Wore Quotes - Page 8

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All I really want to do is play, that's all that matters. I don't think I've ever tried to cultivate an image. Everything has been on instinct. The flannel shirt and jeans, for example... those are the clothes I wear. If I wore anything else on stage, I wouldn't feel comfortable.

I saw my parents come over. They were immigrants, they had no money. My dad wore the same pair of shoes, I had some ugly clothes growing up, and I never had any privileges. In some ways, I think the person that I am now, I think it's good that I had that kind of tough upbringing.

I was Lady Gaga way before her time. I had a wee kettle for a handbag. Didn't everyone, at some point? One of the teachers used to call me Dame Flora Robson because I had this big, long Victorian skirt. And I wore a Peruvian hat. It was the 1980s - people were wearing lots of lace.

'The Count' wasn't a real stretch. I was doing pretty generic Bela Lugosi bad vampire on purpose. It was supposed to be lame. I didn't put fangs on; it was a guy who was just going through the motions. I drew on the widow's peak with eyebrow pencil and wore a turtleneck, not a tux.

When I was 14, I thought I looked terrible. I wore these typical Slavic shoes with metal bottoms so you could always hear me coming and this really ugly princess skirt and blouse with the top button closed. I had a boy haircut, a baby face covered with pimples, and a really big nose.

I think the first outfit that really kick-started my relationship with Chanel means a lot to me: it was a black, sort of Studio 54-inspired jumpsuit with gold stars all over it, and I wore that, and that's how my relationship with Chanel began, so, you know, it has sentimental value.

I would wear the blue overalls of the fieldworker and often wore round, rimless glasses known as Mazzawati teaglasses. I had a car, and I wore a chauffeur's cap with my overalls. The pose of chauffeur was convenient because I could travel under the pretext of driving my master's car.

I used to be good at clothes shopping and whatnot - at least ,I think I was! - but at some point after two kids and a career that worked out better than I ever could have imagined, I looked up from my desk and realized that I wore the same three t-shirts and 15-year-old jeans every day.

I never wore a tie voluntarily, even though I was forced to wear one for photos when I was young and for official events at school. I used to wrap my tie in a newspaper, and whenever the teacher checked I would quickly put it on again. I'm not used to it. Most Bolivians don't wear ties.

I wanted to focus on creating a solid foundation, creating my blueprint, and understanding who I was. You can get distracted easily, and people take you off course with just a compliment. I wanted the focus to be on Karen Civil the businessperson, not what I wore, not what I looked like.

Bizarrely, someone involved in the children's show 'Sarah and Duck,' which I narrate, recently found a coat with my name on it in a secondhand shop. It's the coat I wore as Theseus in the 'Dream.' So it's back in my possession after all these years, which is rather strange and wonderful.

My dad was a mechanic, and I have great style memories of him. He wore, every single day: a blue chambray shirt, Levi's 501s, and Red Wing boots. And that certainly wasn't fashionable at the time; it was basically the opposite. And he wore these horn rim glasses that were very Sol Moscot.

I grew up in business at a time where there weren't very many female role models, and so in the early days, we wore little bow ties like the guys, and we talked about the Army even though we weren't in the Army. And the reality was that wasn't the right way to approach the business world.

When I pitched the show, I made this special seashell. You could pick it up and hear me singing, 'Spongeboy, Spongeboy!' I also made an aquarium with Patrick planted on the side, SpongeBob sitting on a barrel, and Squidward inside. I wore a Hawaiian shirt. I don't know what they thought of it.

At Moscow's Bolshoi Ballet Academy, I studied under a brilliant and fiery teacher. This tiny, stuttering old man flew into a rage if his students' white socks failed to reach mid-calf level. Nor could he tolerate floppy hair. We wore hairnets to class - an athletic brigade of short order cooks.

In the early '90s, it was grunge; everybody was fully clothed. Alanis Morissette was one of the biggest artists in the world, never wore makeup, wearing Doc Marten boots, and then the Spice Girls turn up, and suddenly it all looks a bit burlesque; suddenly they're the biggest band in the world.

Football has always been violent. In the early days of the game, they didn't wear hard helmets. They wore soft helmets, which were just designed to protect the ears. In the '40s and '50s they began to introduce hard helmets, which provided much more protection against things like skull fractures.

Justice Rehnquist was friendly and unpretentious. He wore scuffed Hush Puppy shoes. That was my first lesson. Clothes do not make the man. The Justice sported long sideburns and Buddy Holly glasses long after they were fashionable. And he wore loud ties that I am confident were never fashionable.

Who I was was not acceptable to black L.A. youth: the way I spoke and my sense of humor. Everybody else had relaxers and pressed hair. I wore my hair in an Afro puff. Nappy. The way I dressed. It was all about name brands at the time in L.A. I had no idea. All those things, I failed miserably at.

I grew up watching Sean Young films with my father; we've always been huge fans of hers. A surprising fact is that she loves to work on comedies, which was great for me to hear, because then I could ask her a million questions about 'Fatal Instinct,' which was a VHS I wore out from the video store.

When I was very young, most of my childhood heroes wore capes, flew through the air, or picked up buildings with one arm. They were spectacular and got a lot of attention. But as I grew, my heroes changed, so that now I can honestly say that anyone who does anything to help a child is a hero to me.

When I was 16, I had a job on the cleaning crew at a local hospital. I wore a pink uniform and cleaned bathrooms and buffed the hallway linoleum. Oddly, I don't recall hating the job. I recall getting choked up at the end of the summer when I went to turn in my uniform and say goodbye to the ladies.

It took me a while to warm to the '20s costumes on 'Downton.' I love it when women accentuate their curves, and that era was all about hiding them. The shapes they wore then were in tune with female empowerment. Cutting off their hair and hiding their busts was a way of saying, 'We're equal to men!'

My grandmother always used to wear this English perfume called Tuberose and then she died and then I dated this girl who wore the same thing. Every time I hung out with her, I could only think of my recently deceased grandmother. So sometimes a signature scent can be good and sometimes it can be bad.

My dad had a 'fro, and I didn't. So I wore his hat and it always hit me in the face, so I just turned it around and it just stuck. It wasn't like I was trying to be a tough guy or change the way that baseball is played. It was just that my dad wore a size 7 1/2, and I had a 6 1/4. It was just too big.

When a kid smiles because you take an extra 30 seconds, minute, minute and a half to go over and ask them what their name is, give them the shirt you just wore to the ring, you just see them light up. We've all been kids before; we've all had our heroes, been fans of somebody and needed that autograph.

We in the Negro leagues felt like we were contributing something to baseball, too, when we were playing. We played with a round ball, and we played with a round bat. And we wore baseball uniforms, and we thought that we were making a contribution to baseball. We loved the game, and we liked to play it.

I got down to business and started writing furiously. I wore my fingers down to a callous state writing with every Tom, Dick and Harry around the world, including a chap named Charlie who plays for a man named Bob, to wrestle my emotions and bring out the raw grit hiding in my tightly guarded sub-conscious.

This is actually something no one knows, but my mom was really the one who created the entire style for 'Teen Witch.' I'm dead serious. She was super involved, and is super creative, so I wore a lot of my actual clothes in the movie. Truly, Louise was my mom's vision. She really created an iconic character.

Fifty-nine cents. For years, I wore a button - '59 cents.' Many of my colleagues wore it also. The purpose was so that people would come up and ask, 'What does '59 cents' mean?' One could then launch into a discussion about how women working full time in the U.S. earn 59 cents for every dollar earned by men.

In middle school, one day this girl was like, 'One day you wore Abercrombie, and one day you wore Quicksilver.' I was like, 'Hold on... what?' I'm usually really calm, but I kind of went off on her. Because I decided to wear Quicksilver one day, you can't place me? How stupid to have to live inside that box.

Even when I was a young kid, I always told my uncle that, when I became a wrestler, I wanted to be Rey Mysterio, Jr. and I wanted to wear the mask. I always pictured myself wearing a mask. I dreamed about it for so long. I wanted to be one of those luchadores who wore the mask, the cape, and the fancy outfits.

Simple. Pared down. Timeless. The ties were never too thick or too thin; the pants were never too flared or too skinny. In my life with Dad, he wore Western apparel because we went riding - jeans, cowboy boots, the turquoise belt buckle. But it was all very simple, and that classic look is very 'Ralph Lauren.'

Throughout history, clothes represented who you were; they are a great vehicle for explaining who you are. During the Ching dynasty, for example, what you wore and how it was made reflected your status in society. People could literally read your clothes like a book, just by its color and how it was embroidered.

I just wear black and gray all the time. If you Google Image me, you'll just see a bunch of black and gray. It's simple. If I like a shirt, I'll buy six or eight of them, wear them back-to-back, and just wait for somebody to say something. 'That's the same shirt you wore yesterday.' 'Yeah, but this one is fresh.'

I started kinda late with wrestling in high school, and I wasn't doing so well - I lost my first five matches in a row, and my little brother said 'wear this chain for good luck... ' and told me it might intimidate some of my opponents. Sure enough, when I wore the chain I went all the way to the regional finals.

I am a very honest person, and I can only say there are moments in my life where I really did think I was being me in the sense of my morals and beliefs and the way I acted. But when I look back at certain things that I wore and my hair and make-up, I was like, 'Whoa! That wasn't me!' But I didn't know it back then.

When I was at college, my nickname was Keds because I wore Keds. I guess it wasn't really a nickname, because nicknames are usually given to you by people who are your friends and who know you. But I didn't know the people who called me Keds. I think that they didn't like me because I didn't want to join a sorority.

I wanted to have no ribs. I wore what was called a waist-nipper in those days. My mother made it. It's a piece of rubber band I wore around to hold my rib cage in. I don't know why I always loved that. I guess I was a glutton for punishment. I think I was born one of those people who loved swords and fought in armor.

I think the kids in school that laughed at the clothes that we wore and the house that we lived in, and then my mother had to cut hair... I think that was a good motivator. Every time they laughed at me, they just built a fire, and there was only one way to put it out - to try and show 'em I was as good as they were.

I love the Sixties with Julie Christie and Jane Birkin - those natural English beauties. That's the look that is most me, when I wore the tight-to-the knee dresses. I don't think I bleached my hair until I was 20. I like experimenting for big occasions, though. You've always got to do a bit of a number for the birthday!

When I was a Laker Girl, I only danced for three months. We did not get paid that much money, and I was working two jobs at the time. I thought that it would be a little more fun, but it was quite stressful. It's all about your weight, your hair, having the right hair extensions, what to wear, the kind of shoes you wore.

Me and my brother lived in kind of a shed behind our house, and it was cold. We really lived kind of a dirty existence. It was tough to move away from my father and grandfather in California. I wore socks that were so dirty they were hard and black, and I would go into the lost and found box at school and look for clothes.

My second freshman year of college, that's year two of seven, my father got very sick and though he was going to die. He gave me a Rolex, a bottom of the line one. I wore that watch everyday. He didn't die. On my 40th birthday, he gave me a very nice Rolex that belonged to him. That's the one thing we connect on: the watch.

In a T-shirt and basketball shorts - that's just my go-to: I'm ready for a workout. I'm ready to go play basketball. I'm ready to go dance. I'm ready to go into the studio. It's my getup for anything. I can get it dirty, which is fine. I can sweat in it; it's fine. It's nostalgic because it's what I wore every day as a kid.

I wear pink on Saturdays for breast cancer, and I wear blue on Sundays. I'm superstitious. At the Evian tournament in 2010, in which I came in second, I wore baby blue on a Sunday. And ever since then, I've worn it every Sunday. Puma sponsors me, so I wear all their outfits in bright colors. I wear matching hair ribbons, too.

Whenever I wore a bathing suit, I kept a sarong around my hips that went halfway down my thighs. The tops of my thighs are like baby skin. Where the sarong ended, I can see sun damage: I've got dark spots and places where there is no melanin. The spots are not pretty, so I encourage everyone to protect their skin from the sun.

The comics I read as a kid were all about guys in tights. But here was a guy who wore a fedora. He fought crime like they did in Marvel and DC, but he did it in the real world. I had just turned 12 when I met the Spirit and it was a strange coincidence. At the same time I discovered girls I fell out of love with guys in tights.

I remember at 16 years old, growing up in Queens, we were punks, but hey, when we went to the theater, we wore a shirt and tie! Similarly, I believe that to keep movie theaters in existence, they're gonna have to make 'em an event, have a couch, a table and drinks or something. Otherwise, there's no reason to get out of your bed!

When I was four I joined a group of girls who were talking about their party dresses. I thought they were imagining, so I imagined a fantastic pink velvet dress with lots of jewels. But they were simply describing what they actually wore, and they had utter contempt for my obvious fiction. After that, I never joined a group again.

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