I used to work for 12 or 14 hours at a time but the digital age has made such happy immersions almost impossible.

You can't be crazy and wild when you're on work time. But, I like it, in that sense I think it makes you a better person for having matured at a younger age.

What works for one writer may not work for another. There are as many methods as there are writers. Were you to live to a grand old age, you would still never have enough time to try them all.

I feel like I get opportunities that most people my age don't get. But, like, I can't do what most 18-year-olds do. Like, I can't go out partying all the time: I have to work and get up early.

I first heard Trouble in 2008. At that time I was on my grind, trying to work with all the next-up artists. I had sent him a couple beats; he had done a couple songs. We was always around the same age.

Many of the people I work with that are half my age complain that they feel tired all the time. I tell them: 'Look at what you're eating, how much you are exercising, and how much sleep you are getting.'

I do not run late. Growing up on a farm, you're just not late when it's time to do chores or go to work. I grew up Mennonite, and so that work ethic and timeliness was just ingrained in me from a very young age.

When you're seventeen to early twenties, that's the time you're trying to work out who you are. If you're trying to make some kind of artistic or creative impact, that's the age when you start to figure out how to do that.

Researchers have been looking for biomarkers of age for a long time and have failed. People sell tests out there to measure your biological age, and none of them work. There's no evidence that you can measure biological age with any reliability.

I'd call my work 'instinctual design.' I like to find the spirit of a piece that defies time, age, and occasion. My clothes give the wearer the chance to develop their own voice within a wardrobe, and I think of them as curators of their personal style.

It is a hopeless endeavor to make the form and content of earlier architectural epochs usable for our time; in this, even the strongest artistic talent must fail. We see repeatedly how the outstanding builders fail to achieve an effect because their work does not serve the will of the age.

Golf challenges you mentally at any age, and when you become my age, it's a challenge physically to try to make your game work as well as it ever did. That's close to impossible, but that doesn't keep you from trying to hit the ball where you used to hit it and make the putts you used to make all the time.

I took my job for Nickelodeon very seriously, and back then, it wasn't certainly as big of a network as it is now, culturally, and people my age didn't know much about it. But I loved my time there. I really put everything I had into doing 'Guts,' and it actually taught me a lot about how to work really hard.

I have friends who died being successful bohemians. Today, I see people my age who are gifted but who insisted on staying in this group, and it's beaten them so bad. They have to spend so much time on ego maintenance, they can't get any work done. They'd be very happy to sell out, but there are no buyers, and that hurts.

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