Quotes of All Topics . Occasions . Authors
I don't feel right unless I have a sport to play or at least a way to work up a sweat.
I always feel like hard work leads the way, and from there, I leave it up to the powers that be.
It just makes you feel proud, more than anything else, that the work has in some way transcended itself.
I used to have a big issue - one - identifying how I feel and being like, 'I feel this way.' Over the years, I've tried to work on that.
There's always a bittersweet kind of thing, but I feel like everything had to work out the way it is. Everything that had to happen, happened.
You cannot be loved always, you cannot expect every film of yours to do a certain way, but I feel proud of the work I have done and projects I have been part of.
I'm always surprised that I get called to work. I always feel the way I felt when I was 24 or 25 trying to get a job. I'm amazed I have my SAG card and my Equity card.
And although I've been very fortunate in the film work that's come my way, I need to get back to the stage. If I'm away for a maximum of two years, I feel something's wrong.
I wrestle in a big way with August Wilson's work in that I at times admire it and at times feel infuriated by it, which is weirdly more influential than loving someone entirely.
In a way, I'm always trying to do something I'm not qualified to do. So I feel that lack of qualification. And I'm scared. And I have a tendency to think things may not/probably won't work out. That's my basic mindset.
The way that I work as an actress, I always prefer to read the whole story and tell the whole story and feel what the whole story's going to be, the journey for the audience and how it ebbs and flows, the highs and the lows.
If you feel driven and compelled to make your work and to be fiercely original and have something unique to say, in a compelling way, then chances are the helpers will be there for you the doors will open some, the ice will crack.
When you haven't met someone, regardless of whether they're an author or not, when you're taking their work, and you are in some way filtering it or interpreting it, of course there's potential for them to feel that you have, in some way, not lived up to what it could have been.
Every collaboration I do, I feel like I've benefitted in so many different ways; it all depends on the organization. With Moncler, there is such a heritage to the brand and to the way that they work. With Brooks Brothers, in the same way, having the heritage to draw from in that collaboration is invaluable.