Quotes of All Topics . Occasions . Authors
Work out to music that's fun for you. I like a good beat; something from Jay-Z or Eminem.
When I joined the music scene, a lot of big-ticket singers were not getting good work... It was a lean phase.
I tour more than I need to, more than is good for you. But it's my favorite part of music. I much prefer it to studio work.
I've never been very good at creating absolute music, which has no non-musical dimension to it. I think that is why filmmakers gravitated toward my work.
I'm really pretty ridiculous about how much I work on my music, and I don't look at it as necessarily a good quality. I look at it as a side effect of my apparent insanity. It is what it is, man.
I always wrote music for my friends, but my focus was on playing piano. I didn't think I'd be quite good enough to be a soloist, but I believed that if I worked hard enough, I could work as a player, a teacher.
I believe music is like medicine. Like a good tonic, it can open your mind, strengthen and possibly even cure you. Music can work on many levels, and nothing I know of possesses the healing force that exists within music.
When I work on films, I like to be involved from as early as possible. I think this is really good and beneficial in terms of absorbing the atmosphere of the film and for the music to become a part of the DNA of the film.
The more I compose, the more I know that I don't know it all. I think it's a good way to start. If you think you know it all, the work becomes a repetition of what you've already done. I try to make sure that I don't repeat my music.
We've always considered our music to be a healing process. It's our 'tool' to work things out with each other and try to communicate with each other and learn things. And it's good for everyone - us and our audience - to get together.
I'm involved in music and fashion a lot more than I used to be, so my style has definitely changed - for the better, of course. It's given me greater insight into what colours work, what looks good on camera, and what I feel comfortable in.
I try to write like the writers I admire - I rip them off in form. It comes from George Strait and Merle Haggard records, and country music in general is really good at that, the twisted phrase... So I'm always looking for that angle in my own work.
I became an actor by doing school plays and youth theaters, and then National Youth Theatre of Great Britain. And then I did study at the London Academy of Music and Dramatic Arts. For me that was a good way to enter the field, to work in the theater.
I feel very lucky, and the work that I do doesn't depend on much. If your vision's still good, and your hands - I have no arthritis in my hands, and I play the piano very easily - I don't think there's any reason to deprive oneself of the fun of working. Music is so rewarding.
I see people who work on their look and they work on their poster and their website and you know, the music will speak for itself no matter what. So if you put maybe like 95% of your energy on music and 5% on playing out and telling people about it. That's kind of a good equation.
I divide criticism into two categories - one coming from those who understand music, who are worthy of being critical because they are knowledgeable about what they are saying; and then there is another category of people who would criticise you anyway, whether your work is good or bad.
I think the path is different for everybody. Go after the doors that are open to you. That has always been my motto getting into the music business. Do the things that seem to be good opportunities and work hard at it. Try to make good decisions and be nice. Hopefully all of that will pay off at some point.
Dealing with boys at work and being the only girl can be challenging. I have my insecurities, but I've learned I have to be a good sport. I have to be able to take certain jokes and not take them personally. There are jokes made almost every second of the day. I had to develop a tough hide. You know, the music industry is dominated by guys.