I want to work on the 'True Blood' comic for as long as they'll let me.

You can call me 'Tons of Lard' for all I care, as long as I get to work.

RevitaLash. Beyond obsessed. We don't use fake lashes anymore for me at work... they are SO long!

I don't work with anyone out of a sense of charity. I use people as long as they are useful to me.

The only way for me to compose is intensively. To pick at it over a long period doesn't seem to work.

For as long as I can remember, the thing that gave me a sense of wonderment and renewal... has always been the work of other actors.

As long as I really stay on top of my school work, which I'm for the most part able to do, it's really no problem, me missing school.

When 'Games of Thrones' is finished, I'm not one to go on about it too long and rest on one's laurels. The stuff that interests me is the work.

I've been very fortunate in animation - when I get on a project, people tend to keep me, so I have long stays of work rather than bouncing around.

Designers and photographers still want to work with me and I'm grateful for that. I don't know how long I'll carry on - as long as they'll have me.

I know how long it takes me to draw a page, how long it takes me to complete a project, how long I can work before my hand gives out, that sort of thing.

Work is fun to me. All those years of being an actor and a director and not being able to get a job - two weeks is too long to not know what my next job will be.

My day job keeps me grounded. When I show up to work, I'm not some star fighter or anything, I'm just Stipe. I'm going to keep working in my hometown as long as I can.

I'm still an English professor at Rice University here in Houston. They've been very generous in letting me on a very long leash to just work on 'The Passage' and its sequels.

To me, as long as we've known each other, I've always thought Mick's most brilliant thing was that he could work in an area two foot square and give a very exciting performance.

For me to make a living acting silly for as long as I can get away with it, I think the most viable way to make that happen is to evolve into more traditional comedy. I've really been putting in the work.

I have had to work long and hard to eradicate the dangerous delusion that, in a bad position, I could always, or nearly always, conjure up some unexpected combination to extricate me from my difficulties.

Toby not being there doesn't bother me, I mean I can work with anybody as long as we get along and as long as they've got an understanding of what I want and what I'm aiming for. To start with, when he left, it was difficult.

Every hour I spent on manual work, every hour I was humiliated in England or degraded has helped me because that's the same way other people feel in the townships here. People are still walking long distances and are working long hours.

There's a fashion for a macho style of filmmaking. How long can your longest take be? And shooting things in one shot. For me, if you can sort of disappear and make people feel that they are there, that involves massive amounts of work.

The worst manifestations of exhaustion were successfully cured by a long period of rest but it was immediately apparent to me that I had lost once and for all my former capacity for carrying out experimental work until physically tired.

When I left Parnham aged 18, I could easily have ended up twiddling my thumbs in a workshop all week. But I lucked out and found an agent who immediately got me work and before long there was enough demand for my furniture to start a shop.

When Ben and I first got married and we first had kids, I felt I needed to prove we could still do it and I could still work separately from Ben and I could still work with him. I just let go of all of that now. I said to him, 'For me, a little bit goes a long way.'

I'm too impatient to wait for things to happen to me. If I should be out of work for two months I would go crazy. So as soon as I'm free, I start writing. While it is necessary for me to write, I know that if I go too long without acting on the stage I don't feel well.

You know, sometimes if you work - if you do a lot of takes and you work long hours, for me, at least, there is a delirium that starts kicking in on the fifteenth hour, and that can help. Below the just thirteenth hour is where I have a concern, because everybody's so tired.

The origin of all revolutions and corruption, and the spur and source of all base morals are just two sayings: The First Saying: 'So long as I'm full, what is it to me if others die of hunger?' The Second Saying: 'You suffer hardship so that I can live in ease; you work so that I can eat.'

People who work with me think I should cut my hair. They say casting directors are less likely to hire me with long hair - that they don't have imaginations and can't picture me looking normal. People literally have conference calls about my head when I'm not around. I mean, obviously I would cut my hair for an amazing part.

My TV show had been cancelled; nothing else had gone anywhere; some alliances I had made petered out and nothing came of them and I was looking at a long, long year ahead of me in which there was no work on the horizon, the phone wasn't ringing. I had two kids, one of them a brand-new baby, and I didn't know if I would be able to keep my house.

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