Quotes of All Topics . Occasions . Authors
Where the work goes, I go. Wherever adulation occurs, that's where you'll find me.
People can never work out where they know me from. They just come up and chat with me like mates.
I'm so appreciative that people have begun to recognize my work in a way where it can afford me more opportunities.
My goal was never to win awards. Mine was let me get to a place where I don't have to work. I don't have to do anything I don't want to.
I started doing work as an extra and began taking acting classes. My height didn't seem to matter and no one was making fun of me. I found where I belonged.
And for me, it's been, not only where I learned, but the people that I met there. Most of the people that I work with are guys that, one way or another, have been associated with the university.
It seemed to me that the real philosophical breakthroughs of the 20th century were in terms of the understanding of language. What is language? Where does it come from, how does it work, what does it do?
When I first started in telly, I had a lot of negative comments... but then I suddenly realised I couldn't be anyone else and actually the bits where I mess up or I'm just me seem to be the things that work.
After a couple of failed attempts, I came up with a weird tuning where I was dropping the G string down a step so that it became a seventh, and it got me to a place where I could play all these figures fairly easily. It was not an easy thing to work out.
For me, it's hard to enter any situation with people where we're considering everyone equals, because I bring all of this massive baggage into anything that I do, preconceptions of my work. That's a lot for the people that I might be bringing along with me to bear.
I started working in an STD phone booth where I had to note down all the numbers that were dialed - this was post 9/11 when security was a looming issue. I got Rs 10 per day for my work. Soon after, a benefactor offered me a job in a cybercafe down the road for Rs 20.
I'm a difficult person, sometimes, to work with because I'm so intense about this stuff sometimes, and I get focused in ways that I think can be overwhelming for me and also the people I work with, where I'll get so about every little bug in the thing, every little line.
There really isn't a dream role, but there's a dream situation where I could work with a director that I idolize. So, the idea of working with David Fincher or Paul Thomas Anderson or Wes Anderson or Scorsese or Spielberg or any of the guys I really idolize is a dream for me.
So many Hollywood adaptations of really popular manga series just don't get it right, and for me what was really important was that if I was gonna do 'Naruto,' I wanted to actually work with Kishimoto and get a script to a stage where he would look at it and be excited about realizing it.
Our friendship was based on my payouts. That wasn't a friendship when - as, for example, it's me, my friends, we are friends for many years, and it doesn't matter for me what the position is, where they work; we simply are friends. And with Mr. Berezovsky, our friendship was based on my payoffs.