.
I always try to do as much as I can do. I'm never a person that does not enough, because I'd regret not doing enough and think I probably could have done more. I probably go too far and have to reel myself back in, which works in some things, and other things it doesn't work.
Art is not an investment. Art is something you buy because you are financially solvent enough to give yourself a pleasure of living with great works rather than having to just see them in museums. People who are buying art at the top of the market as an investment are foolish.
My ambition was always to bag a lead role in a film, and hence, I refrained from doing any ads, TV serials, music videos, as I felt that a fresh face always works much better. It was a gamble, and I took that gamble telling myself that I will give it my all to bag a lead role.
That's the way this business works: if your movies do well at the box office, you will be offered more movies. It doesn't matter if you're a nice guy or you're a prick. If your movies do well, there's a job waiting for you in Hollywood. It's not any more complicated than that.
I grew up in the countryside with the factory here, my house 200 metres away, my grandma's house 50 metres away, in a kind of old-style Italian society where everyone works for the family business, everyone lives nearby, and the people you spend your time with are your family.
America isn't Congress. America isn't Washington. America is the striving immigrant who starts a business, or the mom who works two low-wage jobs to give her kid a better life. America is the union leader and the CEO who put aside their differences to make the economy stronger.
Here's a news flash: No soldier gives his life. That's not the way it works. Most soldiers who make a conscious decision to place themselves in harm's way do it to protect their buddies. They do it because of the bonds of friendship - and it goes so much deeper than friendship.
Obviously there is stuff that I wouldn't play in a club that I play at festivals, and vice-versa, but my sets are still dominated largely by my own music. I think that's what makes me stand out a bit. My music is also festival- and club-friendly, so it generally works out well.