Quotes of All Topics . Occasions . Authors
You can't master time, but you have to work your hardest to manage it.
When you are a photographer, you work all the time, because your eye is the first camera.
A computer shall not waste your time or require you to do more work than is strictly necessary.
Usually, when somebody really hates your book, they're not going to waste time on it, telling you what you need to work on.
Be able to meet any deadline, even if your work is done less well than it would be if you had all the time you would have preferred.
Measuring how hard your team is working by counting the number of hours they work or what time they get in and leave is how amateurs run companies.
Another time factor is output: proofing and printing. That is, getting your work out of the computer and onto paper and having it satisfy you. It can be time consuming and expensive.
You get used to working with one choreographer. You kind of get stuck in that vein and you work your way out of it, picking up someone else's style, their flavor. It takes a bit of time.
There's sacrifice involved. Either you're going to work a lot and not get to spend time with your kid, or you're going to spend a ton of time with your kid, and you're sacrificing your career.
I spent a lot of time wrestling at NXT. That was not seen because I was also an announcer. When you're an announcer, they try to protect you and make sure you don't get hurt or injured, or anything that would hinder you from your TV work.
You've just got to have to put the work in. Put work first. Put the hours in and the time in, and do your job. And when you get a little time off, you can go out and have a little fun. But you have to make sure you get done what you need to get done first off.
How much is an hour of your time worth? It's worth whatever wage you would get if you spent that hour working. If you work for an hourly rate, this is an easy calculation. Even if you work for a salary and a fixed number of hours, the principle is the same: It's whatever your salary works out to per hour.
In theater, you get to rehearse several weeks, you memorize everything, and by the time you open, you know what the play is. In film, it's almost the opposite. You do your work on your own and maybe have a couple of minutes to rehearse. When the camera rolls, you generally don't know what's going to happen.
Constant tension should be applied to the last five reps of every working set, meaning, do the first 5-6 reps normal tempo, and the last few reps should be held for at least two seconds at the peak of the contraction. This allows your muscles to have more time under tension, and you work different muscle fibers.