Quotes of All Topics . Occasions . Authors
I was in Woody Allen's Stardust Memories in 1980. It was only a bit part and I didn't get to speak but I felt that I was in a real movie and heading where I had always wanted to be.
I've always wanted to make people laugh. It's been my only ambition, ever since my dad introduced me to the genius of the great comedians: Tony Hancock, Woody Allen, people like that.
I grew up with Woody Allen and early Spike Lee movies in which New York was such a specific character. The city has a certain vibe and beat which really informs your entire existence.
I came along and was a teenager in the Depression, and nobody had jobs. So I went out hitchhiking, when I met a man named Woody Guthrie. He was the single biggest part of my education.
I took an acting class with Louise Lasser, Woody Allen's first wife and co-star in many movies. I've done some other indie films, if you look on the YouTube. I love acting - it's great.
I am a big fan of the old Howard Hawks films from the 30s and 40s, I was a big Hepburn and Tracey fan for a while and Woody Allen films that are a very different kind of romantic comedy.
The process of filmmaking is very musical, you get into the rhythm and the rhythmics of how someone is, especially with Woody Allen who is very much into body language and body movement.
Woody is the guy who made me want to be a comic. I was in heaven and couldn't stop smiling because he was my idle and 29 years after seeing Take the Money and Run, I was working for him.
What if Woody Allen called me and said, I'm working on this movie and there's a really divine role for you. We want exactly you! It would be such a fantasy. Forget it! My idol, Woody Allen!
I have a terrific relationship with Woody and realize it's full of dramatic overtones, but it's really quite simple. It revolves around conversations, film talk, sports talk, books, and art.
I don't think I could do what Woody Allen or Clint Eastwood or Ben Stiller do, where they direct a movie and they star in it. I would just be like, 'Oh, I don't even want to look at my face.'
You know, I was on 'Cheers' for eight years, and I couldn't get another job, and I thought, 'I'm going to be Woody Boyd forever.' Which is not bad, but I really thought I was capable of more.
I absorbed the vinyl of Woody Guthrie, Pete Seeger, Jack Elliott, to Michael McClure and then into the Beat poets, Allen Ginsberg. At campus, we were absorbing that stuff. We looked to America.
Woody Allen movies notwithstanding, therapy, in the early eighties, was not exactly a hot conversation starter. Nor was it a favoured activity for dysfunctional couples or suffering individuals.
I'm sick of hearing, thinking and talking about Woody Allen. Nonetheless, the allegations against him continue to capture our national attention because so much of the story is strange and sordid.
I felt very fulfilled after doing 'Vicky Cristina Barcelona' because I'd always wanted to work with Woody Allen. That was like a lifelong dream, and that was thrilling for me, to enter that world.
Most people don't realize that when we were producing 'Black Panther,' 'Quantum & Woody,' and 'Steel,' fairly few people were reading those titles. We were constantly threatened with cancellation.
I was immediately into all the great movie comedians - Woody Allen, Mel Brooks, Richard Pryor, Gene Wilder. Everything those guys had anything to do with, from I don't know how young. Super young.
There are not many A-list directors who get to make the movies they want to make. I know two: Woody Allen and Tim Burton. Two different textures, but both get to do what they want, and that's rare.
I was raised by a dad who has a fantastic sense of humor who raised me on 'The Muppet Show,' Steve Martin movies, and Woody Allen's standup, and he really encouraged me to ham it up from an early age.
The real achievement of Woody Allen was that he was making movies that felt very personal, and for a whole group of people, it spoke to them. Then he became an archetype, like Groucho Marx or Chaplin.
People who I've worked with are always like, 'Why aren't you doing comedy? You're funny!' because they've only seen the one side. I did do the comedy 'Whatever Works,' with Woody Allen and Larry David.
Maine is the largest producer of wild blueberries in the world. The woody plants occur naturally in the sandy gravel understory of Maine's coastal forests, where little else bothers even trying to grow.
When I first got friendly with Woody, he and Mia were finished with their romance and were just friends. I think Mia would have been just as angry if he had taken up with another actress or his secretary.
I'm a total fangirl for Nancy Meyers. I love all her movies - 'Something's Gotta Give,' 'Father of the Bride,' 'The Parent Trap,' etc. I also love Woody Allen - 'Annie Hall' and 'Manhattan' are my favorites.
I loved Woody Allen's short pieces. I was equally influenced by Woody Allen and Norman Mailer. I was very into this idea of being high-low, of being serious and intellectual but also making really broad jokes.
The reality is, the movies that were most impactful to me growing up, when I decided I wanted to make movies, I was going to see Woody Allen double features with my brother, back when they had double features.
For a long time now, movie characters have generally been articulate, even chatty. Call it the influence of Woody Allen, but we have become used to characters who are well able to explain themselves to others.
Life is never all one thing. It bounces around. Certainly, my own life has. Look at Woody Allen's funny movies - all the humor comes out of sad stuff. Sometimes you have to laugh, no matter what life deals you.
Sometimes, when things go well on a set, or when you are working with somebody like Pedro Almodovar, Woody Allen, Rob Marshall or somebody so talented and so inspiring, it's really beautiful, what happens there.
I like so many different directors: Scorsese, Coppola, Cassavetes, Jarmusch, Gus van Sant, Woody Allen and the greats like Fellini, Bergman, Tarkovsky and among current filmmakers von Trier, Ang Lee, Wong Kar-wai.
Well you know, Woody doesn't rehearse, as opposed to my own method of directing where I really work with actors around a round table for weeks, examining the values of the material, so his technique is very different.
It seems that our politicians see the world in black and white, so why not our artists? Did Woody Allen's 'Manhattan' have to be in black and white? No. But is it fantastic that it was? To see New York like that? Yes!
It was kind of scary because working with Woody Allen becomes sort of a big deal in your mind. He directs in that Woody Allen character some of the time - he has these idiosyncrasies that are really charming and funny.
When I went to Paris, I had a lot of ideas about it that were formed in the sort of ether that flows about if you watch too many recent Woody Allen movies or took French classes as a kid. I was certainly full of those.
It took me little more than two years to complete my film, 'Woody Allen: A Documentary.' I conducted hours of filmed interviews with Woody, who put forward no ground rules about questions I could ask, or topics to avoid.
But in this case, he had my cell phone and my phone was ringing and I had just come back from Australia on the plane and I thought it was my mum and it was Woody Allen just checking to see if I wanted to be in his movie.
Our distorted media culture sees men as subjects and women as objects; in films, Woody Allen gets older and older and still dates 20-year-old babes; movies about women are called 'chick flicks,' and men make fun of them.
Woody Allen, when we did Vicky Cristina Barcelona, said to Rebecca Hall, "Do it one time happy, one time sad, and one time indifferent, as I won't know where you should be until I'm editing this, in terms of your emotions."
Woody Allen's movies are so much a part of me. I grew up watching them over and over and would read all his comic pieces for the New Yorker. In some ways, his influence is so much there that I can't even locate it any more.
I would love to work with Dustin Hoffman, John Malkovich, Omar Epps, Martin Scorsese, Josh Mond, Woody Allen, Paul Thomas Anderson, and David O. Russell, just to name a few. Those guys are absolutely brilliant at what they do.
Scooby's the greatest cartoon character ever. He isn't cute like Mickey or smart like Bugs or fearless like Woody and Buzz - he's a talking dog who's more human than I am. It's his humanity and imperfections that make him special.
My father was a painter. There was a lot of singing. We hung around with a lot of folk musicians. My family knew a lot of great folk musicians of the time, like Woody Guthrie, Paul Robeson, Leadbelly. They were all people we knew.
Growing up, my two favorite books were Woody Allen's 'Side Effects' and Phyllis Diller's 'Housekeeping Hints.' I carried that Phyllis Diller book with me everywhere when I was in fifth or sixth grade. Eventually, it just fell apart.
My introduction to Woody Allen and to Ethan Coen was at the same time. On Broadway, I starred in a play called 'Relatively Speaking,' which was three one-act comedies, one of which was written by Ethan and one of which was by Woody.
I am defined also by Woody Allen’s films and Martin Scorsese and Jim Jarmusch and Julian Schnabel or Almodóvar, or by Guillermo del Toro, Iñárritu, Cuarón. Even if we haven’t worked with them, we are all defined by their filmography.
Your principal motive on a movie set is to get the film made, but on a Woody Allen set, there's an ulterior thing that goes on, which is, 'Did you have a conversation with Woody? How friendly have you been with him? Am I liked by him?'
People think of Jews as the Woody Allen stereotype, the nebbishy kind of thing, but that's not the kind of Jews I know. I know plenty of Israelis and plenty of tough guys that are Jewish. So, I think it makes sense that Jews play metal.
I love movies, but sometimes I think it's better for actresses not to be total cinephiles. You have to be able to do the work at some point; you can't be totally starstruck. 'I can't believe it's Woody Allen!' You have to get past that.
Woody Allen likes to do a lot of master shots. He likes to get the whole thing in one take, and so you could be going along doing a scene, and then the next to last line, all of a sudden, you stumble, and you have to go back to first base.