Quotes of All Topics . Occasions . Authors
So much of the time spent on 'Zootopia' was inventing it. What does it look like? How does it work?
For the first time in a while, I must be honest, I really genuinely look forward to coming to work every day.
Very ambitious startups often take a long time to work - or sometimes they take a very long time to look ambitious.
You look at it as a privilege. So you really decide that you're going to put the time in and work really hard to get to the point where you're ready.
When I look back, I can say that the summer when I was 19 was a formative time for me. But at the time I just thought I was making tofu every night for dinner and going to work.
When I'm working, I don't wake up and say, 'OK, time to go be intense.' I just look at whatever scenes we're working on that day and break them down - just real intense everyday work.
Colors which stand the test of time are Valentino red, white and black. For the festive look, using these colors, you can work with embroidery and sequins to add some bling element to it.
For coaches, we always look for those examples of guys who put in a lot of time and effort during the summer and really work and it carries over for them to take their game to the next level.
I agree that my films have flopped, and I have been slammed for my nasal voice, my look, and my dialogue delivery. But every time I got a negative feedback, I went out of my way to work on it.
One of the fears of having too much work is not having time to observe. And once you get recognised, there is nowhere for you to look any more. You can't sit on a night bus and watch it all happen.
Often, architects work too hard trying to make their buildings look different. It's like we're actors let loose on a stage, all speaking our parts at the same time in our own private languages without an audience.
I tend not to look at my work after I've done it. In fact, the only time I typically get to review it is when the fans bring up comics at shows, and I kind of flip through it and be like, 'Oh, I remember doing this!'
I did, one time, over the past couple years look into maybe doing a little something in a Royal Rumble, just kind of as that, so that could be my last chapter, so the last time you see me is, y'know, this little thing, and it didn't work out.
Throughout my time in Congress, I've made it my priority to work with my colleagues on both sides of the aisle, to look past partisanship and to help pass commonsense legislation so we can help working families in Nevada and across our country.
As I look over my work, I mean every time I look over my early work, I see, yes, I could do that then and then I could do that and that... That may be the hardest thing for a writer, at least for a poet, to tell what the identity of his work is.
I'm really low maintenance when it comes to my clothes and what I wear. I definitely take care of my body, not so much for how I look, but I just like the feel of exercising and being healthy and having energy. That's why I work out all the time.
As we look around, it's very clear that in this world people do outrageous things to one another all of the time. It's not that these qualities or actions make us bad people, but they bring tremendous suffering if we don't know how to work with them.
When I look back on my twenties, I just remember being afraid of everything, and in my thirties, I'm actually excited by things. And if things don't work out, you know, by the time you've hit your thirties, you've had your fair share of disappointments.
If my career was a basketball season, I'm in the pre-season still. I'm not blowing everybody out by 40 - there's so much work to be done, and there's no time to really sit and look back and be proud of what I've done yet, because it's the pre-season still.
I never work with a screen. Other photographers have this black thing around, and they go back and look at it. I'd rather spend the time with the subject, photographing or discussing or talking, than staring at this thing. I'd rather look at what's going on.
Look at a guy like Ian McKellen, who is eighty or whatever, and he's just loving his work, and you can see that in the work. That defines what type of actor you are. And what kind of people want to work with you. And whether you can do this job for a long, long time.
I work in film, TV, commercials and do live PR stunts for companies. A lot of my time is spent reading scripts and looking at designing sequences, speaking to directors and producers about how they want the sequences to look, how they will work and budgeting those stunts.
From time to time, as if heaven-sent to annoy, someone will ask me if I'm self-disciplined when it comes to my work. I usually look witheringly at them and snarl, 'What do you think?' I mean, how do you imagine anyone writes a quarter of a million words a year for publication?
People look at film in a gallery, and if they walk out after two minutes they know they haven't seen the whole work. But then people look at a painting for two minutes and think they've seen it. Certain paintings are made to be consumed fast. But some require a slowed-down time. You have to go back to them.
It's interesting for me because in my work, a lot of times, I like to scrutinize the clothes and think what's going to make them look dated, and I do the same with vintage. In vintage, you want something unique and different, but at the same time, something that doesn't make you look like you dress like a grandpa.