The mark of all good art is not that the thing done is done exactly or finely, for machinery may do as much, but that it is worked out with the head and the workman's heart.

I feel like a lot of the successes in my life have come down to the Super Mario Effect, and while framing challenges like this has worked for me, of course, results may vary.

I love soccer. My father is from Argentina and my mother is from El Salvador. I grew up watching Argentinean soccer. I get really worked up watching soccer. It's in my blood.

When I first came into the WWE I enjoyed working with Candice Michelle, a girl who was a model and seemed to live a carefree life and worked really hard to become a WWE Diva.

One of the advantages of having to live with JUnit for 8 years is now we can look back and see which decisions we made worked nicely and which we would have done differently.

King Charles, who was also the Holy Roman Emperor, lived and worked in hard bare rooms with no carpets, crowding to the fire in winter, using the window's sunshine in summer.

When people protest and are upset with a movie, it becomes a big hit. They hated Passion of The Christ, it worked out pretty well for the box office. So let's get that going.

My background was computer science and business school, so eventually I worked my way up where I was running product groups - development, testing, marketing, user education.

Art is the easiest thing in my life, and that's ironic. It doesn't mean I've worked little on it, but it's the only thing I never had to... I have no fear. I could take risks.

I saw no reason why childhood shouldn't last forever. So I created clothes that worked and moved and allowed people to run, to jump, to leap, to retain their precious freedom.

I worked at a local television station and I got a chance to direct and do all those things - worked kiddie shows, Ranger House show with the hand puppets and things like that.

I had a lot of jobs in New York. I worked in a cafe, and I did bike delivery, and I was a mover. And I babysat, which was really cool in some cases and really insane in others.

The political Right likes to champion individual rights and individual liberty, but it has also worked to enforce morality in relation to abortion, gambling, and homosexuality.

I grew up in Connecticut, going in and out of New York City, and I worked in the city in the '90s. I was freelancing for the Associated Press, and I fell in love with New York.

I worked in this bar called the Raincheck Room in the '60s; it used to be over on Santa Monica Boulevard, and, y'know, it was a pretty hip place. Lots of actors hung out there.

From beginning to end I worried that Ang Lee wouldn't be satisfied with my work. So I worked as hard as I could to earn his trust, because you only get a chance like this once.

Of course, the E.U. were never going to welcome Brexit. Some sour grapes were inevitable. That's why we worked hard to leave on positive terms, extending the arm of friendship.

I had worked with Pranay Dixit in a film, who also hails from Lucknow. I always wanted to cast him for some of my projects as I believe he is brilliant at his craft of an actor.

Don't forget, I was a musician long before I ever met Prince. That's a big difference between me and those other women he's worked with. We operate on the same plane, as equals.

I didn't dream of being in television or film. But then I got married pretty young and had children, and I wanted to feed the children, so I worked a lot of film and television.

I worked with Jim James on my film 'I'm Not There' - he sang 'Goin' to Acapulco' with Calexico backing him up. We just hit it off, and it's such a beautiful moment in that film.

I never grew up thinking the goal in life was to be a millionaire. All the way through college, I had a part-time job. I worked hard to get the things that you need at that age.

I've worked with people from Fred Zinnemann, John Huston, through to Richard Fleischer, all of those boys from Hollywood and so on, and Sam Peckinpah and then the Mike Radfords.

After becoming an engineer, I worked for a year in Faridabad. I was so bored. I used to live in a one-room apartment, and every night I would come back to a frog in my bathroom.

Every year I try to grow as a player and not get stuck in a rut. I try to improve my game in every way possible. But that trait is not something I've worked on, it's part of me.

I'm still Vanessa from the neighborhood. My parents own the shop, and I'm there all the time, that I worked in when I was a teenager. I have a child from my childhood sweetheart.

I have worked with Amitabh Bachchan and Aamir Khan but I believe that if you work hard and well enough in this industry, these are the people you end up with working with anyway.

That's just always the way my mind has worked, is taking something that seems impossible, or too big, and then breaking it down into these pieces so that I know how to get there.

I worked privately, and sometimes I feel that might be better for poets than the kind of social workshop gathering. My school was the great poets: I read, and I read, and I read.

For some 25 years, I worked as a librarian, first at the New York Public Library, then at Trenton State College in New Jersey. My life has always been with, around, and for books.

I was raised to think women had babies, stayed at home, and men worked. By the time I got ready to do it, I thought I had all the answers. Only somebody had changed the questions.

Goldman in the '80s was like a priesthood, a monastic experience where you worked all the time but were incredibly dedicated to client services, to building and growing companies.

My parents worked in the art world. They were really supportive of my music in that they allowed me to drop out of school and move out of our home, which not many parents would do.

When you work with Drake, you don't really work with Drake. You send him the song, he rap on it, then y'all done worked together. So it ain't like me and him sitting in the studio.

Just because I have to deal with the stress and pressure and nerves of elite sport every day, it doesn't mean it all comes easily. I have worked hard at the mental side of my game.

It's true that I'm sad about not being involved in the development of 'Dark Souls II,' because I've worked on 'Demon's Souls' and 'Dark Souls'' development for the past five years.

I worked as long in a fish and chip shop as I did in Parliament. I've had particular experiences in politics, but they're not my only ones, and they're not the ones that defined me.

I was sure I wanted to grow up to be either a veterinarian or a writer. In fact, I worked for a vet during high school, doing everything from cleaning cages to assisting in surgery.

I worked at Deutsche Bank for about eight years on their overnight shift. I was working consistently in the theater. I just wanted to know that my rent was going to be paid on time!

Gut feeling is all about the experiences that you have had in your life. It is about being in difficult scenarios, knowing what worked, what did not work, and then taking a decision.

The invention that most people know me for is the Super Soaker water gun. I knew the gun worked well, and I knew it would be successful. I did not realize how successful it would be.

I like Daniel Craig. I worked with him on 'Sharpe,' one of the very early ones, maybe the second one we did - 'Sharpe's Revenge?' A long, long time ago, and he was good in that then.

I've worked with Bette Davis, John Wayne, Jimmy Stewart, Henry Fonda. Here's the thing they all have in common: They all, even in their 70s, worked a little harder than everyone else.

People don't care enough. They don't get worked up enough. They don't get angry enough. They don't get passionate enough. I'd rather somebody hate what I do than be indifferent to it.

Even if the government spends itself into bankruptcy and the economy still does not recover, Keynesians can always say that it would have worked if only the government had spent more.

I used to work over a bar. That was - there was no stage. I stood over a tiny bar. Louis Prima, rest his soul, he worked there. I was the guy that filled in when he was off the stage.

I learned two basic lessons on Everest. First, just because something has worked in the past does not mean it will work today. Second, different challenges require different mindsets.

I used to work at my dad's peanut mill, and worked 15 hours a day, 6 days a week. So, now, riding around on a nice tour bus and doing shows, you'd have to get picky to have a downside.

I've played the leads in two British TV series. I've done a bunch of mini-series. Everybody in Australia is a bit in awe of BBC. I've worked for there, and that was a great experience.

In practice, socialism didn't work. But socialism could never have worked because it is based on false premises about human psychology and society, and gross ignorance of human economy.

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