With studio work, I'm always the bottom man on the totem pole.

I always put dance stuff out because you have to work, man. You have to eat. You have to compromise sometimes to make it. I had to make sacrifices, and I had to raise my children.

I'm not qualified for anything. I've had lots of little jobs, like picking grapes and being a tax man. I can't imagine not writing, because I've done it since I was five or six. Maybe I'd work in academia. That's always what the plan was.

I always could hit, but fielding I had to work at. I took as much pride in fielding as hitting. I became a complete ballplayer. I knew when to take the extra base. I knew about the outfielder hitting the cutoff man. I knew when and how to bunt. I knew when to hit-and-run.

When Savage died, that was hard on me. I didn't even hardly know Randy, but I just turned 51 this past December, and he was 58 when he died. I'm like, 'Hey man, just because I'm in that line of work, do I have an expiration date? Am I supposed to go?' I always wonder, but I don't harbor it.

I'm a piece of work, man. I will do what I want, at all times, always. Nobody's going to persuade me one way or another. I can't be persuaded. I take criticism, I listen, I analyze, but at the end of the day, I make the decisions. Because that's the way I started, and that's the way I'm going to finish.

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