Quotes of All Topics . Occasions . Authors
I have had to work long and hard to eradicate the dangerous delusion that, in a bad position, I could always, or nearly always, conjure up some unexpected combination to extricate me from my difficulties.
I am not conscious of working especially hard, or of 'working' at all. Writing and teaching have always been, for me, so richly rewarding that I don't think of them as work in the usual sense of the word.
For me, it's always fun to have people that do the same thing as you or and have the same work ethic as you. A lot of my friends have YouTube channels, and I use them in my videos, and I'm in their videos.
It was a dream come true working with Johnny Depp. He's always been my acting idol. Working with him and watching him work taught me a lot as an actor. He's very down to earth and a lot of fun to hang out with.
I certainly do all sorts of work. I'm very, very blessed to do drama and other types of television, and things like that, but I always go back to sci-fi, whenever possible, because that's really exciting for me.
I always thought I'd go to university and then get a real job, you know. Now I want to do stuff that really makes me happy. Although I'm still trying to work out what that is. But for me there are always constants.
The western has always been, for me, the bread and butter. It's the easiest place for an identifiable Native American to be able to work. But I do yearn to be known as an actor rather than a 'Native American actor.'
I would not want to be a part of any project that I feel would not work. An actor like me always wants to work to get appreciation of the audiences. And appreciation can only come if people will come to watch the film.
I never wanted to go to university: books seemed to have all the answers, and the questions, too. I went to work for Jean Muir as her in-house model. Miss Muir - as she will always be to me - was interested in everything.
My mum used to work for the Chanel store in Paris, so for me, I've always been very familiar with the brand because of her. I remember when I was very, very, little, our flat had Chanel shoe boxes, makeup, and some jackets.
Like most people, I'm on my phone a lot during the day, there are always work emails coming in or emails persuading me to buy more shoes. Honestly, I'm probably on my phone a bit too much. I'm addicted to Twitter and Instagram.
I've written books for awhile, but always on a pretty small scale and always pretty self-indulgent. I chose projects that I thought would be really fun to work on and found friends to work on them with me, and it was all about the process.
In my case, I've always been interested in law enforcement. I've always dabbled in law enforcement in between gigs, quite honestly. Back before things really began to pop off for me, I would work in private security for companies and stuff.
Flair and I would work with one another sometimes seven nights a week, and with four weeks in a month, we had to keep changing up the matches with fans following the circuit every night. It would always test me and Ric to do something different.
What I do now, when I'm taking on a film, I always ask about the fairness of the pay. I ask what they're offering me in comparison to the guy. I don't care about how much I get paid; I'm in an industry where we're overcompensated for the work we do.
People are used to seeing me with Sue but for Sue and me, the most important thing is always going to be our friendship. We were mates at university - very close mates - long before we did any telly. The work is like a nice little cherry on the cake.
Growing up, all I did was work and vacation, but I loved it, no one pushed me into anything. The thing was I developed no special skills. I don't have any resentment because I am a performer and I've always felt that, but it did take its toll socially.
Network's rating dependent. A show might not stick. A lot's timing. Like, my Bradley Cooper in 'Kitchen Confidential' didn't always work. Cable supports young shows. TV Land, which you can find on Hulu, Amazon, iTunes, wanted 'Younger.' They came to me.
I don't worry when I go away for a while. I think there is a place for me. It may not be at the top of the heap. But that doesn't bother me, either. I think I will always be able to get work - which is the only thing I have ever really been interested in.
With fitness, I decided that I wanted to get into shape, and my passion for fitness and a desire to help other people do the same made me decide to do a fitness video. People always tell me they want to work out to my songs, so why not make a fitness DVD.
I was never a one-dimensional guy; I was always able to block shots, play defense, get rebounds, or drive, or pass. My father made me grow up that way. He taught me to work on different things in my game and wanted me to be more than a one-dimensional player.
I'm a little bit of an eternal optimist. People always say to me, 'If you go do this and it fails, what are you going to do?' I don't care. I'm going to give it my best shot. That's what I'm going to do. If it doesn't work, it doesn't work. And I'll try again.
I enjoy fitness. I've always enjoyed trying to stay healthy. I've enjoyed all my gym work; obviously there's a cross-over with that going into cricket. But you also talk of finding an escape and I think in the last year or so, running has provided me with that.
I wasn't a big fan of social anthropology. And, luckily, that created room for me to work in visual arts because I sort of ignored my requirements. I think I was attracted to social anthropology because I liked to travel and was always interested in far-off places.
I actually think that 'States of Union' will be a lifelong endeavor for me. It won't take up all my energy as it has in recent years, but I imagine that I will always continue to add to the body of work - the project of documentation will never be entirely complete.
The lyrics are always the last thing I do. I always have a recording of basic tracks and maybe some of the lead work. I'll sit back and listen to it, and I'll just concentrate on what kind of feeling it gives me. My goal writing the lyrics is to not disrupt that feeling.
Beyonce is my role model. You know how people say, 'What would Jesus do?' I always say, 'What would Beyonce do? In her career, what decisions would she make?' And I really think it helps me guide my career and be really nice to every fan and every person that I work with.
I first moved to New York, like many twenty-somethings before me, to be a grown up. I was attending an MFA program in the city, starting work at a nonfiction imprint at a reputable publishing house, and excited about being on track to becoming the writer I had always wanted to be.
There are a lot of classic Goapele tracks that are obviously me. And I'm also just trying to keep evolving and grow as an artist. I've always had a wish list of producers I wanted to work with. I just wait until the feeling is mutual and go into the studio to see what we can come up with.
My parents are the hardest-working people I ever knew: they always worked every day, all day; they had to come up with the solutions to make things work. And I think that work ethic, maybe stubbornness, single-mindedness, definitely played a role for me. I'm definitely thankful for my roots.
I'm a huge fan of Greta Gerwig, and working with her was also a dream come true. She was one of those directors who, when people asked me, 'Who do you wanna work with one day?' I'd say Greta Gerwig. I've always been a fan of mumblecore and her films, and so to work with her was just so much fun.
For me, I'm always looking for opportunities to work with people who are better than me, who are more experienced than me, people from whom I can learn. And who could I learn more from than someone with an unprecedented movie star career that has spanned over thirty years whose name is Tom Cruise?
When I was asked by Pacific Comics for an original creator-owned series, my first choice of those several characters was Ms. Mystic. Since I always try to advance the work of other younger creators, I asked the young Mike Nasser if he'd like to join me in this project. He said yes. Mike created nothing!
I encountered producers who wanted to hang out after we worked, and when I refused, they wouldn't let me come back and work again... I would've have way more opportunities if I had succumbed. But it never felt right. I always felt like I was going to be successful, and I didn't want to compromise my morals.
Jaan would send me songs and ask me what I thought about his singing. I have always encouraged him, and I always will. He asked me to call a few industry people who I know. I called Mukesh Bhattji, Ramesh Tauraniji and a few others, and Jaan went to meet them, but now it's up to them if they want to give him work.
I laugh a lot in horror films. If I'm scared in a horror film, I try to think about what's scaring me... particularly, if it's a bad movie, but something they're doing still works. It's the same way I look at comedy. I've always had an intellectual view of comedy, and what makes people laugh, and how does it work.
I often have said to people that there are really two cities in the country where the outlook is always forward-looking - there is never really a backward-looking tendency. My banking work has taken me out to Palo Alto, what is commonly called Silicon Valley. And you sense out there is always a forward-looking outlook. And New York City.
What I see in Washington reminds me of what I saw in Montgomery when I was first elected Alabama's Attorney General. In Montgomery, corruption was the problem, so I assembled the finest public corruption prosecution team in the country. Their work wasn't always popular with the mainstream media or the local politicians. We didn't let that stop us.