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The fact is Jerry Weintraub, the handsome, bearish movie producer, the man with the long career, who worked with Arthur Godfrey and Elvis Presley and Frank Sinatra and George Clooney, is a great storyteller - he's this as much as he's anything else. He takes time telling stories, too.
I'd worked in the state senate in college and seen how important legal decisions were. And at the last minute, Senator Kay Bailey Hutchison said, 'Why don't you come do an internship?' That turned into almost 15 years in the government, in the White House, and at the State Department.
I've learned that if I only put my mind to one thing that I can get tunnel vision. Then I may not be as open to other opportunities because I'm so focused on one thing. I think what's worked better for me personally is I have three goals every day: be nice, work hard, and make friends.
If you saw me without concealer, you would see that I have raccoon eyes. And I think my forehead is too small. I am not quintessentially beautiful. I am photogenic, but that's only because I have learned how to make the best of what I've got from the make-up artists I have worked with.
From as far back as I can remember, I was always insecure about my looks, whether it was my flat chest, my skinny legs, or how to cope with my body as it changed. With hindsight, I can see I was different. I was given a body that worked for photographic modelling and a photogenic face.
Climbing has worked for me in a number of ways on Capitol Hill. I'm much more inclined to look at what people do, as opposed to what they say. Also, it's about working together - we're all on the rope together, and you don't get to cut the rope if you're not getting along with someone.
Prior to going to college, I had a pretty strong accent, and that was one of the things I had to work on a lot. I went to North Carolina School of the Arts; my speech teacher... that was one of the things we really had to work on over the years, and thankfully I think it finally worked.
When I was working on 'Men of Honor' with Robert De Niro, there's a pipe that he has in the movie, and it took us about six weeks to find the right pipe for him to use and feel comfortable with. It was a great choice, because it was really about what worked with the camera at that time.
It seems to me that everyone on this planet whom I know or have worked with is suffering from self-hatred and guilt to one degree or another. The more self-hatred and guilt we have, the less our lives work. The less self-hatred and guilt we have, the better our lives work, on all levels.
I think sometimes soap acting gets an unfair label for being bad and over the top. The lessons I learned there were so valuable. Seeing yourself every day on television, you learned what worked and didn't work, what was bad acting and what wasn't. Memorizing scripts became second nature.
The Iranians have shot down drones. They tried to destroy the Saudi oil fields. They tried to storm our embassy. So, when my Democratic friends say we need appeasement, well appeasement hasn't worked. And I think that we've learned, with respect to Iran, that weakness invites the wolves.
I guess I just always imagined that I was going to die, like, somehow on top. I was going to, like, go out in some sort of blaze of glory. I never thought about sort of fading into obscurity. And I've worked so hard at having a life, an identity, in obscurity and finding peace with that.
My mother - it's not one of those waxing-poetic kind of things - she literally worked two or three jobs most of her life. So I personally experienced that, even though I had these great friends and associations who had unlimited amounts of money. That juxtaposition was an interesting one.
I played the cello from when I was ten, and then I bought a guitar from the father of some friends of mine and played that for a while. And then when I was fourteen or so, I bought a guitar - a real nice one - in Durham, North Carolina, that I worked with up until I was about twenty-five.
Both of my parents were college-educated within the curriculum in Haiti. When they came to the United States, both had to learn English. My mother worked in retail and continues to do so today, working as the lead sales representative in a fine-jewelry store. My father became a machinist.
For me, I need to be able to show up on set and fart around and goof around. If I can have that, when I'm not acting, then when I'm acting I can go however deep and dark and bad I need to. I developed that more with 'Breaking Bad' because I've never worked on anything as dark for as long.
I'm probably the only one in the world you can name that's worked with Billie Holiday, Louie Armstrong, Ella, Duke, Miles, Dizzy, Ray Charles, Aretha, Michael Jackson, rappers. 'Fly Me to the Moon' was played on the moon by Buzz Aldrin. Sinatra. Paul Simon. Tony Bennett. I'm the only one.
All my memories of being in Las Vegas with Bobby were great. Frank Sinatra brought us to the Sands Hotel in 1965. When we worked that lounge, it was a great lounge. I think it was bigger than the showroom. We were two 25-year-old dumb kids from Orange County in Las Vegas with The Rat Pack.
My father worked in a post office and never made probably more than $8,000 a year as an employee of the post office, so when people can rise up from very modest circumstances and do well economically, I think that's a good thing about America, and we should encourage that kind of activity.
I worked in television; I'm the Failed Pilot Queen, I've done so many television shows, pilots, theater ... when you do it for so long, I'm telling you, you get to the point where it becomes varied because you take what's available for a number of reasons. It's just an occupational hazard.
The things that have always been important: to be a good man, to try to live my life the way God would have me, to turn it over to Him that His will might be worked in my life, to do my work without looking back, to give it all I've got, and to take pride in my work as an honest performer.
My parents are very hard working people who did everything they could for their children. I have two brothers and they worked dog hard to give us an education and provide us with the most comfortable life possible. My dad provided for his family daily. So, yes, that is definitely in my DNA.
Growing up, I had a lot of family members who worked in the Dallas Independent School District, and they shared stories firsthand with me about kids stepping into the cafeteria hungry before practice, or waiting for the school building to open the next morning just so they could get a meal.
An English journalist called Michael Viney told me when I was 25, that I would write well if I cared a lot what I was writing about. That worked. I went home that day and wrote about parents not understanding their children as well as we teachers did, and it was published the very next week.
I grew up in central Florida in the nineteen-sixties, barefoot half the time and running around the orange groves where my father worked. I remember flocks of white birds that would lift from the backs of cattle, disturbed by the jackhammers and bulldozers clearing land for Walt Disney World.
If forced to choose my favourite film, I would have to say 'Raging Bull' because it was the first feature film I worked on, and it was like having pure gold in my hands. But my husband's film 'The Life and Death of Colonel Blimp' is equally a favourite because of its enormous emotional power.
There must be a story within him/her that wants to come out. That's the reason why 'Dil Chahta Hai,' 'Lagaan,' and 'Rang De Basanti' worked so well: Ashutosh, Farhan, and Rakesh had a story inside them. It's very important that the director should have the fire in the belly to tell the story.
I've always felt I struck out with Doris Day. Her son, Terry Melcher, was a producer I worked for at Columbia, and one day, he asked me to go to her house to play piano on a song she was doing. So I get there, and she has about 30 dogs running around the place - turns out she's a dog rescuer.
The summer before my third year of law school, I worked at a law firm in Washington, D.C. I turned 25 that July, and on my birthday, my father happened to be playing in a local jazz club called Pigfoot and invited me to join him. I hadn't spent a birthday with him since I was 3, but I agreed.
The suburb in the 1950s was a bedroom community. The father worked in the city, and the mother stayed home. Now people live and work in the suburbs, and businesses have grown up or moved from cities to certain pockets of what was once the suburbs and created these places that are like cities.
I'm an off-road racecar driver. And I think every woman in my life has told me that's not a sensible hobby. But when I was growing, even more than I wanted to be funny, I wanted to be a racecar driver. That's all I thought about. I worked for a race team when I was 15 and I traveled with them.
The United Nations was founded 70 years ago, at the end of World War II. Since that time, Japan has steadfastly walked the path of peace and rebuilt a nation. And, since the mid-1950s onward, we have actively worked to share our experience of development with other nations, especially in Asia.
I'm immensely proud to be a Democrat because of our party's history of fighting for justice, fairness, and equality. From Roosevelt to Obama, we've worked to bring seniors and children out of poverty, expanded civil rights, supported science and research, and pushed for equality of opportunity.
I hadn't worked for a year when I had my Prison Break audition and it was the easiest audition I've ever had. I got the script on Friday, went to the audition on Monday and got the part on Tuesday. I was shooting the pilot a week later. I didn't have time to be nervous - it happened so quickly.
I always wanted to be a scientist, I always thought I'd be a scientist, that was the narrative I was carrying around. I worked in a neuroscience lab as an undergraduate and then after, almost five years in total, but I realized I just wasn't good at science. I didn't have the discipline for it.
I have been a Republican, and I've worked in Republican circles for so long, and I know that there are really smart, good policy ideas that are grounded in conservative ideology that could be persuasive for women, especially in an election where no one was really excited about either candidate.
I'd worked at a small town newspaper, and I was thinking of all the strange stories that I had seen float through the newsroom in my time there that were dismissed as kind of amusing curiosities. Somehow from that I got to this idea of an eccentric alcoholic who built a lighthouse in the woods.
My mother always tells me that when I was a little kid, my first ambition was to be a truck driver, and after that, I went through everything from wanting to be a Prime Minister to an air hostess, but never an actor. So I became one, and it was a great journey. I learnt a lot, worked very hard.
I never worked hard until I got to the Howard Law School and met Charlie Houston... I saw this man's dedication, his vision, his willingness to sacrifice, and I told myself, 'You either shape up or ship out.' When you are being challenged by a great human being, you know that you can't ship out.
I didn't want to be taken advantage of and burnt out in the industry. I worked with my family really closely, so I was able to get that respect in the industry. So now I feel that I can let my guard down. People know who I am; I can be myself. I can be more versatile, and I can wear what I want.
If I'm in Maui, I play soccer and tennis and go kite-surfing. I prefer doing a sport as opposed to going to a gym. I'm not big on gyms. When I did 'Rampart,' I lost 30 pounds because I felt it was better for the character. I worked out constantly, maybe twice a day, and minimized caloric intake.
I don't think I've ever worked so hard on something, but working on Macintosh was the neatest experience of my life. Almost everyone who worked on it will say that. None of us wanted to release it at the end. It was as though we knew that once it was out of our hands, it wouldn't be ours anymore.
I was never a joiner. I tried - I had people I admired and liked and wanted to hang with, but I ended up starting a theatre company and that took me back to Chicago... I guess I wasn't a scenester in the end. Something must have worked out right, as I'm still here - but I'm only a binge socialite.
Social class has worked for years. Born into the right family, go to the right schools, even if you're not super bright to start with, you'll turn out bright. You go to the right university, you get the right job, you have the right connections, you'll make it to the top. Job done, very efficient.
'Star Trek' is science fiction. 'Star Wars' is science fantasy. Based on the episodes I worked on, I think with 'Star Wars: Clone Wars,' we're starting to see a merging, though. It does deal, philosophically, with some of the issues of the time, which is always something 'Star Trek' was known for.
Trending topics helped make Twitter a more relevant metric of what the world was talking about at any given moment. Google has worked for years in the space, most notably with Google Trends and Hot Searches, but Google+ offers the search giant the ability to see what is truly trending in real time.
When I was a kid, I played sports a lot. My mom and dad were divorced, but I hung out in the neighborhood a lot, and it was all about sports. I would be out all day on the sand lot or on the hockey rink. My dad would take me to baseball games, but he worked so hard, and he would always fall asleep.
I took a computer-science course to fill a prerequisite at Stanford, and I realized that every day was a new problem, and every day you got to think about how to solve something new, how to reason through something new, how to develop an algorithm to solve for something you hadn't worked on before.
I did go to an MFA program, at Bowling Green State University in Ohio. For me, it worked perfectly. It was a small program. They only take five fiction writers a year, and they fund all of us - you don't go into debt to get an MFA. It's not like getting an MBA - you're not going to buy yourself out.
My father worked in the Post Office. A lot of double shifts. All his friends were in the same situation - truck drivers, taxi cab drivers, grocery clerks. Blue collar guys punching the clock and working long, hard hours. The thought that sustained them was the one at the center of the American dream.