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So people ask, 'But how can you work for a friend?' I say it's because I know that the magazine is called 'O.' The bottom line is somebody has to have the final word. Oprah's not right all the time, but her record is pretty damn good. That's not to say you can't disagree.
The more work you put in, and the more you constantly and consistently give good performances against good opponents and constantly exceed people's expectations, the more you really endear yourself to the crowd. That's how your career takes off - it's just consistency and time.
The number one thing I look for is personality. For me, the personality of someone makes them more and more attractive over time ... and for those with bad personalities, less and less attractive. I look for honesty, intelligence, kindness, and a good work ethic, to name a few.
The attack on the transgender troops - disgusting, disgraceful, outrageous. It's just endless. And then you try to do your day job of finding good bipartisan work across the aisle... You're doing both all the time. I guess I would describe it as intense. Everything is very intense.
I don't want to do anything and everything. I want to be a brand that, every time I leverage my name, I want people to feel sure that it's going to be something good - so whether it be my movies, my perfume, my restaurant, my musical, it'll be good work, good food and good everything.
I posted something on Instagram saying I am looking for meaningful work. At that time, I was sure my daughter Masaba would be angry. She however, reposted it and wrote another beautiful post. She is a very good writer. That post almost changed things for me. I am glad I did what I did.
I think it's a great time to put out quality work, and it will speak for itself. You don't have to work so hard at being successful at it, because it is something that people want, so when they want it and it is good, then they're going to get it and continue to give it to other people.
I really need to work. People think that I'm no longer interested in acting and only interested in working with the animals. Obviously I have given that impression, but it is not how I feel. I think I'm a good actor. I think I look OK. I don't understand why I'm not working all the time.
I do want to carry on my dad's legacy, but I also want to carve out my own path. I have to work harder, I think, just because I do have that last name. I don't want people to think that's why I am where I am in this industry. I put in the time, and I want to be just as good as my dad was.
Films used to be an event that required work and effort to get to a theater to see. Now, really good content is available immediately to us on many devices. At the same time, the audience's appetite for storytelling is evolving, and people want to spend time with characters for many years.
When I started, I had a really hard time getting work. It was the mid- to late-nineties. There was the WB. My age was perfect for it, but I just never came across as a youngster. I had to grow into my age in order to start working, and by the time I did, it was when things started to get good.
I think film and television - particularly film - you are very isolated as a writer. If you're lucky, you have a good relationship with the director. Then you do make that development and come on set and be part of something. But ultimately, your work is kind of done by the time you come on set.
I thought it would be good for the engineers and workmen who were building my spacecraft to see the pilot who would have to fly it hanging around. It might make them just a little more careful than they already were and a little more eager to get the work done on time if they saw how much I cared.
As a fan, when I hear that a film is going to be turned into a television show, I do go to that place immediately of, 'Is it going to be any good? Is it going to be a waste of time? Why are they doing it?' It's '12 Monkeys,' and '12 Monkeys' is awesome, so I wanted to be a part of it and work on it.
'The Good Wife' was definitely the biggest surprise and gift that I've had in a long time, and that did come out of some other work that I had done. That whole adage of 'work begets work' actually worked in that case - it was at the very end of their first season that my character was first introduced.
That Evan Dunham fight, I went back to not being serious. I was going to the lake and literally brought some wrestling mats down with me. We have a shop at the lake where we park the boat. I'd throw the mats in there, wakeboard all day, and train all night. I was having a good time, getting back to work.
Just put football first, or your job first. Give everything you've got all week, work hard, work super-hard to take it to the next level every week. And when you feel like you got to the point where you want to be, you definitely need the time to go out, relax, have a good time, take all the stress off it.
'Black Mirror,' I read that, and I had another offer for a movie at the same time that was a bigger movie, an actual film as opposed to TV, but I said, 'No, it has to be Black Mirror.' And it hadn't been sold to Netflix, hadn't gone abroad at that point - but it's just good work - that's all there is to it.
For a quarter of a century, I've been playing baseball for pay. It has been pretty good pay, most of the time. The work has been hard, but what of it? It's been risky. I've broken both my legs. I've sprained everything I've got between my ankles and my disposition. I've dislocated my joints and fractured my pride.
You know how hard it's been to write material? Because to do stand-up comedy, it takes time for the material to develop. So you'll come up with a joke, you'll tweak it, you'll work it for six months, you really fine tune it, and now you've got a good bit. Well, with Trump, every day there's something new coming out.
Sometimes comparing can be a good thing: it can inspire us to work harder and reach farther. But for the most part, excessive measuring yourself up against others - especially when it becomes a way to put yourself down - is a colossal waste of time. It's a dead end. It won't make you do anything except feel horrible.
My dad told me, 'If you're going to go out there and play baseball, or you're going to play basketball or football, work hard at it no matter what. I want you to have fun with your buddies, but you have to put in the time because this is your craft.' He didn't just want me to be good. He pushed me to that next level.
Filming costs so much money, so it's such a nerve-racking process, whereas being in a studio is quite cheap compared to that, so you have more time to work on things until you feel good about them. That makes it easier to explain a certain feeling and be in a vulnerable place while making sure it does what you want it to do.
I think working for the audience, for me, is the most fun. It's really a chance for something to work towards. It's where everything kind of comes together, and you have to make it work. You have all these people who are sitting there, wanting to have a good time and wanting to laugh. You really have no choice but to pull it out.
To read a character I'm not sympathizing with is generally quite a good, attractive proposition because I've got somewhere to go, I've got work to do, to try to understand why they behave like they behave, to relate entirely and understand them and to be completely emotionally connected. That is much more fun 99 percent of the time.
I got into one of the schools I applied to because of the essay I wrote about Holly Hunter's character in 'Broadcast News.' She's the only female producer on this news network, and she's really good at her job, but she allots time in her day to just sit at her desk and cry. And then she's just back to work. I find that really effective.
I really have been enjoying performing more lately than I have in a long time and you know, it's all about that sort of centered feeling that I have now. You know, thanks to, not just my kid, but her father before her. You know, I have a kind of a grounding through them that I really relish, and I think is also good for my work, you know.
Our films tremendously influence people. But at the same time, no one goes to the cinema to listen to lectures, so if you have an interesting story, and if you can showcase it as a film, and its messages are good, then it's like an icing on the cake: it shall be a superhit. And if I get those kind of films, I'll definitely want to work on it.