Quotes of All Topics . Occasions . Authors
People try and make it a big deal, but a show's a show, work's work, if you haven't wrestled in New York in a couple months, it's always good to take a booking there because there's a lot of great wrestling fans up there.
It was my great good fortune, while I was still a student at college, to have possessed a copy of an English translation of his great work 'The Sensations of Tone.' As is well known, this was one of Helmholtz's masterpieces.
If you feel you have made a great piece of work, which the script for 'The Lovely Bones' was, and that it suddenly means nothing, it's like being in the land of the lost. You don't know what's good or bad and what anything means.
People recognize me once in a while and appreciate the work. It gets a little embarrassing, but it's good. If you work as an accountant, you don't have people coming up to you in the streets saying, 'Hey, great job on tax statements!'
We should always look upon ourselves as God's servants, placed in God's world, to do his work; and accordingly labour faithfully for him; not with a design to grow rich and great, but to glorify God, and do all the good we possibly can.
Being a good worker in WWE is the worst curse that you can have. Instead of being given the title for being a great worker, they give it to someone who isn't and have that person work with the good worker, so they look good in the ring.
I've worked with some very good directors and some very bad ones. I learned a great deal from both. From the bad, untalented people, you learn what not to do. And when you work with very highly talented people, you want to emulate them.
If you're sitting in the audience, you probably can't see the preparation and work that goes into creating a great scene or a great part, but I can assure you that a good film depends on lot of different things falling perfectly into place.
When you're in your 20s, there's maybe a little room for you to not be at the top of your artistic game, if you look good on a magazine cover. When you're not on the cover of the magazines anymore, then you realize that the work has to be great.
If you're talented and hardworking, great - good for you. You're gonna make it; you're gonna go places. But if you're talented and don't have the work element behind it, the guy that works harder is going to eventually outpace you and outrun you.
'Shaadi... ' made people see me as an actor. A lot of filmmakers called and said I was really good in the film... People from the industry - who never spoke to me, didn't think I was a great actor because they hadn't seen my work - said I can act.
Usually, when you win the championship, you party all summer and don't work out. But when I won, I mean, I had my good times, but I used it as motivation to do it again. When you realize you can accomplish something so great, you want to do it again.
I became an actor by doing school plays and youth theaters, and then National Youth Theatre of Great Britain. And then I did study at the London Academy of Music and Dramatic Arts. For me that was a good way to enter the field, to work in the theater.
It sounds simple telling people to work hard and never quit, but to really execute and demonstrate those principles takes discipline and faith. Those are the two factors that I believe separate the good from the great, the successes from the failures.
The great work must inevitably be obscure, except to the very few, to those who like the author himself are initiated into the mysteries. Communication then is secondary: it is perpetuation which is important. For this only one good reader is necessary.
It's not so important to me where I work. A lot of good writers and directors and actors come out of Hollywood, so obviously it would be great to work there, but there's some great stuff coming out of Britain, so I'm going to see what comes from all angles.
When I was younger, I always knew I was a pretty good player, but it was impossible to foresee how far I'd go. I had a left foot and vision like no one else, but I wasn't the quickest and my right foot wasn't so great, so there were things I needed to work on.
I think hard work is definitely a huge thing, but there is something, if you want to call it luck or whatever - a window of opportunity - that is totally outside of your control, and it's that thing that will sometimes separate a good career from a great career.
Layering is always a great way to look different and to keep your look younger. Basic tees, vest tops, jackets, leggings, shrugs, etc, can be mixed up to add spunk, variety and colour to your look. A good sense of mix 'n' match is required to make this look work.
Great directors turn in mediocre work, and first-time directors turn in exceptional work. No matter how good a person can talk about what he wants, you never know. You just have to go with a good story and a script that you like and people that you like to work with.
I arrived at Princeton as a graduate student from the University of Manitoba in 1958. To my great good fortune, I fell into work with Bob Dicke, a truly great physicist who decided a few years before that that gravity is too important to ignore, as it had been in recent years in physics.
I want to pick good projects, I want to work with great directors and try not to put too much pressure on myself and just read things for the story and recognize when I'm drawn to something for the right reasons and try to maintain some sanity. Sanity would be good. I'd like to have a little sanity!
Competitions are great. Unlike a lot of other creative industries they are a great way of climbing the ladder early on. If you win a comp you get on the big clubs' radar. Some people are not great at competitions, so it doesn't work out for everybody, but it is certainly a good way of getting seen by industry people.
It's always easiest for me as a writer if I know I have a great ending. It can make everything else work. If you don't have a good ending, it's the hardest things in the world to come up with one. I always loved the ending of 'The Kite Runner,' and the scenes that are most faithful to the book are the last few scenes.
Comedians work great as actors because they're good under pressure. With a lot of actors, you have to make them feel like everything's going really well to get a good performance out of them. But, if you have a comedian on the set, you can tell them, 'Hey, you really are screwing this up,' and then they just get better.
A whole generation of people that didn't know me from 'SNL' recognize me from 'Weeds' now. People recognize me once in a while and appreciate the work. It gets a little embarrassing but it's good. If you work as an accountant, you don't have people coming up to you in the streets saying, 'Hey, great job on tax statements!'
We write and write and write until we think, 'If we have to shoot this script, we'll be happy, and it's going to be a great movie.' I meet with all the actors two weeks before, and I ask them, 'What lines don't work? What is uncomfortable for you? What jokes do you think aren't good? If you're not getting it, here's what the joke is.' You fix it.
They have a good ethos at Guildhall in that they basically throw loads of different things at you. Their theory is that after you leave, if you use 10 of those 100 things, that's great. The other 90, you might not agree with or might not work for you as an actor. But if you can find 10 that work for you, then ultimately you leave as a better actor.