I work in show business - there's nothing that shocks me anymore!

That I would rather be in another business where a bad cold wouldn't put me out of work.

In terms of the movie business, being in a 'Lord of the Rings' has given me more interesting options as work.

I'm quite stubborn, and it's hard for me to let people in - whether that's literally, musically, or with business and work.

There is an old show business saying which warns never to work with animals or children, but nobody prepared me for Molly Meldrum.

The theater business has allowed me, in a way the movie and TV business has not, to do very, very interesting work. So that's what I do.

I got to work with one of my heroes, Johnny Depp, and to see how he goes about business, which was really inspiring for me at this stage in my career.

If bad things are going to be said about me, I have to bear that. If I don't understand that it's part of being in show business, then I'd better go work in a bank.

People entrust me with the responsibility of actualizing our shared values and, that said, I'm not in the business of going to try to convert people and getting their buy-in. I just do the work.

I started off in this business in 1998, and I didn't fit in. There was no place for me, and I always felt like an oddball. Nobody really understood my work or what I wanted to do in my references.

People return my phone calls now, which is really interesting. I'll tell you what I've learned that's kind of bittersweet. So many doors have opened up. I've met everybody in the business. I'm fortunate people want to work with me.

Most of my relationships were people in the business. Having said that, me and Tim don't really talk that much about work. He comes into my bit of the house every so often to vent but we don't really have very high, cultured conversations.

In my business, if I get too close to you and you die, it hurts me. And so you develop a natural inclination not to be close to the patient, so that if things don't work out ideally, you can still get up the next day and care for the next patient.

Writing fiction is for me a fraught business, an occasion of daily dread for at least the first half of the novel, and sometimes all the way through. The work process is totally different from writing nonfiction. You have to sit down every day and make it up.

One of my bosses happened to be one of the early architects of some of the ways Internet providers work. He taught me how the cables connect, how the telecom providers work... I learned how to make my own Ethernet cables, all the way up to running a small business.

I've been doing this for seven and a half years. I've been just bustin' it, trying to break in as an artist in this business. For me, it's still just about the work. I get the scripts and I'm all about that. I don't really even have an idea what that's going to be like.

I learned the ins and outs of the supplements business as a bodybuilder. I'd worked with some of the companies, and I knew a lot about the products. Some of them worked OK, and some of them didn't. I wanted all of them to work, not just for me, but for other people, too.

What was unique about me being in City Hall during the Giuliani Administration, I was the only one who wasn't an attorney. I may have been the only one who didn't work in a prosecutor's office. So I took a completely different point of view on how the city should be run. Very close to a business, very close on metrics and numbers.

I think my biggest problem as a creative person trying to work within a business for profit was that it was very important to me that people liked me. Over the years, observing other showrunners who made work that I so admired, I realized that that had to go. This couldn't be my first priority. My first priority had to be the work.

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