Quotes of All Topics . Occasions . Authors
In the last years of the nineteen-eighties, I worked not at startups but at what might be called finish-downs. Tech companies that were dying would hire temps - college students and new graduates - to do what little was left of the work of the employees they'd laid off.
My accent has changed my whole life. When I was younger, it was very Nigerian, then when we went to England, it was very British. I think I have a very strange, hybrid accent, and I've worked very hard to get a solid American accent, which is what I use most of the time.
Time and time again, the players constantly surprise you and often not do at all what you expect and completely muck up your preparation, and that's kind of the beauty of the game. It wouldn't be as fun to the DM if everything worked out exactly how you thought it would.
I learned the ins and outs of the supplements business as a bodybuilder. I'd worked with some of the companies, and I knew a lot about the products. Some of them worked OK, and some of them didn't. I wanted all of them to work, not just for me, but for other people, too.
I think I'm very proud of the 'Lady Marmalade' collaboration that I did with Christina, Lil Kim, Pink, and Missy. That was the first time and probably one of the only times that I've worked with so many females at once, and we were able to accomplish so many great things.
My dad worked at a mechanical factory for 35 years. I grew up in Union City, NJ. My mother is a social worker. My sister runs a 7-Eleven, and my brother is a detox counselor. They had no predilection for the arts. But from a very young age, I really, really loved theater.
Simon Bolivar turned over all of his land. He freed all of his slaves, and he turned them into soldiers, and he brought them here. He brought them to Peru and Carabobo, and he worked together with the troops of San Martin to liberate this continent. That is Simon Bolivar.
I just think people have a lot of fiction. But, you know, I mean, the real story of Facebook is just that we've worked so hard for all this time. I mean, the real story is actually probably pretty boring, right? I mean, we just sat at our computers for six years and coded.
When the AIDS epidemic broke, because I happened to be a science nerd and knew a lot about viruses and a lot about that virus at the time, I felt a moral obligation to go out and try to stem the fear and get out and explain to people what the disease was and how it worked.
I was on 'Murder She Wrote' with Angela Lansbury. She was fantastic... she was lovely to everyone, she was always on time, prepared. Whereas when I worked with Bob Hope, he didn't know his lines. He had to have these huge big cards... he hardly said two words to me all day.
You know, the period of World War I and the Roaring Twenties were really just about the same as today. You worked, and you made a living if you could, and you tired to make the best of things. For an actor or a dancer, it was no different then than today. It was a struggle.
It was sad leaving 'All Saints' because I was leaving a family that had nurtured me and looked after me for a couple of years, and at the same time that particular storyline wasn't a surprise to me. I knew I was going. It had been worked out very carefully over many months.
They wouldn't take me in the navy because of my glass eye. So I joined the merchant navy, who allowed monocular crew if you worked in the kitchens. You're not wanted on deck or in the engine room with one eye, but you're good to fire up the ovens and cook hundreds of chops.
Well, unfortunately, I have always regretted the fact that I have a temper, but I also have, you know, have great love and respect for all of the people that have worked for me. I think like everything else, this is one of those things that has been blown out of proportion.
How content-driven cinema worked so well... Yeah, the shift is definitely happening... It is such a good change, and it is the kind of change I would like to see so that we just go to watch a film and not put them into brackets - that this is an art film or commercial movie.
I really enjoyed the sort of real crazy, eclectic layering stuff and how it all worked together. I could tell it was some of it was derivative of something. I could tell that certain things were being looped around and I just really enjoyed the way that it all came together.
I've worked my entire career to try to broaden the perception of the WWE. A lot of folks think because we're so entertaining and oftentimes have such wild and well-defined characters that it's all we are. It has kind of been my life's work to tell the public that's not true.
My parents loved each other. I was raised in a house of total love and respect. My dad worked very hard and my mother was incredibly devoted to him. I can unequivocally, without any peradventure of doubt, tell you that I was raised with the kind of love that we only dream of.
I came at age in the '60s, and initially my hopes and dreams were invested in politics and the movements of the time - the anti-war movement, the civil rights movement. I worked on Bobby Kennedy's campaign for president as a teenager in California and the night he was killed.
Shakespeare was the main thing I did in my life from the age of 16 when I first played 'Hamlet' at school. I then did summer stock the next summer and then went to RADA and joined the RSC and ran my own company and then worked at the Globe. That was about 30 years of my life.
In 2007, I went to work in Beverly Hills as an intern at The Collective, a talent management agency. I'd been scouted for the job because of a blog I'd started in college and because the blogger-turned-author I worked for, Tucker Max, was producing a project with the company.
The first time I walked into the Olympic athlete village seeing the Visa ATM machine with my picture on it and the Chinese characters saying 'Destiny.' For some reason, it just boosted my confidence and it was before I had even worked out or had my first training or competed.
I asked my parents for permission to study in America and they were so sure that I wouldn't get in and get a scholarship that they encouraged me to try. So I applied to Yale and got an excellent scholarship. I then worked for the Boston Consulting Group for six and half years.
After eight months of one of the most intensive public and private investigations in American history, no one - no one - has come up with a shred of evidence that I had anything to do with the anthrax letters. I have never worked with anthrax. I know nothing about this matter.
I have worked with Divya Dutta in two National Award-winning Punjabi films. I have known her a long time; she is a fantastic actress. I sent her flowers after I saw 'Bhaag Milkha Bhaag.' Shabana Ji is, of course, a legendary actress. It was a great experience working with her.
I had a long time admiration for the Jewish people. Especially with their long time of courage, taking so much abuse for so long. I was only seven years old, but I could easily see the ungodly treatment that the white folks were handing the poor Jewish family whom I worked for.
My father was a tailor. He worked from seven o'clock in the morning until seven at night. At least when he got home, my mother always cooked him a very good dinner. Lots of potatoes, I remember; he used to knock them down like a dose of salts. He needed it, after a 12-hour day.
You start out with your eyes wide open, and you've got dreams, and we worked really, really hard, and ours came true. So - and we're fortunate enough to keep putting out number one records, and we're fortunate enough to get out there and keep playing, and we truly have a blast.
In the Army, because the stakes are so high - right? - you can't just be a yes-man and say, 'Great idea, boss!' if you don't believe it - right? - because lives are at stake. And the commanders that I've worked for, they want frank assessments; they want criticism and feedback.
I have no problems with my eyes. It was because when I became big, I suddenly I found myself playing on stage with 200,000 people, and that is scary. I remember my manager told me just put on a pair of sunglasses, and that should mitigate the panic. So I tried it, and it worked.
Since I came from another part of the world, I expected many differences in the way things worked, but at the end of the day, there actually were more similarities between the American and Indian entertainment industry: the same chaos, creativity, passion, and genius all around.
When I was between 2 and 3 years old, I got to know my first non-human being. The non-human was a cocker spaniel named Baba. We weren't friends, Baba and I, nor enemies. He wasn't my dog. He belonged to the people my mother worked for, and he lived in the house with them and us.
I grew up in a household that was a labor household. My dad was a Teamster and a milk truck driver. My mother was a secretary. Neither of them got through high school. But they worked hard and they gave me very, very important opportunities to go to school, get a good education.
I started playing chess when I was five years old. I learned the moves from my mother, then worked with my father - and later trainers. My style became very technical. I sacrificed a lot of things. I was always hunting for the king, for the mate. I'd forget about my other pieces.
Any woman who has ever worked in a gutsy male environment knows that the correct response to a randy remark is an even more salacious retort. But timid feminists don't see it that way. To them, the proper reply is a lawsuit - that safe, modern version of the old slap in the face.
I was a nursery school teacher, and I worked with youth groups. I loved that job. It was exhausting, but you got a lot back - all their purity and insight and innocence is so on the surface, and they're so unrepressed; they'd really scream at you and then give you a massive kiss.
If I had done 'Go, New York, Go' for the Spurs, it might not have worked. It really taught me a lot about demographics and tastes and styles. I never went to business school, so that whole experience was my crash course in marketing, contracts, negotiations, and product launches.
Well, the infrastructure part of the stimulus has worked. There's absolutely no question about it. We can demonstrate in Pennsylvania and other states around the union how it's produced good, paying jobs both on the construction sites and back in American factories. It has worked.
The studios don't seem to foster good writing. They're not so interested in that, but they're more interested in what worked most recently. They're definitely very serious about making money, and that's not a wrong thing, but you don't have to make money the same way all the time.
You're trying to sleep off a debt that you've lumbered your brain and body with during the week, and wouldn't it be lovely if sleep worked like that? Sadly, it doesn't. Sleep is not like the bank, so you can't accumulate a debt and then try and pay it off at a later point in time.
When you start your career, you have to figure out a way to separate yourself from the pack. So I went for a kind of preppy, psycho-killer look: I had short hair, grey flannel pants, and a button-down shirt. I think it worked, because nobody else was looking that way at that time.
Jose Mourinho is one of the best managers with whom I have worked. I had a chance not only to have him as a coach but as a colleague, a friend, a big brother. I had a chance to learn from him, and he was open to receiving advice from me as well, even though I think he knew it all.
I worked at a hot dog place, a bagel place, the Jersey Store and the hottest fashion joint around. I was getting too famous to work there anymore. I was almost showing up as a joke. I made $2,000 on my show the previous night and I'm going to go shopping during my five-hour shift.
The best way I knew how was to give 110% and want it more than them, and walk on the court and every moment of the match feel like it was the end of the world, in a sense. So that worked for me in a lot of ways. There were times that it hurt me, but for the most part, it helped me.
I did a job. I completed my Matric and my Bachelors. I did a marketing job. I worked as a bus hostess. I did a lot of jobs; I struggled a lot. I got out from there. The first thing I did when I got out of Darul Aman was my Matric. Then I did my Bachelors privately; I kept doing it.
My dad always taught me to never be satisfied: to want more and know that what is done is done. That was his way of seeing the game. You've done it, now move on. People might say, 'Well, when can you enjoy it?' But it worked for me because, in the game, you need to be on your toes.
Growing up, my dad owned a restaurant in Washington, DC, and food was something I was passionate about. But when I finally got into it, I felt like it was so late in the game; that's why I worked seven days a week at Craft and Mercer Kitchen. I wanted to see how far I could take it.
My first ever sex scene in a movie was in 'Superbad.' Because I was 17, for legal reasons my mother had to be on the set. It was real awkward, but it worked out OK because when I watched the movie with her, the sex scene wasn't awkward because she'd been right there when it happened.
I had real plans for my next decade and felt I'd worked hard enough to earn it. Will I really not live to see my children married? To watch the World Trade Center rise again? To read - if not indeed write - the obituaries of elderly villains like Henry Kissinger and Joseph Ratzinger?
My son, Wolf, was born when I was past 40 and the author of a best-selling novel. That means he has grown up a middle-class child - one who sometimes asks me for stories of my childhood but knows nothing of what it means to grow up poor and afraid. I have worked to make sure of that.