Quotes of All Topics . Occasions . Authors
A job is just a job at the end of the day, and work sometimes comes from the most unlikely places.
At the end of the day, what you're able to work on is what comes by you, what sort of floats by you.
At the end of the day, I just want to work hard for the team, and if I improve, I'm really satisfied.
But basically, at the end of the day, I want to do meaningful work that I'm proud of - whether only 3 people see it or 300,000,000.
Work is a way of bringing order to chaos, and there's a basic satisfaction in seeing that we are able to make something a little more coherent by the end of the day.
We work hard on every film, and then it's up to the audience whether they like it or not. At the end of the day, it is the audience wish what to accept and what not.
At the end of the day, a show like 'Strictly' is not about what colour you are, or where you come from. It is about how hard you are prepared to work and how well you can dance.
When people want to lose weight, they get to a point where they are desperate and looking for the new thing that is going to work miracles. But at the end of the day, there is no such thing.
When the audience appreciates your film, that's the happiest feeling for an actor because at the end of the day, you are making a film for them. When they like it and appreciate it, you feel your work is done.
It's really not that hard. If I do a Tonight Show, it's six or seven minutes. If I do a concert, it's 90 minutes. If I do an interview, that's 15 minutes. So by the end of the day I've done three hours worth of work.
At the end of the day, you want to work with people you want to work with - regardless of what they've done. Being able to spend 15 hours on a set with somebody and enjoy every minute of it - that's what it's really about.
You cannot set salaries by decree. At the end of the day, it doesn't work with the market. What you can make sure to do is to train workers in order to make them more efficient and demand higher salaries because of their qualifications.
I have an office full of product from brands trying to be in videos and an inbox full of songs from artists, but at the end of the day if the artist doesn't support the brand or it doesn't make sense for the song, then it will never work. What we do is try to pair them up so that both sides are happy.
I was in a form of a prison: not necessarily with bars, but I was locked to that machine three days a week, and I couldn't plan work, I couldn't plan vacations, I couldn't plan dinner, I couldn't plan homework, I couldn't plan nothing because at the end of the day, Monday, Wednesday and Friday, I had to be at dialysis.
I think that, at the end of the day, I'm drawn to a certain level of ambiguous storytelling that requires hard thought and work in the same way that the 'New York Times' crossword puzzle does: Sometimes you just want to put it down or throw it out the window, but there's a real rewarding sense if you feel like you've cracked it.